{"title":"Film Arena","description":"","products":[{"product_id":"birdman-full-slip-steelbook-czech","title":"Birdman Full Slip SteelBook + Lenticular Magnet (FAC#21)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eMichael Keaton, Emma Stone, Edward Norton, Andrea Riseborough, Zach Galifianakis, Naomi Watts\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eAlejandro González Iñárritu\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master Audio 5.1 (48kHz, 24-bit)\u003cbr\u003eSPANISH: Dolby Digital 5.1\u003cbr\u003eFRENCH: DTS 5.1\u003cbr\u003ePORTUGUESE: Dolby Digital 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003ePOLISH: Dolby Digital 5.1\u003cbr\u003eTURKISH: Dolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Arabic, Bulgarian, Czech, Chinese, French, Hebrew, Dutch, Croatian, Icelandic, Korean, Hungarian, Polish, Portuguese, Romanian, Greek, Slovak, Slovenian, Servian, Spanish, Turkish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e1.84:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2014\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2\/1\/2016\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e123 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBirdman: All Access (1080p; 33:28), which bears the appropriate subtitle A View from the Wings, has behind the scenes footage, including Iñárritu working to build team unity with his cast and crew.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Conversation with Michael Keaton and Alejandro G. Iñárritu (1080p; 14:03) interchange between the two, both emphasize the film as \"experiential\" rather than something that needs critical analysis.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGallery: Chivo's On Set Photography (1080p; 3:30) offers both a Manual and Auto Advance option (the timing is for the Auto Advance option).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":48546960179505,"sku":"HNEJST32278","price":149.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #26\/2000","offer_id":50161006543153,"sku":null,"price":159.99,"currency_code":"USD","in_stock":true},{"title":"New - Slip Box VG","offer_id":53166381334833,"sku":null,"price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/BirdmanFullSlipSteelBook_Czech.jpg?v=1689712304"},{"product_id":"birdman-lenticular-steelbook-w-puzzle-czech","title":"Birdman Lenticular SteelBook w\/ Puzzle (FAC#21)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eMichael Keaton, Emma Stone, Edward Norton, Andrea Riseborough, Zach Galifianakis, Naomi Watts\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eAlejandro González Iñárritu\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master Audio 5.1 (48kHz, 24-bit)\u003cbr\u003eSPANISH: Dolby Digital 5.1\u003cbr\u003eFRENCH: DTS 5.1\u003cbr\u003ePORTUGUESE: Dolby Digital 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003ePOLISH: Dolby Digital 5.1\u003cbr\u003eTURKISH: Dolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Arabic, Bulgarian, Czech, Chinese, French, Hebrew, Dutch, Croatian, Icelandic, Korean, Hungarian, Polish, Portuguese, Romanian, Greek, Slovak, Slovenian, Servian, Spanish, Turkish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e1.84:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2014\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2\/1\/2016\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e123 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBirdman: All Access (1080p; 33:28), which bears the appropriate subtitle A View from the Wings, has behind the scenes footage, including Iñárritu working to build team unity with his cast and crew.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eA Conversation with Michael Keaton and Alejandro G. Iñárritu (1080p; 14:03) interchange between the two, both emphasize the film as \"experiential\" rather than something that needs critical analysis.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGallery: Chivo's On Set Photography (1080p; 3:30) offers both a Manual and Auto Advance option (the timing is for the Auto Advance option).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Slip Box (Very Good)","offer_id":46155098325297,"sku":"HNEJST32280","price":159.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening","offer_id":46155098358065,"sku":"HNEJST32281","price":169.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #47\/1500","offer_id":48672297255217,"sku":"","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/BirdmanLenticularSteelBookw_Puzzle_Czech.jpg?v=1689712351"},{"product_id":"prometheus-3d-xl-full-slip-steelbook-czech","title":"Prometheus 3D XL Full Slip SteelBook + Lenticular Magnet (FAC #103)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" width=\"498\" height=\"652\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eNoomi Rapace, Charlize Theron, Patrick Wilson, Michael Fassbender, Idris Elba\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: \u003cspan\u003eDTS-HD Master 7.1\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCZECH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eHUNGARIAN: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003ePOLISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1 (VO)\u003cbr\u003eTHAI: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eTURKISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, arabic, bulgarian, czech, chinese, croatian, indonesian, icelandic, korean, hungarian, malay, mandarin, polish, portuguese, romanian, greek, slovenian, serbian, thai, turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2012\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e9\/19\/2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e124 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e2D Blu-ray Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentaries\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDirector\/Producer Ridley Scott: If you're like me, you could listen to Scott talk about his work for hours, and he thankfully obliges us here with a detailed commentary that takes us through the nuances of production, from the decision to revisit the world of Alien to the casting process to the joys and challenges of shooting in 3D. Great stuff, even if Scott sometimes lapses into describing—in great detail—exactly what's happening on screen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWriter John Spaihts and Writer\/Executive Producer Damon Lindelof: I have the unsubstantiated feeling that Spaihts resents Lindelof's involvement—the latter was brought in to rework the former's script—and so I wasn't surprised that this is one of those patchwork commentary tracks where the two participants are recorded separately and their remarks edited together later. Still, there's so much to learn here about the creation of the story, the teasing out of the film's themes, and the development of the characters. Well worth a listen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted and Alternate Scenes (1080p): Ridley Scott and editor Pietro Scalia have put together nearly 37-minutes of deleted\/extended\/alternate scenes, most of which are small character-building beats. There are a few small revelations here, though—nothing game changing—that give insight into the world of the engineers. Each scene features optional commentary by Scalia and visual effects supervisor Richard Stammers. Below I've included the scene descriptions that are included on the disc; tread lightly, there are spoilers ahead.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eArrival of the Engineers (2:45): \"The engineers touch down on Prehistoric Earth for a sacred ritual devoted to the seeding of intelligent life. Whereas the theatrical version of the scene is devoted to the lone sacrificial engineer, this early cut features several of his comrades, including the elder engineer. The ceremony was filmed with dialogue but unsatisfied with the result, Ridley Scott removed the recorded dialogue entirely.\"\u003c\/li\u003e\n\u003cli\u003eT'is the Season (1:07): \"Janek and Vickers test each other a bit on Christmas morning in this extended scene.\" With optional commentary by Scalia and Stammers.\u003c\/li\u003e\n\u003cli\u003eOur First Alien (00:51): \"Biologist Milburn makes an exciting discovery in the engineer pyramid which could very well represent the first stage in the evolution of a far more dangerous organism. David seems pleased.\"\u003c\/li\u003e\n\u003cli\u003eSkin (00:51): \"Milburn and Fifield make an odd find (which may strike a chord with Alien fans) in the pyramid. Could it be a clue as to what killed off the engineers?\"\u003c\/li\u003e\n\u003cli\u003eWe're Not Alone Anymore (1:32): \"Following the team's return from the engineer pyramid, Shaw shares a toast with the Prometheus crew, celebrating their historic discovery. Holloway does not share her enthusiasm.\"\u003c\/li\u003e\n\u003cli\u003eStrange Bedfellows (3:11): \"In this original version of the scene, the tension between Shaw and Holloway is significantly more argumentative, resulting in a less-sympathetic depiction of Holloway and undermining the impact of his eventual fate. This scene was reshot months later with the version that now appears in the film, taking a softer, more romantic approach while establishing that Shaw is infertile, better setting up the horrific revelation that is to come.\"\u003c\/li\u003e\n\u003cli\u003eHolloway Hungover (1:35): \"An extended version of the post-coital scene in Shaw and Holloway's quarters, allowing the couple a few more tender moments together before unknowingly beginning what will be their final journey together.\"\u003c\/li\u003e\n\u003cli\u003eDavid's Objective (00:31): \"This brief transitional scene increases the tension between David and Vickers as she suits up to intercept the infected Holloway and defend the ship from possible contagion.\"\u003c\/li\u003e\n\u003cli\u003eJanek Fills Vickers In (3:43): \"Following Holloway's demise, a shaken Vickers is visited in her quarters by Janek, who attempts to console her. He then tells her about his military history, adding a tale that seems to parallel what the engineers might have been up to.\"\u003c\/li\u003e\n\u003cli\u003eA King Has His Reign (3:56): \"An extended version of this uneasy reunion between Weyland and Vickers, this scene includes additional dialogue. This moment, along with 'Fifield Attacks' and most of the connecting scenes between them, had their order significantly restructured deep into the editing process for greater story clarity.\"\u003c\/li\u003e\n\u003cli\u003eFifield Attacks (2:14): \"Originally intending to show Fifield's mutation in a more advanced stage, the visual effects team at Weta planned on using on-set footage of actor Sean Harris and his stunt double Will Willoughby in full prosthetic make-up as reference and later replace them with a completely digital creation. In the end, Ridley Scott opted to 'keep it real' and use Harris' live performance instead of this alternate CG version of the scene. Yet another alternate cut of this scene in which Weyland, Shaw and team were to leave for the engineer pyramid in the midst of Fifield's attack (glimpsed briefly in the film's trailers) was abandoned early on.\"\u003c\/li\u003e\n\u003cli\u003eThe Engineer Speaks (4:23): \"Awakened after two-thousand years of hypersleep, the Engineer is greeted by Weyland and the others. David's study of ancient languages comes in handy as he serves as Weyland's interpreter.\"\u003c\/li\u003e\n\u003cli\u003eFinal Battle (5:51): \"Shaw returns to Vickers' escape vehicle to regroup, only to be tracked there by the furious engineer. The final confrontation between Shaw and the engineer was originally intended to be a slower burn leading up to a longer, more physical clash between the two, as scene here.\"\u003c\/li\u003e\n\u003cli\u003eParadise (5:20): \"This extended scene reveals new information about the engineer homeworld as well as some alternate dialogue between Shaw and David. Note that one of Ridley Scott's original titles for the film was Paradise and it was even maintained as a cover title for secrecy during production.\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Peter Weyland Files (1080p, 18:57): A collection of internet promo videos, presented within a dossier of sorts, with notes from Weyland, the most revealing of which suggests that Weyland's scientists detected a signal coming from LV-426—the moon from the first Alien film—and that Weyland considered it a secondary objective. There's also a potentially interesting connection made to Blade Runner's Eldon Tyrell, which could suggest some sort of crossover in either the Prometheus sequel or Ridley Scott's upcoming new Blade Runner film. Or, of course, it could just be there to tease us.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eQuiet Eye: Elizabeth Shaw: A video call Shaw made to Weyland to introduce herself and explain her findings.\u003c\/li\u003e\n\u003cli\u003eHappy Birthday, David: An introduction to the 8th generation android, David, who explains what he thinks about and what makes him sad.\u003c\/li\u003e\n\u003cli\u003ePrometheus Transmission: A collection of pre-mission \"interviews\" with the crew of Prometheus. The crew of the ship, that is, not the film.\u003c\/li\u003e\n\u003cli\u003eTED Conference, 2023: In the best promo, a young Peter Weyland—Guy Pierce, sans old man makeup—gives a darkly inspirational TED Talk where he proclaims that \"we are the gods now\" and \"if you'll indulge me, I'd like to change the world.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eExclusive Bonus Features Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Furious Gods: Making Prometheus (1080p, 3:40:56): Here's where it really gets good. Directed by renowned behind-the-scenes documentarian Charles de Lauzirika, this nearly four-hour making-of feature is a comprehensive journey through the film's creation—from early script ideas to the pre-release hype train—with all-access on-set footage and interviews with nearly everyone involved. Read below to see what's covered in each of the nine sections.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConquest of Paradise: Renewing the Story: Ridley Scott and the film's writers discuss the process of revamping the series, drafting up the initial scripts and moving into pre-production design.\u003c\/li\u003e\n\u003cli\u003eUnder the Pyramid: LV-223: Here, we go inside the art room in Los Angeles where the film's visual ideas were hashed out, see a meeting with H.R. Giger, hear about the designing of the \"space jockey's\" chair, and even hear how the artists were initially opposed to the humanoid look of the Engineers. We also get into the evolution of the monster design, which will be fleshed out in it's own section later in the documentary.\u003c\/li\u003e\n\u003cli\u003eReverse Engineering: USCSS Prometheus: A look at the designing of the Prometheus ship—from the functional aspects of spaceflight to the technology of the interiors—along with the rovers and ATVs.\u003c\/li\u003e\n\u003cli\u003eThe Human Manifest: Casting and Costumes: An overview of—and interviews with—all of the main actors, discussing their characters and how they got involved with the film. Best bit? An outtake with Michael Fassbender, as David, referring to his android penis as \"sixteen inches long when erect; it varies when relaxed.\" Mixed in are interviews and behind-the-scenes footage with costume designer Janty Yates, explaining the rationale behind the characters' outfits.\u003c\/li\u003e\n\u003cli\u003eA World without Green: Pinewood Studios, 2011: Ridley's decision to create as much practically as possible—as opposed to automatically defaulting to greenscreen and CGI—resulted in some huge and remarkably detailed sets at England's Pinewood Studios, specifically the famed 007 lot. We also get a look at the process of shooting in 3D, from the intricate wiring and more complicated workflow to the temperamental camera rigs.\u003c\/li\u003e\n\u003cli\u003eDemons in the Dark: Creature Design: In the second section we see the pre-production design of the monsters; here, we get to see the on-set, practical aspects of bringing the monsters to life using \"cable technology\"—that is, animatronics—and \"good old fashioned movie tricks.\" For example, you'd never know the amniotic sac of the alien inside Shaw is just a condom.\u003c\/li\u003e\n\u003cli\u003eHazard Pay: Stunts and Action: Lots of juicy behind-the-scenes footage of the film's intense stunt sequences, especially the lengthy fire burns, the engineer fight scene, and the climax.\u003c\/li\u003e\n\u003cli\u003eFire from the Sky: Visual Effects: Not everything was done practically of course, and this section explores the digital effect work from Weta Workshop and others, from the decomposition of the engineer at the beginning to the creation of the alien landscapes, the creatures, the med-pod scene, and the birth of the \"deacon.\"\u003c\/li\u003e\n\u003cli\u003ePrometheus Unbound: Post-Production and Release: The first part of this section is all about the polish. The editing process with Pietro Scalia. The decision to go for the R rating. The scoring at Abbey Road. The sound design. Then we go to the internet hype machine and the fans. In a particularly revealing moment, Lindelof admits,\"Will it be frustrating at the end? Absolutely. Be we all agreed that that was a good thing for it to be.\"\u003c\/li\u003e\n\u003cli\u003eEnhancement Pods (1080p, 1:10:54): If a nearly four-hour documentary weren't enough, there are twenty-three \"enhancement pods,\" which go in-depth into subjects that aren't fully covered in the documentary proper, including the titling of the film, the role of sex, the set decorating, the evolution of the Weyland logo, the creation of the \"ampules,\" Giger's influence, the construction of the engineer language, shooting on location in Iceland, and more. You can trigger these from within The Furious Gods—an icon appears onscreen at key junctures—or select them from the main menu.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeyland Corp Archive: Everything else goes here, in the Weyland Corp Archive, where you'll find image galleries, pre-vis animatics, screen tests, promo featurettes, and marketing materials, with sections for pre-production, production, and release.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Art of Prometheus (1080p): A series of galleries, with sections for Ridleygrams, Giger \u0026amp; Gutalin, Conceptual Art, Costume Design, Creatures, Vehicles, Props, Logos \u0026amp; Patches.\u003c\/li\u003e\n\u003cli\u003ePre-Vis (1080p, 25:47): Pre-vis animatics for several key sections through the film.\u003c\/li\u003e\n\u003cli\u003eScreen Tests (1080p): Here you'll find Noomi Rapace's initial test as Shaw (9:55) and a Costume\/Make-Up\/Hair test with optional cast commentary (11:28).\u003c\/li\u003e\n\u003cli\u003eTime-Lapse Sequence: Juggernaut (1080p,1:51): A time-lapse of the construction of the \"pilot's chamber,\" with optional commentary by production designer Arthur Max.\u003c\/li\u003e\n\u003cli\u003eUnit Photography (1080p): Galleries of on-set\/on-location images, with sections for Prometheus, Pyramid, Juggernaut, Creature Shop, and Iceland.\u003c\/li\u003e\n\u003cli\u003eMarketing Gallery (1080p): With sections for Poster Exploration and Key Art.\u003c\/li\u003e\n\u003cli\u003eTrailers and TV Spots (1080p): Here, you'll find two US trailers, an international teaser, and a whopping twenty-eight TV spots.\u003c\/li\u003e\n\u003cli\u003ePromotional Featurettes (1080p, 18:43): Nine hype-building promos, featuring on-set footage, brief clips from the film, and the cast and crew talking up the movie, discussing the characters and the story's themes.\u003c\/li\u003e\n\u003cli\u003eHBO First Look: Prometheus (1080p, 12:03): A short HBO special that's basically an extended version of the previous featurettes, introducing the film's key concepts and featuring interviews with Ridley Scott and members of the cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":47891775815985,"sku":"HNEJST32282","price":309.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #12\/400","offer_id":47891775848753,"sku":"HNEJST3234406","price":339.99,"currency_code":"USD","in_stock":true},{"title":"New -No Damage - #34\/400","offer_id":47891775881521,"sku":"HNEJST3234407","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3DXLFullSlipSteelBook_Czech.png?v=1689730791"},{"product_id":"the-shawshank-redemption-4k-xl-full-slip-steelbook-czech","title":"The Shawshank Redemption 4K XL Lenticular SteelBook + Lenticular Magnet (FAC#174)(Czech)","description":"\u003ctable height=\"652\" width=\"550\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eTim Robbins, Morgan Freeman, Bob Gunton, William Sadler, Clancy Brown, Gil Bellows\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eFrank Darabont\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: \u003cmeta charset=\"utf-8\"\u003eDTS-HD Master Audio 5.1\u003cbr\u003eSPANISH (CASTILIAN): Dolby Digital 5.1\u003cbr\u003eMANDARIN\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 2.0\u003cbr\u003eSPANISH (LATIN)\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eFRENCH (CANADIAN)\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eFRENCH (PARISIAN)\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eGERMAN\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eITALIAN\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eJAPAN\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003ePOLISH (VO)\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish SDH, Chinese - Simplified, Chinese - Simplified forced, Czech, Danish, Dutch, Finnish, French - Parisian, French - Parisian forced, German SDH, German forced, Chinese - Complex, Hungarian forced, Spanish - Latin, Spanish - Latin forced, Swedish, Italian forced, Italian SDH, Japanese, Japanese forced, Korean, Norwegian, Polish, Spanish - Castilian, Spanish - Castilian forced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.78:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1994\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e143 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eHope Springs Eternal: A Look Back at The Shawshank Redemption (480p, 31:01) Frank Darabont and members of the cast and crew initially talk about how the film's under-the- radar box office debut and confusing title (Scrimshaw Redaction? Shinkshank Reduction?) led the film to sneak up on people, ingraining itself in pop culture over the years through video rentals. The rest of the feature covers nearly all elements of The Shawshank Redemption's production and themes, including the casting, the set design, the script, and the score. More affecting though, are the cast member's ruminations on the film's themes of institutionalization, hope, friendship, and freedom.\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003eShawshank: The Redeeming Feature (SD, 48:17) This documentary features interviews with director Darabont and many members of the cast, each providing anecdotes and insights about the film's production and themes. Much of the running time is devoted to the film's meteoric rise in public awareness after its release on video, and we even get to see Col Needham, the founder of imdb.com, discussing Shawshank's unassailable place at the near top of the site's Best Films list.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Sharktank Redemption (SD, 24:46) This parody stars Morgan Freeman's son Alfonso as Fred Redding, a lowly assistant in a Hollywood production company who is routinely denied during his promotion \"hearings.\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Charlie Rose Show with Frank Darabont, Tim Robbins, and Morgan Freeman (SD, 42:21) 10th anniversary interview was right up my alley. Honestly though, much of the material is more than covered by Darabont's commentary track and the two rather long featurettes that are included on the disc.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCommentary by Director Frank Darabont: Darabont talks behind-the-scenes information. I only wish we had been given a second track with Freeman and Robbins to balance things out.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eShawshank Stills (1080p, 17:20) This section contains around 150 stills that are partitioned into six sections: Tim Robbins, Morgan Freeman, Supporting Cast, Tim \u0026amp; Morgan, Behind the Scenes, Shawshank Storyboards, and Shawshank Collectibles. Do note that while these are video slideshows encoded at 1080p, the photos themselves only take up the middle portion of the screen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer (1080p, 1:59)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46179342319921,"sku":"HNEJST32302","price":109.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheShawshankRedemption4KXLLenticularSteelBook_Czech_-Inside.jpg?v=1689801870"},{"product_id":"a-clockwork-orange-4k-xl-double-lenticular-steelbook-czech","title":"A Clockwork Orange 4K XL Double Lenticular SteelBook (BB#32)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eMalcolm McDowell, Patrick Magee, Michael Bates, Warren Clarke, John Clive, Adrienne Corri\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eStanley Kubrick\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003eTBA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eTBA\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.66:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1971\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e137 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary - featuring Malcolm McDowell and the late, great Nick Redman.\u003c\/li\u003e\n\u003cli\u003eStill Tickin': The Return of A Clockwork Orange (44 minutes)\u003c\/li\u003e\n\u003cli\u003eGreat Bolshy Yarblockos! Making A Clockwork Orange (28 minutes)\u003c\/li\u003e\n\u003cli\u003eTurning Like Clockwork (26 minutes)\u003c\/li\u003e\n\u003cli\u003eMalcolm McDowell Looks Back (11 minutes)\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer (1 minute)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46179469164849,"sku":"HNEJST32303","price":159.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/AClockworkOrange4KXLDoubleLenticularSteelBook_Czech_-Inside.jpg?v=1689801998"},{"product_id":"prometheus-3d-xl-double-lenticular-steelbook-czech","title":"Prometheus 3D XL Double Lenticular SteelBook (FAC #103)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eNoomi Rapace, Charlize Theron, Patrick Wilson, Michael Fassbender, Idris Elba\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: \u003cspan\u003eDTS-HD Master 7.1\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCZECH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eHUNGARIAN: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003ePOLISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1 (VO)\u003cbr\u003eTHAI: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eTURKISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, arabic, bulgarian, czech, chinese, croatian, indonesian, icelandic, korean, hungarian, malay, mandarin, polish, portuguese, romanian, greek, slovenian, serbian, thai, turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2012\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/19\/2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e124 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e2D Blu-ray Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentaries\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDirector\/Producer Ridley Scott: If you're like me, you could listen to Scott talk about his work for hours, and he thankfully obliges us here with a detailed commentary that takes us through the nuances of production, from the decision to revisit the world of Alien to the casting process to the joys and challenges of shooting in 3D. Great stuff, even if Scott sometimes lapses into describing—in great detail—exactly what's happening on screen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWriter John Spaihts and Writer\/Executive Producer Damon Lindelof: I have the unsubstantiated feeling that Spaihts resents Lindelof's involvement—the latter was brought in to rework the former's script—and so I wasn't surprised that this is one of those patchwork commentary tracks where the two participants are recorded separately and their remarks edited together later. Still, there's so much to learn here about the creation of the story, the teasing out of the film's themes, and the development of the characters. Well worth a listen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted and Alternate Scenes (1080p): Ridley Scott and editor Pietro Scalia have put together nearly 37-minutes of deleted\/extended\/alternate scenes, most of which are small character-building beats. There are a few small revelations here, though—nothing game changing—that give insight into the world of the engineers. Each scene features optional commentary by Scalia and visual effects supervisor Richard Stammers. Below I've included the scene descriptions that are included on the disc; tread lightly, there are spoilers ahead.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eArrival of the Engineers (2:45): \"The engineers touch down on Prehistoric Earth for a sacred ritual devoted to the seeding of intelligent life. Whereas the theatrical version of the scene is devoted to the lone sacrificial engineer, this early cut features several of his comrades, including the elder engineer. The ceremony was filmed with dialogue but unsatisfied with the result, Ridley Scott removed the recorded dialogue entirely.\"\u003c\/li\u003e\n\u003cli\u003eT'is the Season (1:07): \"Janek and Vickers test each other a bit on Christmas morning in this extended scene.\" With optional commentary by Scalia and Stammers.\u003c\/li\u003e\n\u003cli\u003eOur First Alien (00:51): \"Biologist Milburn makes an exciting discovery in the engineer pyramid which could very well represent the first stage in the evolution of a far more dangerous organism. David seems pleased.\"\u003c\/li\u003e\n\u003cli\u003eSkin (00:51): \"Milburn and Fifield make an odd find (which may strike a chord with Alien fans) in the pyramid. Could it be a clue as to what killed off the engineers?\"\u003c\/li\u003e\n\u003cli\u003eWe're Not Alone Anymore (1:32): \"Following the team's return from the engineer pyramid, Shaw shares a toast with the Prometheus crew, celebrating their historic discovery. Holloway does not share her enthusiasm.\"\u003c\/li\u003e\n\u003cli\u003eStrange Bedfellows (3:11): \"In this original version of the scene, the tension between Shaw and Holloway is significantly more argumentative, resulting in a less-sympathetic depiction of Holloway and undermining the impact of his eventual fate. This scene was reshot months later with the version that now appears in the film, taking a softer, more romantic approach while establishing that Shaw is infertile, better setting up the horrific revelation that is to come.\"\u003c\/li\u003e\n\u003cli\u003eHolloway Hungover (1:35): \"An extended version of the post-coital scene in Shaw and Holloway's quarters, allowing the couple a few more tender moments together before unknowingly beginning what will be their final journey together.\"\u003c\/li\u003e\n\u003cli\u003eDavid's Objective (00:31): \"This brief transitional scene increases the tension between David and Vickers as she suits up to intercept the infected Holloway and defend the ship from possible contagion.\"\u003c\/li\u003e\n\u003cli\u003eJanek Fills Vickers In (3:43): \"Following Holloway's demise, a shaken Vickers is visited in her quarters by Janek, who attempts to console her. He then tells her about his military history, adding a tale that seems to parallel what the engineers might have been up to.\"\u003c\/li\u003e\n\u003cli\u003eA King Has His Reign (3:56): \"An extended version of this uneasy reunion between Weyland and Vickers, this scene includes additional dialogue. This moment, along with 'Fifield Attacks' and most of the connecting scenes between them, had their order significantly restructured deep into the editing process for greater story clarity.\"\u003c\/li\u003e\n\u003cli\u003eFifield Attacks (2:14): \"Originally intending to show Fifield's mutation in a more advanced stage, the visual effects team at Weta planned on using on-set footage of actor Sean Harris and his stunt double Will Willoughby in full prosthetic make-up as reference and later replace them with a completely digital creation. In the end, Ridley Scott opted to 'keep it real' and use Harris' live performance instead of this alternate CG version of the scene. Yet another alternate cut of this scene in which Weyland, Shaw and team were to leave for the engineer pyramid in the midst of Fifield's attack (glimpsed briefly in the film's trailers) was abandoned early on.\"\u003c\/li\u003e\n\u003cli\u003eThe Engineer Speaks (4:23): \"Awakened after two-thousand years of hypersleep, the Engineer is greeted by Weyland and the others. David's study of ancient languages comes in handy as he serves as Weyland's interpreter.\"\u003c\/li\u003e\n\u003cli\u003eFinal Battle (5:51): \"Shaw returns to Vickers' escape vehicle to regroup, only to be tracked there by the furious engineer. The final confrontation between Shaw and the engineer was originally intended to be a slower burn leading up to a longer, more physical clash between the two, as scene here.\"\u003c\/li\u003e\n\u003cli\u003eParadise (5:20): \"This extended scene reveals new information about the engineer homeworld as well as some alternate dialogue between Shaw and David. Note that one of Ridley Scott's original titles for the film was Paradise and it was even maintained as a cover title for secrecy during production.\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Peter Weyland Files (1080p, 18:57): A collection of internet promo videos, presented within a dossier of sorts, with notes from Weyland, the most revealing of which suggests that Weyland's scientists detected a signal coming from LV-426—the moon from the first Alien film—and that Weyland considered it a secondary objective. There's also a potentially interesting connection made to Blade Runner's Eldon Tyrell, which could suggest some sort of crossover in either the Prometheus sequel or Ridley Scott's upcoming new Blade Runner film. Or, of course, it could just be there to tease us.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eQuiet Eye: Elizabeth Shaw: A video call Shaw made to Weyland to introduce herself and explain her findings.\u003c\/li\u003e\n\u003cli\u003eHappy Birthday, David: An introduction to the 8th generation android, David, who explains what he thinks about and what makes him sad.\u003c\/li\u003e\n\u003cli\u003ePrometheus Transmission: A collection of pre-mission \"interviews\" with the crew of Prometheus. The crew of the ship, that is, not the film.\u003c\/li\u003e\n\u003cli\u003eTED Conference, 2023: In the best promo, a young Peter Weyland—Guy Pierce, sans old man makeup—gives a darkly inspirational TED Talk where he proclaims that \"we are the gods now\" and \"if you'll indulge me, I'd like to change the world.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eExclusive Bonus Features Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Furious Gods: Making Prometheus (1080p, 3:40:56): Here's where it really gets good. Directed by renowned behind-the-scenes documentarian Charles de Lauzirika, this nearly four-hour making-of feature is a comprehensive journey through the film's creation—from early script ideas to the pre-release hype train—with all-access on-set footage and interviews with nearly everyone involved. Read below to see what's covered in each of the nine sections.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConquest of Paradise: Renewing the Story: Ridley Scott and the film's writers discuss the process of revamping the series, drafting up the initial scripts and moving into pre-production design.\u003c\/li\u003e\n\u003cli\u003eUnder the Pyramid: LV-223: Here, we go inside the art room in Los Angeles where the film's visual ideas were hashed out, see a meeting with H.R. Giger, hear about the designing of the \"space jockey's\" chair, and even hear how the artists were initially opposed to the humanoid look of the Engineers. We also get into the evolution of the monster design, which will be fleshed out in it's own section later in the documentary.\u003c\/li\u003e\n\u003cli\u003eReverse Engineering: USCSS Prometheus: A look at the designing of the Prometheus ship—from the functional aspects of spaceflight to the technology of the interiors—along with the rovers and ATVs.\u003c\/li\u003e\n\u003cli\u003eThe Human Manifest: Casting and Costumes: An overview of—and interviews with—all of the main actors, discussing their characters and how they got involved with the film. Best bit? An outtake with Michael Fassbender, as David, referring to his android penis as \"sixteen inches long when erect; it varies when relaxed.\" Mixed in are interviews and behind-the-scenes footage with costume designer Janty Yates, explaining the rationale behind the characters' outfits.\u003c\/li\u003e\n\u003cli\u003eA World without Green: Pinewood Studios, 2011: Ridley's decision to create as much practically as possible—as opposed to automatically defaulting to greenscreen and CGI—resulted in some huge and remarkably detailed sets at England's Pinewood Studios, specifically the famed 007 lot. We also get a look at the process of shooting in 3D, from the intricate wiring and more complicated workflow to the temperamental camera rigs.\u003c\/li\u003e\n\u003cli\u003eDemons in the Dark: Creature Design: In the second section we see the pre-production design of the monsters; here, we get to see the on-set, practical aspects of bringing the monsters to life using \"cable technology\"—that is, animatronics—and \"good old fashioned movie tricks.\" For example, you'd never know the amniotic sac of the alien inside Shaw is just a condom.\u003c\/li\u003e\n\u003cli\u003eHazard Pay: Stunts and Action: Lots of juicy behind-the-scenes footage of the film's intense stunt sequences, especially the lengthy fire burns, the engineer fight scene, and the climax.\u003c\/li\u003e\n\u003cli\u003eFire from the Sky: Visual Effects: Not everything was done practically of course, and this section explores the digital effect work from Weta Workshop and others, from the decomposition of the engineer at the beginning to the creation of the alien landscapes, the creatures, the med-pod scene, and the birth of the \"deacon.\"\u003c\/li\u003e\n\u003cli\u003ePrometheus Unbound: Post-Production and Release: The first part of this section is all about the polish. The editing process with Pietro Scalia. The decision to go for the R rating. The scoring at Abbey Road. The sound design. Then we go to the internet hype machine and the fans. In a particularly revealing moment, Lindelof admits,\"Will it be frustrating at the end? Absolutely. Be we all agreed that that was a good thing for it to be.\"\u003c\/li\u003e\n\u003cli\u003eEnhancement Pods (1080p, 1:10:54): If a nearly four-hour documentary weren't enough, there are twenty-three \"enhancement pods,\" which go in-depth into subjects that aren't fully covered in the documentary proper, including the titling of the film, the role of sex, the set decorating, the evolution of the Weyland logo, the creation of the \"ampules,\" Giger's influence, the construction of the engineer language, shooting on location in Iceland, and more. You can trigger these from within The Furious Gods—an icon appears onscreen at key junctures—or select them from the main menu.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeyland Corp Archive: Everything else goes here, in the Weyland Corp Archive, where you'll find image galleries, pre-vis animatics, screen tests, promo featurettes, and marketing materials, with sections for pre-production, production, and release.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Art of Prometheus (1080p): A series of galleries, with sections for Ridleygrams, Giger \u0026amp; Gutalin, Conceptual Art, Costume Design, Creatures, Vehicles, Props, Logos \u0026amp; Patches.\u003c\/li\u003e\n\u003cli\u003ePre-Vis (1080p, 25:47): Pre-vis animatics for several key sections through the film.\u003c\/li\u003e\n\u003cli\u003eScreen Tests (1080p): Here you'll find Noomi Rapace's initial test as Shaw (9:55) and a Costume\/Make-Up\/Hair test with optional cast commentary (11:28).\u003c\/li\u003e\n\u003cli\u003eTime-Lapse Sequence: Juggernaut (1080p,1:51): A time-lapse of the construction of the \"pilot's chamber,\" with optional commentary by production designer Arthur Max.\u003c\/li\u003e\n\u003cli\u003eUnit Photography (1080p): Galleries of on-set\/on-location images, with sections for Prometheus, Pyramid, Juggernaut, Creature Shop, and Iceland.\u003c\/li\u003e\n\u003cli\u003eMarketing Gallery (1080p): With sections for Poster Exploration and Key Art.\u003c\/li\u003e\n\u003cli\u003eTrailers and TV Spots (1080p): Here, you'll find two US trailers, an international teaser, and a whopping twenty-eight TV spots.\u003c\/li\u003e\n\u003cli\u003ePromotional Featurettes (1080p, 18:43): Nine hype-building promos, featuring on-set footage, brief clips from the film, and the cast and crew talking up the movie, discussing the characters and the story's themes.\u003c\/li\u003e\n\u003cli\u003eHBO First Look: Prometheus (1080p, 12:03): A short HBO special that's basically an extended version of the previous featurettes, introducing the film's key concepts and featuring interviews with Ridley Scott and members of the cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":47216296984881,"sku":"HNEJST323118","price":211.99,"currency_code":"USD","in_stock":false},{"title":"New - No Damage Before Opening - #43\/500","offer_id":47216297017649,"sku":"HNEJST3233090","price":212.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #57\/500","offer_id":47891771326769,"sku":"HNEJST3234405","price":209.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #34\/500","offer_id":48551729070385,"sku":"HNEJST3238423","price":216.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3DXLDoubleLenticularSteelBook_Czech.png?v=1690035833"},{"product_id":"prometheus-3d-xl-embossed-full-slip-steelbook-fac-103czech","title":"Prometheus 3D XL Embossed Full Slip SteelBook (FAC #103)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eNoomi Rapace, Charlize Theron, Patrick Wilson, Michael Fassbender, Idris Elba\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: \u003cspan\u003eDTS-HD Master 7.1\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCZECH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eHUNGARIAN: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003ePOLISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1 (VO)\u003cbr\u003eTHAI: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eTURKISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, arabic, bulgarian, czech, chinese, croatian, indonesian, icelandic, korean, hungarian, malay, mandarin, polish, portuguese, romanian, greek, slovenian, serbian, thai, turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2012\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/19\/2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e124 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e2D Blu-ray Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentaries\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDirector\/Producer Ridley Scott: If you're like me, you could listen to Scott talk about his work for hours, and he thankfully obliges us here with a detailed commentary that takes us through the nuances of production, from the decision to revisit the world of Alien to the casting process to the joys and challenges of shooting in 3D. Great stuff, even if Scott sometimes lapses into describing—in great detail—exactly what's happening on screen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWriter John Spaihts and Writer\/Executive Producer Damon Lindelof: I have the unsubstantiated feeling that Spaihts resents Lindelof's involvement—the latter was brought in to rework the former's script—and so I wasn't surprised that this is one of those patchwork commentary tracks where the two participants are recorded separately and their remarks edited together later. Still, there's so much to learn here about the creation of the story, the teasing out of the film's themes, and the development of the characters. Well worth a listen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted and Alternate Scenes (1080p): Ridley Scott and editor Pietro Scalia have put together nearly 37-minutes of deleted\/extended\/alternate scenes, most of which are small character-building beats. There are a few small revelations here, though—nothing game changing—that give insight into the world of the engineers. Each scene features optional commentary by Scalia and visual effects supervisor Richard Stammers. Below I've included the scene descriptions that are included on the disc; tread lightly, there are spoilers ahead.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eArrival of the Engineers (2:45): \"The engineers touch down on Prehistoric Earth for a sacred ritual devoted to the seeding of intelligent life. Whereas the theatrical version of the scene is devoted to the lone sacrificial engineer, this early cut features several of his comrades, including the elder engineer. The ceremony was filmed with dialogue but unsatisfied with the result, Ridley Scott removed the recorded dialogue entirely.\"\u003c\/li\u003e\n\u003cli\u003eT'is the Season (1:07): \"Janek and Vickers test each other a bit on Christmas morning in this extended scene.\" With optional commentary by Scalia and Stammers.\u003c\/li\u003e\n\u003cli\u003eOur First Alien (00:51): \"Biologist Milburn makes an exciting discovery in the engineer pyramid which could very well represent the first stage in the evolution of a far more dangerous organism. David seems pleased.\"\u003c\/li\u003e\n\u003cli\u003eSkin (00:51): \"Milburn and Fifield make an odd find (which may strike a chord with Alien fans) in the pyramid. Could it be a clue as to what killed off the engineers?\"\u003c\/li\u003e\n\u003cli\u003eWe're Not Alone Anymore (1:32): \"Following the team's return from the engineer pyramid, Shaw shares a toast with the Prometheus crew, celebrating their historic discovery. Holloway does not share her enthusiasm.\"\u003c\/li\u003e\n\u003cli\u003eStrange Bedfellows (3:11): \"In this original version of the scene, the tension between Shaw and Holloway is significantly more argumentative, resulting in a less-sympathetic depiction of Holloway and undermining the impact of his eventual fate. This scene was reshot months later with the version that now appears in the film, taking a softer, more romantic approach while establishing that Shaw is infertile, better setting up the horrific revelation that is to come.\"\u003c\/li\u003e\n\u003cli\u003eHolloway Hungover (1:35): \"An extended version of the post-coital scene in Shaw and Holloway's quarters, allowing the couple a few more tender moments together before unknowingly beginning what will be their final journey together.\"\u003c\/li\u003e\n\u003cli\u003eDavid's Objective (00:31): \"This brief transitional scene increases the tension between David and Vickers as she suits up to intercept the infected Holloway and defend the ship from possible contagion.\"\u003c\/li\u003e\n\u003cli\u003eJanek Fills Vickers In (3:43): \"Following Holloway's demise, a shaken Vickers is visited in her quarters by Janek, who attempts to console her. He then tells her about his military history, adding a tale that seems to parallel what the engineers might have been up to.\"\u003c\/li\u003e\n\u003cli\u003eA King Has His Reign (3:56): \"An extended version of this uneasy reunion between Weyland and Vickers, this scene includes additional dialogue. This moment, along with 'Fifield Attacks' and most of the connecting scenes between them, had their order significantly restructured deep into the editing process for greater story clarity.\"\u003c\/li\u003e\n\u003cli\u003eFifield Attacks (2:14): \"Originally intending to show Fifield's mutation in a more advanced stage, the visual effects team at Weta planned on using on-set footage of actor Sean Harris and his stunt double Will Willoughby in full prosthetic make-up as reference and later replace them with a completely digital creation. In the end, Ridley Scott opted to 'keep it real' and use Harris' live performance instead of this alternate CG version of the scene. Yet another alternate cut of this scene in which Weyland, Shaw and team were to leave for the engineer pyramid in the midst of Fifield's attack (glimpsed briefly in the film's trailers) was abandoned early on.\"\u003c\/li\u003e\n\u003cli\u003eThe Engineer Speaks (4:23): \"Awakened after two-thousand years of hypersleep, the Engineer is greeted by Weyland and the others. David's study of ancient languages comes in handy as he serves as Weyland's interpreter.\"\u003c\/li\u003e\n\u003cli\u003eFinal Battle (5:51): \"Shaw returns to Vickers' escape vehicle to regroup, only to be tracked there by the furious engineer. The final confrontation between Shaw and the engineer was originally intended to be a slower burn leading up to a longer, more physical clash between the two, as scene here.\"\u003c\/li\u003e\n\u003cli\u003eParadise (5:20): \"This extended scene reveals new information about the engineer homeworld as well as some alternate dialogue between Shaw and David. Note that one of Ridley Scott's original titles for the film was Paradise and it was even maintained as a cover title for secrecy during production.\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Peter Weyland Files (1080p, 18:57): A collection of internet promo videos, presented within a dossier of sorts, with notes from Weyland, the most revealing of which suggests that Weyland's scientists detected a signal coming from LV-426—the moon from the first Alien film—and that Weyland considered it a secondary objective. There's also a potentially interesting connection made to Blade Runner's Eldon Tyrell, which could suggest some sort of crossover in either the Prometheus sequel or Ridley Scott's upcoming new Blade Runner film. Or, of course, it could just be there to tease us.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eQuiet Eye: Elizabeth Shaw: A video call Shaw made to Weyland to introduce herself and explain her findings.\u003c\/li\u003e\n\u003cli\u003eHappy Birthday, David: An introduction to the 8th generation android, David, who explains what he thinks about and what makes him sad.\u003c\/li\u003e\n\u003cli\u003ePrometheus Transmission: A collection of pre-mission \"interviews\" with the crew of Prometheus. The crew of the ship, that is, not the film.\u003c\/li\u003e\n\u003cli\u003eTED Conference, 2023: In the best promo, a young Peter Weyland—Guy Pierce, sans old man makeup—gives a darkly inspirational TED Talk where he proclaims that \"we are the gods now\" and \"if you'll indulge me, I'd like to change the world.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eExclusive Bonus Features Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Furious Gods: Making Prometheus (1080p, 3:40:56): Here's where it really gets good. Directed by renowned behind-the-scenes documentarian Charles de Lauzirika, this nearly four-hour making-of feature is a comprehensive journey through the film's creation—from early script ideas to the pre-release hype train—with all-access on-set footage and interviews with nearly everyone involved. Read below to see what's covered in each of the nine sections.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConquest of Paradise: Renewing the Story: Ridley Scott and the film's writers discuss the process of revamping the series, drafting up the initial scripts and moving into pre-production design.\u003c\/li\u003e\n\u003cli\u003eUnder the Pyramid: LV-223: Here, we go inside the art room in Los Angeles where the film's visual ideas were hashed out, see a meeting with H.R. Giger, hear about the designing of the \"space jockey's\" chair, and even hear how the artists were initially opposed to the humanoid look of the Engineers. We also get into the evolution of the monster design, which will be fleshed out in it's own section later in the documentary.\u003c\/li\u003e\n\u003cli\u003eReverse Engineering: USCSS Prometheus: A look at the designing of the Prometheus ship—from the functional aspects of spaceflight to the technology of the interiors—along with the rovers and ATVs.\u003c\/li\u003e\n\u003cli\u003eThe Human Manifest: Casting and Costumes: An overview of—and interviews with—all of the main actors, discussing their characters and how they got involved with the film. Best bit? An outtake with Michael Fassbender, as David, referring to his android penis as \"sixteen inches long when erect; it varies when relaxed.\" Mixed in are interviews and behind-the-scenes footage with costume designer Janty Yates, explaining the rationale behind the characters' outfits.\u003c\/li\u003e\n\u003cli\u003eA World without Green: Pinewood Studios, 2011: Ridley's decision to create as much practically as possible—as opposed to automatically defaulting to greenscreen and CGI—resulted in some huge and remarkably detailed sets at England's Pinewood Studios, specifically the famed 007 lot. We also get a look at the process of shooting in 3D, from the intricate wiring and more complicated workflow to the temperamental camera rigs.\u003c\/li\u003e\n\u003cli\u003eDemons in the Dark: Creature Design: In the second section we see the pre-production design of the monsters; here, we get to see the on-set, practical aspects of bringing the monsters to life using \"cable technology\"—that is, animatronics—and \"good old fashioned movie tricks.\" For example, you'd never know the amniotic sac of the alien inside Shaw is just a condom.\u003c\/li\u003e\n\u003cli\u003eHazard Pay: Stunts and Action: Lots of juicy behind-the-scenes footage of the film's intense stunt sequences, especially the lengthy fire burns, the engineer fight scene, and the climax.\u003c\/li\u003e\n\u003cli\u003eFire from the Sky: Visual Effects: Not everything was done practically of course, and this section explores the digital effect work from Weta Workshop and others, from the decomposition of the engineer at the beginning to the creation of the alien landscapes, the creatures, the med-pod scene, and the birth of the \"deacon.\"\u003c\/li\u003e\n\u003cli\u003ePrometheus Unbound: Post-Production and Release: The first part of this section is all about the polish. The editing process with Pietro Scalia. The decision to go for the R rating. The scoring at Abbey Road. The sound design. Then we go to the internet hype machine and the fans. In a particularly revealing moment, Lindelof admits,\"Will it be frustrating at the end? Absolutely. Be we all agreed that that was a good thing for it to be.\"\u003c\/li\u003e\n\u003cli\u003eEnhancement Pods (1080p, 1:10:54): If a nearly four-hour documentary weren't enough, there are twenty-three \"enhancement pods,\" which go in-depth into subjects that aren't fully covered in the documentary proper, including the titling of the film, the role of sex, the set decorating, the evolution of the Weyland logo, the creation of the \"ampules,\" Giger's influence, the construction of the engineer language, shooting on location in Iceland, and more. You can trigger these from within The Furious Gods—an icon appears onscreen at key junctures—or select them from the main menu.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeyland Corp Archive: Everything else goes here, in the Weyland Corp Archive, where you'll find image galleries, pre-vis animatics, screen tests, promo featurettes, and marketing materials, with sections for pre-production, production, and release.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Art of Prometheus (1080p): A series of galleries, with sections for Ridleygrams, Giger \u0026amp; Gutalin, Conceptual Art, Costume Design, Creatures, Vehicles, Props, Logos \u0026amp; Patches.\u003c\/li\u003e\n\u003cli\u003ePre-Vis (1080p, 25:47): Pre-vis animatics for several key sections through the film.\u003c\/li\u003e\n\u003cli\u003eScreen Tests (1080p): Here you'll find Noomi Rapace's initial test as Shaw (9:55) and a Costume\/Make-Up\/Hair test with optional cast commentary (11:28).\u003c\/li\u003e\n\u003cli\u003eTime-Lapse Sequence: Juggernaut (1080p,1:51): A time-lapse of the construction of the \"pilot's chamber,\" with optional commentary by production designer Arthur Max.\u003c\/li\u003e\n\u003cli\u003eUnit Photography (1080p): Galleries of on-set\/on-location images, with sections for Prometheus, Pyramid, Juggernaut, Creature Shop, and Iceland.\u003c\/li\u003e\n\u003cli\u003eMarketing Gallery (1080p): With sections for Poster Exploration and Key Art.\u003c\/li\u003e\n\u003cli\u003eTrailers and TV Spots (1080p): Here, you'll find two US trailers, an international teaser, and a whopping twenty-eight TV spots.\u003c\/li\u003e\n\u003cli\u003ePromotional Featurettes (1080p, 18:43): Nine hype-building promos, featuring on-set footage, brief clips from the film, and the cast and crew talking up the movie, discussing the characters and the story's themes.\u003c\/li\u003e\n\u003cli\u003eHBO First Look: Prometheus (1080p, 12:03): A short HBO special that's basically an extended version of the previous featurettes, introducing the film's key concepts and featuring interviews with Ridley Scott and members of the cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Used (V-M) - Steel Still Sealed - No Damage - Slip V-M","offer_id":49410021884209,"sku":"HNEJST323119","price":279.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3D_4KXLEmbossedFullSlipSteelBook_Czech_-Front.jpg?v=1690036231"},{"product_id":"prometheus-3d-4k-xl-embossed-full-slip-steelbook-fac-103czech","title":"Prometheus 3D \u0026 4K XL Embossed Full Slip SteelBook (FAC#103)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eNoomi Rapace, Charlize Theron, Patrick Wilson, Michael Fassbender, Idris Elba\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: \u003cspan\u003eDTS-HD Master 7.1\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCZECH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eHUNGARIAN: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003ePOLISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1 (VO)\u003cbr\u003eTHAI: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eTURKISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, arabic, bulgarian, czech, chinese, croatian, indonesian, icelandic, korean, hungarian, malay, mandarin, polish, portuguese, romanian, greek, slovenian, serbian, thai, turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2012\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/19\/2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e124 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e2D Blu-ray Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentaries\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDirector\/Producer Ridley Scott: If you're like me, you could listen to Scott talk about his work for hours, and he thankfully obliges us here with a detailed commentary that takes us through the nuances of production, from the decision to revisit the world of Alien to the casting process to the joys and challenges of shooting in 3D. Great stuff, even if Scott sometimes lapses into describing—in great detail—exactly what's happening on screen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWriter John Spaihts and Writer\/Executive Producer Damon Lindelof: I have the unsubstantiated feeling that Spaihts resents Lindelof's involvement—the latter was brought in to rework the former's script—and so I wasn't surprised that this is one of those patchwork commentary tracks where the two participants are recorded separately and their remarks edited together later. Still, there's so much to learn here about the creation of the story, the teasing out of the film's themes, and the development of the characters. Well worth a listen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted and Alternate Scenes (1080p): Ridley Scott and editor Pietro Scalia have put together nearly 37-minutes of deleted\/extended\/alternate scenes, most of which are small character-building beats. There are a few small revelations here, though—nothing game changing—that give insight into the world of the engineers. Each scene features optional commentary by Scalia and visual effects supervisor Richard Stammers. Below I've included the scene descriptions that are included on the disc; tread lightly, there are spoilers ahead.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eArrival of the Engineers (2:45): \"The engineers touch down on Prehistoric Earth for a sacred ritual devoted to the seeding of intelligent life. Whereas the theatrical version of the scene is devoted to the lone sacrificial engineer, this early cut features several of his comrades, including the elder engineer. The ceremony was filmed with dialogue but unsatisfied with the result, Ridley Scott removed the recorded dialogue entirely.\"\u003c\/li\u003e\n\u003cli\u003eT'is the Season (1:07): \"Janek and Vickers test each other a bit on Christmas morning in this extended scene.\" With optional commentary by Scalia and Stammers.\u003c\/li\u003e\n\u003cli\u003eOur First Alien (00:51): \"Biologist Milburn makes an exciting discovery in the engineer pyramid which could very well represent the first stage in the evolution of a far more dangerous organism. David seems pleased.\"\u003c\/li\u003e\n\u003cli\u003eSkin (00:51): \"Milburn and Fifield make an odd find (which may strike a chord with Alien fans) in the pyramid. Could it be a clue as to what killed off the engineers?\"\u003c\/li\u003e\n\u003cli\u003eWe're Not Alone Anymore (1:32): \"Following the team's return from the engineer pyramid, Shaw shares a toast with the Prometheus crew, celebrating their historic discovery. Holloway does not share her enthusiasm.\"\u003c\/li\u003e\n\u003cli\u003eStrange Bedfellows (3:11): \"In this original version of the scene, the tension between Shaw and Holloway is significantly more argumentative, resulting in a less-sympathetic depiction of Holloway and undermining the impact of his eventual fate. This scene was reshot months later with the version that now appears in the film, taking a softer, more romantic approach while establishing that Shaw is infertile, better setting up the horrific revelation that is to come.\"\u003c\/li\u003e\n\u003cli\u003eHolloway Hungover (1:35): \"An extended version of the post-coital scene in Shaw and Holloway's quarters, allowing the couple a few more tender moments together before unknowingly beginning what will be their final journey together.\"\u003c\/li\u003e\n\u003cli\u003eDavid's Objective (00:31): \"This brief transitional scene increases the tension between David and Vickers as she suits up to intercept the infected Holloway and defend the ship from possible contagion.\"\u003c\/li\u003e\n\u003cli\u003eJanek Fills Vickers In (3:43): \"Following Holloway's demise, a shaken Vickers is visited in her quarters by Janek, who attempts to console her. He then tells her about his military history, adding a tale that seems to parallel what the engineers might have been up to.\"\u003c\/li\u003e\n\u003cli\u003eA King Has His Reign (3:56): \"An extended version of this uneasy reunion between Weyland and Vickers, this scene includes additional dialogue. This moment, along with 'Fifield Attacks' and most of the connecting scenes between them, had their order significantly restructured deep into the editing process for greater story clarity.\"\u003c\/li\u003e\n\u003cli\u003eFifield Attacks (2:14): \"Originally intending to show Fifield's mutation in a more advanced stage, the visual effects team at Weta planned on using on-set footage of actor Sean Harris and his stunt double Will Willoughby in full prosthetic make-up as reference and later replace them with a completely digital creation. In the end, Ridley Scott opted to 'keep it real' and use Harris' live performance instead of this alternate CG version of the scene. Yet another alternate cut of this scene in which Weyland, Shaw and team were to leave for the engineer pyramid in the midst of Fifield's attack (glimpsed briefly in the film's trailers) was abandoned early on.\"\u003c\/li\u003e\n\u003cli\u003eThe Engineer Speaks (4:23): \"Awakened after two-thousand years of hypersleep, the Engineer is greeted by Weyland and the others. David's study of ancient languages comes in handy as he serves as Weyland's interpreter.\"\u003c\/li\u003e\n\u003cli\u003eFinal Battle (5:51): \"Shaw returns to Vickers' escape vehicle to regroup, only to be tracked there by the furious engineer. The final confrontation between Shaw and the engineer was originally intended to be a slower burn leading up to a longer, more physical clash between the two, as scene here.\"\u003c\/li\u003e\n\u003cli\u003eParadise (5:20): \"This extended scene reveals new information about the engineer homeworld as well as some alternate dialogue between Shaw and David. Note that one of Ridley Scott's original titles for the film was Paradise and it was even maintained as a cover title for secrecy during production.\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Peter Weyland Files (1080p, 18:57): A collection of internet promo videos, presented within a dossier of sorts, with notes from Weyland, the most revealing of which suggests that Weyland's scientists detected a signal coming from LV-426—the moon from the first Alien film—and that Weyland considered it a secondary objective. There's also a potentially interesting connection made to Blade Runner's Eldon Tyrell, which could suggest some sort of crossover in either the Prometheus sequel or Ridley Scott's upcoming new Blade Runner film. Or, of course, it could just be there to tease us.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eQuiet Eye: Elizabeth Shaw: A video call Shaw made to Weyland to introduce herself and explain her findings.\u003c\/li\u003e\n\u003cli\u003eHappy Birthday, David: An introduction to the 8th generation android, David, who explains what he thinks about and what makes him sad.\u003c\/li\u003e\n\u003cli\u003ePrometheus Transmission: A collection of pre-mission \"interviews\" with the crew of Prometheus. The crew of the ship, that is, not the film.\u003c\/li\u003e\n\u003cli\u003eTED Conference, 2023: In the best promo, a young Peter Weyland—Guy Pierce, sans old man makeup—gives a darkly inspirational TED Talk where he proclaims that \"we are the gods now\" and \"if you'll indulge me, I'd like to change the world.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eExclusive Bonus Features Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Furious Gods: Making Prometheus (1080p, 3:40:56): Here's where it really gets good. Directed by renowned behind-the-scenes documentarian Charles de Lauzirika, this nearly four-hour making-of feature is a comprehensive journey through the film's creation—from early script ideas to the pre-release hype train—with all-access on-set footage and interviews with nearly everyone involved. Read below to see what's covered in each of the nine sections.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConquest of Paradise: Renewing the Story: Ridley Scott and the film's writers discuss the process of revamping the series, drafting up the initial scripts and moving into pre-production design.\u003c\/li\u003e\n\u003cli\u003eUnder the Pyramid: LV-223: Here, we go inside the art room in Los Angeles where the film's visual ideas were hashed out, see a meeting with H.R. Giger, hear about the designing of the \"space jockey's\" chair, and even hear how the artists were initially opposed to the humanoid look of the Engineers. We also get into the evolution of the monster design, which will be fleshed out in it's own section later in the documentary.\u003c\/li\u003e\n\u003cli\u003eReverse Engineering: USCSS Prometheus: A look at the designing of the Prometheus ship—from the functional aspects of spaceflight to the technology of the interiors—along with the rovers and ATVs.\u003c\/li\u003e\n\u003cli\u003eThe Human Manifest: Casting and Costumes: An overview of—and interviews with—all of the main actors, discussing their characters and how they got involved with the film. Best bit? An outtake with Michael Fassbender, as David, referring to his android penis as \"sixteen inches long when erect; it varies when relaxed.\" Mixed in are interviews and behind-the-scenes footage with costume designer Janty Yates, explaining the rationale behind the characters' outfits.\u003c\/li\u003e\n\u003cli\u003eA World without Green: Pinewood Studios, 2011: Ridley's decision to create as much practically as possible—as opposed to automatically defaulting to greenscreen and CGI—resulted in some huge and remarkably detailed sets at England's Pinewood Studios, specifically the famed 007 lot. We also get a look at the process of shooting in 3D, from the intricate wiring and more complicated workflow to the temperamental camera rigs.\u003c\/li\u003e\n\u003cli\u003eDemons in the Dark: Creature Design: In the second section we see the pre-production design of the monsters; here, we get to see the on-set, practical aspects of bringing the monsters to life using \"cable technology\"—that is, animatronics—and \"good old fashioned movie tricks.\" For example, you'd never know the amniotic sac of the alien inside Shaw is just a condom.\u003c\/li\u003e\n\u003cli\u003eHazard Pay: Stunts and Action: Lots of juicy behind-the-scenes footage of the film's intense stunt sequences, especially the lengthy fire burns, the engineer fight scene, and the climax.\u003c\/li\u003e\n\u003cli\u003eFire from the Sky: Visual Effects: Not everything was done practically of course, and this section explores the digital effect work from Weta Workshop and others, from the decomposition of the engineer at the beginning to the creation of the alien landscapes, the creatures, the med-pod scene, and the birth of the \"deacon.\"\u003c\/li\u003e\n\u003cli\u003ePrometheus Unbound: Post-Production and Release: The first part of this section is all about the polish. The editing process with Pietro Scalia. The decision to go for the R rating. The scoring at Abbey Road. The sound design. Then we go to the internet hype machine and the fans. In a particularly revealing moment, Lindelof admits,\"Will it be frustrating at the end? Absolutely. Be we all agreed that that was a good thing for it to be.\"\u003c\/li\u003e\n\u003cli\u003eEnhancement Pods (1080p, 1:10:54): If a nearly four-hour documentary weren't enough, there are twenty-three \"enhancement pods,\" which go in-depth into subjects that aren't fully covered in the documentary proper, including the titling of the film, the role of sex, the set decorating, the evolution of the Weyland logo, the creation of the \"ampules,\" Giger's influence, the construction of the engineer language, shooting on location in Iceland, and more. You can trigger these from within The Furious Gods—an icon appears onscreen at key junctures—or select them from the main menu.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeyland Corp Archive: Everything else goes here, in the Weyland Corp Archive, where you'll find image galleries, pre-vis animatics, screen tests, promo featurettes, and marketing materials, with sections for pre-production, production, and release.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Art of Prometheus (1080p): A series of galleries, with sections for Ridleygrams, Giger \u0026amp; Gutalin, Conceptual Art, Costume Design, Creatures, Vehicles, Props, Logos \u0026amp; Patches.\u003c\/li\u003e\n\u003cli\u003ePre-Vis (1080p, 25:47): Pre-vis animatics for several key sections through the film.\u003c\/li\u003e\n\u003cli\u003eScreen Tests (1080p): Here you'll find Noomi Rapace's initial test as Shaw (9:55) and a Costume\/Make-Up\/Hair test with optional cast commentary (11:28).\u003c\/li\u003e\n\u003cli\u003eTime-Lapse Sequence: Juggernaut (1080p,1:51): A time-lapse of the construction of the \"pilot's chamber,\" with optional commentary by production designer Arthur Max.\u003c\/li\u003e\n\u003cli\u003eUnit Photography (1080p): Galleries of on-set\/on-location images, with sections for Prometheus, Pyramid, Juggernaut, Creature Shop, and Iceland.\u003c\/li\u003e\n\u003cli\u003eMarketing Gallery (1080p): With sections for Poster Exploration and Key Art.\u003c\/li\u003e\n\u003cli\u003eTrailers and TV Spots (1080p): Here, you'll find two US trailers, an international teaser, and a whopping twenty-eight TV spots.\u003c\/li\u003e\n\u003cli\u003ePromotional Featurettes (1080p, 18:43): Nine hype-building promos, featuring on-set footage, brief clips from the film, and the cast and crew talking up the movie, discussing the characters and the story's themes.\u003c\/li\u003e\n\u003cli\u003eHBO First Look: Prometheus (1080p, 12:03): A short HBO special that's basically an extended version of the previous featurettes, introducing the film's key concepts and featuring interviews with Ridley Scott and members of the cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage - #12\/400","offer_id":47891770048817,"sku":"HNEJST323120","price":369.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3D_4KXLEmbossedFullSlipSteelBook_Czech_-Front_fad25788-13e7-4032-a238-89206a4f8c87.jpg?v=1715294500"},{"product_id":"prometheus-3d-1-4-slip-steelbook-fac-103czech","title":"Prometheus 3D 1\/4 Slip SteelBook (FAC #103)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eNoomi Rapace, Charlize Theron, Patrick Wilson, Michael Fassbender, Idris Elba\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: \u003cspan\u003eDTS-HD Master 7.1\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eCZECH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eHUNGARIAN: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003ePOLISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1 (VO)\u003cbr\u003eTHAI: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003cbr\u003eTURKISH: \u003c\/span\u003e\u003cspan\u003eDolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, arabic, bulgarian, czech, chinese, croatian, indonesian, icelandic, korean, hungarian, malay, mandarin, polish, portuguese, romanian, greek, slovenian, serbian, thai, turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2012\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/19\/2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e124 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e2D Blu-ray Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentaries\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDirector\/Producer Ridley Scott: If you're like me, you could listen to Scott talk about his work for hours, and he thankfully obliges us here with a detailed commentary that takes us through the nuances of production, from the decision to revisit the world of Alien to the casting process to the joys and challenges of shooting in 3D. Great stuff, even if Scott sometimes lapses into describing—in great detail—exactly what's happening on screen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWriter John Spaihts and Writer\/Executive Producer Damon Lindelof: I have the unsubstantiated feeling that Spaihts resents Lindelof's involvement—the latter was brought in to rework the former's script—and so I wasn't surprised that this is one of those patchwork commentary tracks where the two participants are recorded separately and their remarks edited together later. Still, there's so much to learn here about the creation of the story, the teasing out of the film's themes, and the development of the characters. Well worth a listen.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted and Alternate Scenes (1080p): Ridley Scott and editor Pietro Scalia have put together nearly 37-minutes of deleted\/extended\/alternate scenes, most of which are small character-building beats. There are a few small revelations here, though—nothing game changing—that give insight into the world of the engineers. Each scene features optional commentary by Scalia and visual effects supervisor Richard Stammers. Below I've included the scene descriptions that are included on the disc; tread lightly, there are spoilers ahead.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eArrival of the Engineers (2:45): \"The engineers touch down on Prehistoric Earth for a sacred ritual devoted to the seeding of intelligent life. Whereas the theatrical version of the scene is devoted to the lone sacrificial engineer, this early cut features several of his comrades, including the elder engineer. The ceremony was filmed with dialogue but unsatisfied with the result, Ridley Scott removed the recorded dialogue entirely.\"\u003c\/li\u003e\n\u003cli\u003eT'is the Season (1:07): \"Janek and Vickers test each other a bit on Christmas morning in this extended scene.\" With optional commentary by Scalia and Stammers.\u003c\/li\u003e\n\u003cli\u003eOur First Alien (00:51): \"Biologist Milburn makes an exciting discovery in the engineer pyramid which could very well represent the first stage in the evolution of a far more dangerous organism. David seems pleased.\"\u003c\/li\u003e\n\u003cli\u003eSkin (00:51): \"Milburn and Fifield make an odd find (which may strike a chord with Alien fans) in the pyramid. Could it be a clue as to what killed off the engineers?\"\u003c\/li\u003e\n\u003cli\u003eWe're Not Alone Anymore (1:32): \"Following the team's return from the engineer pyramid, Shaw shares a toast with the Prometheus crew, celebrating their historic discovery. Holloway does not share her enthusiasm.\"\u003c\/li\u003e\n\u003cli\u003eStrange Bedfellows (3:11): \"In this original version of the scene, the tension between Shaw and Holloway is significantly more argumentative, resulting in a less-sympathetic depiction of Holloway and undermining the impact of his eventual fate. This scene was reshot months later with the version that now appears in the film, taking a softer, more romantic approach while establishing that Shaw is infertile, better setting up the horrific revelation that is to come.\"\u003c\/li\u003e\n\u003cli\u003eHolloway Hungover (1:35): \"An extended version of the post-coital scene in Shaw and Holloway's quarters, allowing the couple a few more tender moments together before unknowingly beginning what will be their final journey together.\"\u003c\/li\u003e\n\u003cli\u003eDavid's Objective (00:31): \"This brief transitional scene increases the tension between David and Vickers as she suits up to intercept the infected Holloway and defend the ship from possible contagion.\"\u003c\/li\u003e\n\u003cli\u003eJanek Fills Vickers In (3:43): \"Following Holloway's demise, a shaken Vickers is visited in her quarters by Janek, who attempts to console her. He then tells her about his military history, adding a tale that seems to parallel what the engineers might have been up to.\"\u003c\/li\u003e\n\u003cli\u003eA King Has His Reign (3:56): \"An extended version of this uneasy reunion between Weyland and Vickers, this scene includes additional dialogue. This moment, along with 'Fifield Attacks' and most of the connecting scenes between them, had their order significantly restructured deep into the editing process for greater story clarity.\"\u003c\/li\u003e\n\u003cli\u003eFifield Attacks (2:14): \"Originally intending to show Fifield's mutation in a more advanced stage, the visual effects team at Weta planned on using on-set footage of actor Sean Harris and his stunt double Will Willoughby in full prosthetic make-up as reference and later replace them with a completely digital creation. In the end, Ridley Scott opted to 'keep it real' and use Harris' live performance instead of this alternate CG version of the scene. Yet another alternate cut of this scene in which Weyland, Shaw and team were to leave for the engineer pyramid in the midst of Fifield's attack (glimpsed briefly in the film's trailers) was abandoned early on.\"\u003c\/li\u003e\n\u003cli\u003eThe Engineer Speaks (4:23): \"Awakened after two-thousand years of hypersleep, the Engineer is greeted by Weyland and the others. David's study of ancient languages comes in handy as he serves as Weyland's interpreter.\"\u003c\/li\u003e\n\u003cli\u003eFinal Battle (5:51): \"Shaw returns to Vickers' escape vehicle to regroup, only to be tracked there by the furious engineer. The final confrontation between Shaw and the engineer was originally intended to be a slower burn leading up to a longer, more physical clash between the two, as scene here.\"\u003c\/li\u003e\n\u003cli\u003eParadise (5:20): \"This extended scene reveals new information about the engineer homeworld as well as some alternate dialogue between Shaw and David. Note that one of Ridley Scott's original titles for the film was Paradise and it was even maintained as a cover title for secrecy during production.\"\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Peter Weyland Files (1080p, 18:57): A collection of internet promo videos, presented within a dossier of sorts, with notes from Weyland, the most revealing of which suggests that Weyland's scientists detected a signal coming from LV-426—the moon from the first Alien film—and that Weyland considered it a secondary objective. There's also a potentially interesting connection made to Blade Runner's Eldon Tyrell, which could suggest some sort of crossover in either the Prometheus sequel or Ridley Scott's upcoming new Blade Runner film. Or, of course, it could just be there to tease us.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eQuiet Eye: Elizabeth Shaw: A video call Shaw made to Weyland to introduce herself and explain her findings.\u003c\/li\u003e\n\u003cli\u003eHappy Birthday, David: An introduction to the 8th generation android, David, who explains what he thinks about and what makes him sad.\u003c\/li\u003e\n\u003cli\u003ePrometheus Transmission: A collection of pre-mission \"interviews\" with the crew of Prometheus. The crew of the ship, that is, not the film.\u003c\/li\u003e\n\u003cli\u003eTED Conference, 2023: In the best promo, a young Peter Weyland—Guy Pierce, sans old man makeup—gives a darkly inspirational TED Talk where he proclaims that \"we are the gods now\" and \"if you'll indulge me, I'd like to change the world.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eExclusive Bonus Features Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Furious Gods: Making Prometheus (1080p, 3:40:56): Here's where it really gets good. Directed by renowned behind-the-scenes documentarian Charles de Lauzirika, this nearly four-hour making-of feature is a comprehensive journey through the film's creation—from early script ideas to the pre-release hype train—with all-access on-set footage and interviews with nearly everyone involved. Read below to see what's covered in each of the nine sections.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eConquest of Paradise: Renewing the Story: Ridley Scott and the film's writers discuss the process of revamping the series, drafting up the initial scripts and moving into pre-production design.\u003c\/li\u003e\n\u003cli\u003eUnder the Pyramid: LV-223: Here, we go inside the art room in Los Angeles where the film's visual ideas were hashed out, see a meeting with H.R. Giger, hear about the designing of the \"space jockey's\" chair, and even hear how the artists were initially opposed to the humanoid look of the Engineers. We also get into the evolution of the monster design, which will be fleshed out in it's own section later in the documentary.\u003c\/li\u003e\n\u003cli\u003eReverse Engineering: USCSS Prometheus: A look at the designing of the Prometheus ship—from the functional aspects of spaceflight to the technology of the interiors—along with the rovers and ATVs.\u003c\/li\u003e\n\u003cli\u003eThe Human Manifest: Casting and Costumes: An overview of—and interviews with—all of the main actors, discussing their characters and how they got involved with the film. Best bit? An outtake with Michael Fassbender, as David, referring to his android penis as \"sixteen inches long when erect; it varies when relaxed.\" Mixed in are interviews and behind-the-scenes footage with costume designer Janty Yates, explaining the rationale behind the characters' outfits.\u003c\/li\u003e\n\u003cli\u003eA World without Green: Pinewood Studios, 2011: Ridley's decision to create as much practically as possible—as opposed to automatically defaulting to greenscreen and CGI—resulted in some huge and remarkably detailed sets at England's Pinewood Studios, specifically the famed 007 lot. We also get a look at the process of shooting in 3D, from the intricate wiring and more complicated workflow to the temperamental camera rigs.\u003c\/li\u003e\n\u003cli\u003eDemons in the Dark: Creature Design: In the second section we see the pre-production design of the monsters; here, we get to see the on-set, practical aspects of bringing the monsters to life using \"cable technology\"—that is, animatronics—and \"good old fashioned movie tricks.\" For example, you'd never know the amniotic sac of the alien inside Shaw is just a condom.\u003c\/li\u003e\n\u003cli\u003eHazard Pay: Stunts and Action: Lots of juicy behind-the-scenes footage of the film's intense stunt sequences, especially the lengthy fire burns, the engineer fight scene, and the climax.\u003c\/li\u003e\n\u003cli\u003eFire from the Sky: Visual Effects: Not everything was done practically of course, and this section explores the digital effect work from Weta Workshop and others, from the decomposition of the engineer at the beginning to the creation of the alien landscapes, the creatures, the med-pod scene, and the birth of the \"deacon.\"\u003c\/li\u003e\n\u003cli\u003ePrometheus Unbound: Post-Production and Release: The first part of this section is all about the polish. The editing process with Pietro Scalia. The decision to go for the R rating. The scoring at Abbey Road. The sound design. Then we go to the internet hype machine and the fans. In a particularly revealing moment, Lindelof admits,\"Will it be frustrating at the end? Absolutely. Be we all agreed that that was a good thing for it to be.\"\u003c\/li\u003e\n\u003cli\u003eEnhancement Pods (1080p, 1:10:54): If a nearly four-hour documentary weren't enough, there are twenty-three \"enhancement pods,\" which go in-depth into subjects that aren't fully covered in the documentary proper, including the titling of the film, the role of sex, the set decorating, the evolution of the Weyland logo, the creation of the \"ampules,\" Giger's influence, the construction of the engineer language, shooting on location in Iceland, and more. You can trigger these from within The Furious Gods—an icon appears onscreen at key junctures—or select them from the main menu.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeyland Corp Archive: Everything else goes here, in the Weyland Corp Archive, where you'll find image galleries, pre-vis animatics, screen tests, promo featurettes, and marketing materials, with sections for pre-production, production, and release.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe Art of Prometheus (1080p): A series of galleries, with sections for Ridleygrams, Giger \u0026amp; Gutalin, Conceptual Art, Costume Design, Creatures, Vehicles, Props, Logos \u0026amp; Patches.\u003c\/li\u003e\n\u003cli\u003ePre-Vis (1080p, 25:47): Pre-vis animatics for several key sections through the film.\u003c\/li\u003e\n\u003cli\u003eScreen Tests (1080p): Here you'll find Noomi Rapace's initial test as Shaw (9:55) and a Costume\/Make-Up\/Hair test with optional cast commentary (11:28).\u003c\/li\u003e\n\u003cli\u003eTime-Lapse Sequence: Juggernaut (1080p,1:51): A time-lapse of the construction of the \"pilot's chamber,\" with optional commentary by production designer Arthur Max.\u003c\/li\u003e\n\u003cli\u003eUnit Photography (1080p): Galleries of on-set\/on-location images, with sections for Prometheus, Pyramid, Juggernaut, Creature Shop, and Iceland.\u003c\/li\u003e\n\u003cli\u003eMarketing Gallery (1080p): With sections for Poster Exploration and Key Art.\u003c\/li\u003e\n\u003cli\u003eTrailers and TV Spots (1080p): Here, you'll find two US trailers, an international teaser, and a whopping twenty-eight TV spots.\u003c\/li\u003e\n\u003cli\u003ePromotional Featurettes (1080p, 18:43): Nine hype-building promos, featuring on-set footage, brief clips from the film, and the cast and crew talking up the movie, discussing the characters and the story's themes.\u003c\/li\u003e\n\u003cli\u003eHBO First Look: Prometheus (1080p, 12:03): A short HBO special that's basically an extended version of the previous featurettes, introducing the film's key concepts and featuring interviews with Ridley Scott and members of the cast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage - #34\/400","offer_id":49557988147505,"sku":"HNEJST323121","price":110.99,"currency_code":"USD","in_stock":false},{"title":"New - No Damage - #12\/400","offer_id":49557988180273,"sku":"HNEJST323122","price":124.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3D1_4SlipSteelBook_Czech.png?v=1690036640"},{"product_id":"prometheus-3d-xl-1-click-steelbook-fac-103czech","title":"Prometheus 3D XL 1-Click SteelBook Maniacs Box Set (FAC #103)(Czech)","description":"\u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-1-4-slip-steelbook-fac-103czech\"\u003e1\/4 Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-xl-full-slip-steelbook-czech\"\u003eFull Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-xl-embossed-full-slip-steelbook-fac-103czech\"\u003eEmbossed Full Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-xl-double-lenticular-steelbook-czech\"\u003eDouble Lenticular\u003c\/a\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46242059911473,"sku":"HNEJST3240093","price":1099.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3DXL1-ClickSteelBook_Czech.png?v=1690037008"},{"product_id":"prometheus-3d-4k-xl-1-click-steelbook-fac-103czech","title":"Prometheus 3D \u0026 4K XL 1-Click SteelBook Maniacs Box Set (FAC#103)(Czech)","description":"\u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-1-4-slip-steelbook-fac-103czech\"\u003e1\/4 Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-xl-full-slip-steelbook-czech\"\u003eFull Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-4k-xl-embossed-full-slip-steelbook-fac-103czech\"\u003e3D \u0026amp; 4K Embossed Full Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/prometheus-3d-xl-double-lenticular-steelbook-czech\"\u003eDouble Lenticular\u003c\/a\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - #12\/400","offer_id":46242199470385,"sku":"HNEJST323123","price":739.99,"currency_code":"USD","in_stock":false},{"title":"New - #34\/400","offer_id":46242199503153,"sku":"HNEJST323124","price":719.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Prometheus3D_4KXL1-ClickSteelBook_Czech.png?v=1690037318"},{"product_id":"edward-scissorhands-full-slip-steelbook-czech","title":"Edward Scissorhands Full Slip SteelBook (FAC #27)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: No\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJohnny Depp, Vincent Price, Anthony Michael Hall, Winona Ryder, Dianne Wiest, Kathy Baker, Alan Arkin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eTim Burton\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master 4.0\u003cbr\u003eCZECH: Dolby Digital 2.0\u003cbr\u003eFRENCH: DTS 5.1\u003cbr\u003eITALIAN: DTS 5.1\u003cbr\u003eCASTILIAN: DTS 5.1\u003cbr\u003eGERMAN: DTS 5.1\u003cbr\u003ePOLISH: Dolby Digital 5.1 (VO)\u003cbr\u003ePORTUGUESE: Dolby Digital 5.1\u003cbr\u003eRUSSIAN: DTS 5.1\u003cbr\u003eSPANISH: Dolby Digital 2.0\u003cbr\u003eTHAI: Dolby Digital 2.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnglish, czech, chinese simplified, chinese, chinese traditional, danish, finnish, french, dutch, italian, japanese, castilian, korean, german, norwegian, polish, portuguese, russian, greek, spanish, swedish, thai\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1990\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e3\/14\/2016\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003eRun Time:\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e105 Min.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eFeaturette (1080p; 4:39) EPK with behind the scenes footage and interviews.\u003c\/li\u003e\n\u003cli\u003eCommentaries:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAudio Commentary with Tim Burton\u003c\/li\u003e\n\u003cli\u003eAudio Commentary by Danny Elfman\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailers (1080p; 4:17)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":52032999129393,"sku":"HNEJST323176","price":141.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #14\/1000","offer_id":52032999162161,"sku":"HNEJST323177","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/EdwardScissorhandsFullSlipSteelBook_FAC_27_Czech.jpg?v=1690176541"},{"product_id":"king-kong-4k-xl-full-slip-steelbook-czech","title":"King Kong 4K XL Full Slip SteelBook + Lenticular Magnet (2005)(FAC#139)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" height=\"652\" width=\"498\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e\u003cspan\u003e***Includes Theatrical and Extended Cuts***\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eTheatrical Version (3:07:16) and an Extended Version (3:20:08)\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003e Actors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eNaomi Watts, Jamie Bell, Jack Black, Adrien Brody, Andy Serkis, Thomas Kretschmann, Colin Hanks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003ePeter Jackson\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS Headphone X\u003cbr\u003eENGLISH: DTS X\u003cbr\u003eCZECH: DTS Digital Surround 5.1\u003cbr\u003eFRENCH: DTS Digital Surround 5.1\u003cbr\u003ePOLISH V.O.: DTS Digital Surround 5.1\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCzech, English SDH, Complex Mandarin, Danish, Dutch, Finnish, French European, Greek, Norwegian, Polish, Swedish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1.66:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2005\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/14\/2020\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e201 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eDisc One:\u003c\/b\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAudio Commentary\u003c\/b\u003e: Director\/Co-Writer Peter Jackson and Co-Writer\/Producer Philippa Boyens.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003ePicture in Picture\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eThe Art Galleries\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cb\u003eDisc Two:\u003c\/b\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e2006 Introductions By Peter Jackson\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 6:02): The Director introduces the supplemental package included on this disc though he is clearly referencing an older release of the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eRecreating the Eighth Wonder: The Making of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i): An eight-part feature.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Origins of King Kong\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(16:38): Director Peter Jackson reminences about his childhood movie experience watching\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKing Kong\u003c\/i\u003e, learning the art of special effects and stop motion camera work, and how his childhood desire to remake\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eeventually led him to make this film. It also looks at the changes made to both the story and the special effects from the 1996 version that never got finalized.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePre-Production Part 1: The Return of Kong\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(26:42): Discussions include the challenges of developing\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eright as\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Return of the King\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas wrapping up and the difficulties invovled in planning a film of this magnitude within a limited time frame. The piece also looks at filming the Empire State Building and preplanning the movie's finale, meeting with Fay Wray about the Ann Darrow character, and creating the numerous miniatures, artwork, and animations necessary to plan the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePre-Production Part 2: Countdown to Filming\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(15:36): This section covers the actors preparing for their roles: Naomi Watts learning to dance, Jack Black learning how to use the vintage camera, the ship's crew learning how to work on a ship, Andy Serkis learning how to cook, and the cast training to shoot the weapons used in the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eJourney\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(22:05): A look at filming the scenes aboard the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eincluding the various ships used in the scenes, how the working model was located and modfied, and how various scenes were filmed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eReturn to Skull Island\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(30:04): A look at the creation of Skull Island, including the challenges involved in creating partial sets with blue screens, building the jungle inside and extending the jungle sets with miniatures, designing the natives without mimicking any one culture and training the actors to depict them, creating the dinosaurs and other creatures, and creating digital doubles of the actors.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNew York, New Zealand\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(25:55): A look at recreating parts of New York in New Zealand and designing it to appear as it did in the 1930s. This piece showcases the ways digital extensions were added to the physical sets, determining which buildings to recreate, creating a digital version of New York, and filming the aerial shots for the film's finale.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBringing Kong to Life Part 1: Design and Research\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(21:32): A closer look at the King Kong character, including its back story and the design elements that would come to define the iconic character: facial design, scars, hair, body shape, and movements. This supplement also shows how Andy Serkis studied gorrillas for his role as King Kong.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBringing Kong to Life Part 2: Animation\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(26:21): A look at how Andy Serkis became King Kong with the aid of motion capture technology and vocal alterations. It shows various scenes-in-progress with Andy Serkis as Kong so that the other cast members could better visualize the creature. It also examines the motion capture process that actually created King Kong and the animation process that converted that data into the character seen in the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Diaries\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i): Behind-the-scenes content filmed for the film's website, captured during the shoot. They are arranged by both date and location so viewers can choose which way they prefer to watch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e2005 Introduction by Peter Jackson\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(5:34): Jackson mentions the \"DVD\" several times and discusses why the diaries where filmed and why he chose to include them on disc after they were originally aired online. He further shares how the diaries progressed in tone, length, and quality.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Diaries by Date\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(3:50:18 total runtime):\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSeptember 2004\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 1: Peter's Welcome 04 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 4: The Diner Set 09 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 6: Rough Seas On Land 13 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 7: Filming Inside The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e14 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 8: Denham's Camera 15 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 10: Plane Spotting 17 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 12: Storms on the the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e21 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 14: Animal Droppings 23 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 16: Dump Tanks 27 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 18: Dump Tanks Part 2 29 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eOctober 2004\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 20: Skull Island Preview 01 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 22: Lumpy's Galley Tour 04 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 25: Clapper Boards 08 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 27: Previsualization 12 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 31: Skull Island Rocks 19 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 33: Skull Island Shoot 20 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 36: Gandalf the Spy 26 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eNovember 2004\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 40: The Swamp Set 01 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 42: Peter's Kong Collection 03 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 46: Is Jack Black 5'4\"? 09 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 48: Creating Skull Island 11 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 51: Location Logistics 16 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 53: International Press Junket 18 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 58: The On-Set Art Department 26 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Missing Production Diary\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eDecember 2004\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 62: Cameras 02 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 66: Journey of a Roll of Film 07 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 68: Creating New York in New Zealand 09 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Day at the Zoo 14 December 2004\u003c\/b\u003e: Note: this particular supplement never aired on the film's website.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 70: Shooting at the Civic Theatre 14 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 73: Concept Art 17 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 76: Happy Holidays! 22 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eJanuary 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Hiatus: New Year's Message from Peter 19 January 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 77: Shooting Begins in New York 24 January 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 82: New York Extras 31 January 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eFebruary 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 85: Vintage Vehicles 03 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 87: New York Set Dressing 07 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 90: Sewers and Steam 10 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 92: Lighting Continuity February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 95: Times Square Becomes Herald Square 17 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 97: Adrien the Stunt Driver 21 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 100: A Day in the Life of Peter February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eMarch 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 103: Skull Island Miniatures 01 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 105: Naomi in Kong's Hand 03 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 108: Hair and Makeup 07 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 110: Global Partner Summit 09 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 113: Second Unit 14 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 115: Sound Recording 16 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 118: Helldriver Airplanes 21 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 120: Filming Winds Down 23 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eApril 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 123: The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eSequels 01 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 125: Costume Design 03 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 127: Unit Photography 05 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 129: Andy's Revenge on the DVD Team 06 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 130: Peter Calls in Help 07 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 131: The Last Day 08 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cbr\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Diaries by Location\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(3:38:19 total runtime):\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e\u003ci\u003eS.S. Venture\u003c\/i\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003e\u003ci\u003eS.S. Venture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eExterior\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 1: Peter's Welcome 04 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 6: Rough Seas On Land 13 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 8: Denham's Camera 15 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 10: Plane Spotting 17 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 12: Storms on the the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e21 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 16: Dump Tanks 27 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 18: Dump Tanks Part 2 29 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 20: Skull Island Preview 01 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 27: Previsualization 12 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003e\u003ci\u003eS.S. Venture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eInterior\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 7: Filming Inside The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e14 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 14: Animal Droppings 23 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 22: Lumpy's Galley Tour 05 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 25: Clapper Boards 08 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eSkull Island\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eRuined Valley\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 31: Skull Island Rocks 19 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 33: Skull Island Shoot 20 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 36: Gandalf the Spy 26 October 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Swamp\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 40: The Swamp Set 01 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 42: Peter's Kong Collection 03 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 46: Is Jack Black 5'4\"? 09 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Jungle\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 48: Creating Skull Island 11 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Wall\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 51: Location Logistics 16 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 53: International Press Junket 18 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 58: The On-Set Art Department 26 November 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Cove\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 62: Cameras 02 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eNew York\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eNew York Diner\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 4: The Diner Set 09 September 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eVaudeville Theater\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 66: Journey of a Roll of Film 07 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 68: Creating New York in New Zealand 09 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eBroadway Theater\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 70: Shooting at the Civic Theatre 14 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 73: Concept Art 17 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 76: Happy Holidays! 22 December 2004\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eNew York Streets\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Hiatus: New Year's Message from Peter 19 January 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 77: Shooting Begins in New York 24 January 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 82: New York Extras 31 January 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 85: Vintage Vehicles 03 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 87: New York Set Dressing 07 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 90: Sewers and Steam 10 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 92: Lighting Continuity February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 95: Times Square Becomes Herald Square 17 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 97: Adrien the Stunt Driver 21 February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eFinal Six Weeks of Production\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 100: A Day in the Life of Peter February 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 103: Skull Island Miniatures 01 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 105: Naomi in Kong's Hand 03 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 108: Hair and Makeup 07 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 110: Global Partner Summit 09 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 113: Second Unit 14 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 115: Sound Recording 16 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 118: Helldriver Airplanes 21 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 120: Filming Winds Down 23 March 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 123: The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eSequels 01 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 125: Costume Design 03 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 127: Unit Photography 05 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 129: Andy's Revenge on the DVD Team 06 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 130: Peter Calls in Help 07 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eProduction Day 131: The Last Day 08 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003ePost Production Diaries\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i): Behind-the-scenes content filmed for the film's website, captured during the shoot. They are arranged by both date and location so viewers can choose which way they prefer to watch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePost Production Diaries by Date\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(2:32:47 total runtime):\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eApril 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e33 Weeks To Go: Welcome to Post Production 29 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eMay 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e32 Weeks To Go: The Miniature\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e06 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e31 Weeks To Go: Kong Performance Capture 13 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e30 Weeks To Go: Creating Sound Effects 20 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e29 Weeks To Go: A Visit to the Editorial Department 27 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eJune 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e28 Weeks To Go: Peter Answers Your Questions Part 1 03 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e27 Weeks To Go: The Miniatures Second Unit 10 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e26 Weeks To Go: Building a Miniature 17 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e25 Weeks To Go: WETA Digital Overview 24 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eJuly 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e24 Weeks To Go: Creating the Teaser Trailer 01 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e23 Weeks To Go: Sound Design 08 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e22 Weeks To Go: Shooting Additional Elements 15 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e21 Weeks To Go: Preparing for Pick-Up Shooting 22 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e20 Weeks To Go: Pick-Ups: The Cast Returns 29 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eAugust 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePick-Ups: The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eExtras 01 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e19 Weeks To Go: Pick-Ups: Continuity 05 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePick-Ups: The Wrap 09 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e18 Weeks To Go: Alternative Dialogue Recording 12 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e17 Weeks To Go: The Miniatures 19 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e16 Weeks To Go: The Unsung Heroes of Rotoscoping 26 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eSeptember 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e15 Weeks To Go: Foley Recording 02 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e14 Weeks To Go: Digital Doubles 09 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e12 Weeks To Go: Digital Color Grading 23 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e11 Weeks To Go: Bringing Kong to Life: Motion Editing 30 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eOctober 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e10 Weeks To Go: Bringing Kong to Life: Animation 07 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e9 Weeks To Go: Filming the Miniatures 14 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e8 Weeks To Go: Kong Visits New Zealand 21 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e7 Weeks To Go: Mixing Dialogue, Music, and Effects 28 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eNovember 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e6 Weeks To Go: The Mixing Board 04 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e5 Weeks To Go: The Music of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ePart 1 11 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e4 Weeks To Go: The Music of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ePart 2 18 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e3 Weeks To Go: Delivering the Film 25 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eDecember 2005\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e2 Weeks To Go: Peter Answers Your Questions Part 2 02 December 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e1 Week To Go: The World Premiere 09 December 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eOpens: The New Zealand Premiere 14 December 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003ePost Production Diaries by Department\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(2:32:47 total runtime):\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePost Production\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e33 Weeks To Go: Welcome to Post Production 29 April 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e29 Weeks To Go: A Visit to the Editorial Department 27 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e24 Weeks To Go: Creating the Teaser Trailer 01 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e12 Weeks To Go: Digital Color Grading 23 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e3 Weeks To Go: Delivering the Film 25 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003ePick-Ups\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e21 Weeks To Go: Preparing for Pick-Up Shooting 22 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e20 Weeks To Go: Pick-Ups: The Cast Returns 29 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePick-Ups: The\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eExtras 01 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e19 Weeks To Go: Pick-Ups: Continuity 05 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePick-Ups: The Wrap 09 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eMiniatures\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e32 Weeks To Go: The Miniature\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVenture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e06 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e27 Weeks To Go: The Miniatures Second Unit 10 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e26 Weeks To Go: Building a Miniature 17 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e17 Weeks To Go: The Miniatures 19 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e9 Weeks To Go: Filming the Miniatures 14 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eVisual Effects\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e31 Weeks To Go: Kong Performance Capture 13 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e25 Weeks To Go: WETA Digital Overview 24 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e22 Weeks To Go: Shooting Additional Elements 15 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e16 Weeks To Go: The Unsung Heroes of Rotoscoping 26 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e14 Weeks To Go: Digital Doubles 09 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e11 Weeks To Go: Bringing Kong to Life: Motion Editing 30 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e10 Weeks To Go: Bringing Kong to Life: Animation 07 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eSound\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e30 Weeks To Go: Creating Sound Effects 20 May 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e23 Weeks To Go: Sound Design 08 July 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e18 Weeks To Go: Alternative Dialogue Recording 12 August 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e15 Weeks To Go: Foley Recording 02 September 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e7 Weeks To Go: Mixing Dialogue, Music, and Effects 28 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e6 Weeks To Go: The Mixing Board 04 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eMusic\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e5 Weeks To Go: The Music of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ePart 1 11 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e4 Weeks To Go: The Music of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ePart 2 18 November 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003ePeter Jackson\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e28 Weeks To Go: Peter Answers Your Questions Part 1 03 June 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e8 Weeks To Go: Kong Visits New Zealand 21 October 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e2 Weeks To Go: Peter Answers Your Questions Part 2 02 December 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003ePremieres\u003c\/b\u003e:\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e1 Week To Go: The World Premiere 09 December 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eOpens: The New Zealand Premiere 14 December 2005\u003c\/b\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eDeleted Scenes\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 44:27 total runtime with introductions, 37:41 without): With optional Peter Jackson Introductions per scene and a general Jackson introduction to the deleted scenes package (2:28). Includes\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePreston Shows Ann Her Cabin\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHow A Man Dies\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJack Has Doubts About Ann\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAnn Chooses An Outfit\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHayes Confronts Englehorn\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePreston Finds the Map\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDancing A Jig\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Rest of the 'Venture' Voyage\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLumpy And His Cabbage\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e'Scream For Your Life, Ann!'\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe 'Venture' Escapes (Original Version)\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHayes' Story\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eA Sailor's Bad Luck\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eOriginal Insect Pit Opening\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong Chases Jack's Cab\u003c\/i\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong Versus the Army\u003c\/i\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Eighth Blunder of the World\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 18:51): A Gag Reel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eThe Making of a Shot: The T-Rex Fight\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 16:29): Peter Jackson discusses the T-Rex fight scene: how it was developed and how it was filmed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eSkull Island: A Natural History\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 17:03): A mockumentary looking at the fantasical animals from Skull Island, how the island developed, and how it was all recreated for the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eKong's New York, 1938\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 28:26): A look at how New York was recreated to realistically depict 1938, including background information on the impact of the Great Depression on New York, vaudeville's impact on theater, the New York Harbor and the variety of cultures present in the area, the busy streets of the time, the entertainment options, and the skyscrapers of the time. The piece offers archival footage and scenes from the film for comparsion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eA Night in Vaudeville\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 12:05): Vintage vaudeville footage, auditions, and behind-the-scenes footage from the film's opening montage scene.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eHomage\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 9:54): Classic\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKing Kong\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003escenes compared and\/or contrasted to Peter Jackson's version with occassional commentary from Peter Jackson.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003ePre-Visualization Anmatics\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i): Crude animated versions of various special effect scenes, available with and without music. Included are\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArrival at Skull Island\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(4:21),\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBronto Stampede\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(6:35),\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eT-Rex Fight\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(9:53),\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEmpire State Buidling Battle 'Pre-Viz' Only\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(9:29), and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eEmpire State Building 'Pre-Viz' With Final Film Comparsion\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(9:30).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eConceptual Design Video Galleries\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 41:24 total runtime): Rough sketches, artwork, storyboards and miniatures for various scenes in the film. Included are\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe 1996 'King Kong'\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe 'Venture'\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSkull Island\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eNew York\u003c\/i\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eKong\u003c\/i\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"The Present\"\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 9:26): A brief making-of about the humorous birthday film the cast put together for Peter Jackson during the shoot. The short film itself is also included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eWETA Collectibles\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i, 5:17): This piece showcases the collectibles created for the film (in various stages of development) and some of the film's miniatures as well.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd height=\"4\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eTrailers\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(480i): Includes\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTeaser Trailer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2:32),\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTheatrical Trailer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2:57), and\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCinemedia Trailer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(2:42).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - #24\/750","offer_id":48264118272305,"sku":"HNEJST323186","price":184.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/KingKong4KXLFullSlipSteelBook_2005_Czech.jpg?v=1690212400"},{"product_id":"prometheus-xl-lenticular-steelbook-fac-119czech","title":"The Mule XL Lenticular SteelBook (FAC #119)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" height=\"652\" width=\"498\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003e Actors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eClint Eastwood, Bradley Cooper, Dianne Wiest, Michael Peña, Laurence Fishburne, Taissa Farmiga\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eClint Eastwood\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eTBA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eTBA\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2018\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eWarner Bros\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e9\/11\/2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e116 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\"Nobody Runs Forever: The Making of The Mule\" (10:59, 1080p) - Behind-the-scenes featurette includes comments from actor\/director Clint Eastwood, producer Kristina Rivera, screenwriter Nick Schenk, actors Ingacio Serricchio (\"Julio\"), Andy Garcia (\"Laton\"), Alison Eastwood (\"Iris\"), and Bradley Cooper (\"Agent Colin Bates\"), as well as producer Tim Moore and other members of the cast and crew. Although it doesn't have time to go into great detail, it briefly touches upon Gran Torino, adapting the original story, growing day lilies, building a stash house and researching drug cartels, shooting on the road, wardrobes and costume design, stories from the set, and more.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eToby Keith \"Don't Let the Old Man In\" Music Video (2:54, 1080p \/ Dolby Digital 2.0)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46296110530865,"sku":"HNEJST3232108","price":94.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheMuleXLLenticularSteelBook_Czech.jpg?v=1690485497"},{"product_id":"the-mule-4k-xl-lenticular-steelbook-fac-119czech","title":"The Mule 4K XL Lenticular SteelBook (FAC#119)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eClint Eastwood, Bradley Cooper, Dianne Wiest, Michael Peña, Laurence Fishburne, Taissa Farmiga\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eClint Eastwood\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCZECH: DD 5.1\u003cbr\u003eENGLISH: 5.1 Audio Descriptive Service\u003cbr\u003eENGLISH: DTS-HD Master Audio 5.1\u003cbr\u003eFRENCH: DD 5.1\u003cbr\u003eITALIAN: DD 5.1\u003cbr\u003eGERMAN: DD 5.1\u003cbr\u003ePOLISH: DD 5.1\u003cbr\u003eRUSSIAN: DD 5.1\u003cbr\u003eSPANISH: DD 5.1\u003cbr\u003eJAPANESE: DD 5.1\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCzech, English for the Deaf, Chinese Traditional, Danish, Finnish, French (Paris), Dutch, Italian for the Deaf, German, Norwegian, Polish, Portuguese (Europe), Romanian, Russian, Greek, Spanish (Castile), Swedish, Japanese\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2018\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/11\/2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e116 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\"Nobody Runs Forever: The Making of The Mule\" (10:59, 1080p) - Behind-the-scenes featurette includes comments from actor\/director Clint Eastwood, producer Kristina Rivera, screenwriter Nick Schenk, actors Ingacio Serricchio (\"Julio\"), Andy Garcia (\"Laton\"), Alison Eastwood (\"Iris\"), and Bradley Cooper (\"Agent Colin Bates\"), as well as producer Tim Moore and other members of the cast and crew. Although it doesn't have time to go into great detail, it briefly touches upon Gran Torino, adapting the original story, growing day lilies, building a stash house and researching drug cartels, shooting on the road, wardrobes and costume design, stories from the set, and more.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eToby Keith \"Don't Let the Old Man In\" Music Video (2:54, 1080p \/ Dolby Digital 2.0)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - #80\/600","offer_id":48403073073457,"sku":"HNEJST3232109","price":109.99,"currency_code":"USD","in_stock":false},{"title":"New - #75\/600","offer_id":48403073106225,"sku":"HNEJST3232110","price":119.99,"currency_code":"USD","in_stock":false},{"title":"New - #42\/600","offer_id":48403073138993,"sku":"HNEJST3232111","price":121.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheMule4KXLLenticularSteelBook_Czech.jpg?v=1690485592"},{"product_id":"doctor-sleep-4k-xl-full-slip-steelbook-bb-28czech","title":"Doctor Sleep 4K: Director's Cut XL Full Slip SteelBook (BB#28)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e***Includes Theatrical (BD \u0026amp; 4K) and Director's Cut (BD)***\u003c\/b\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEwan McGregor,Rebecca Ferguson,Zahn McClarnon,Bruce Greenwood,Emily Alyn Lind,Bethany Anne Lind\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMike Flanagan\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD MA 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCzech, English SDH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e8\/23\/2021\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e180 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eFrom Shining to Sleep (4:56) - Director Mike Flanagan and author Stephen King talk about the challenges of continuing a modern classic, differences between the two novels, Stanley Kubrick's movie, ending with fire and ice, resurrecting some of the original book's themes, and merging two (or three?) worlds.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Making of Doctor Sleep: A New Vision (13:57) - Flanagan and King -- along with actor Ewan McGregor, producer Trevor Macy, actresses Kyliegh Curran and Rachel Ferguson, costume designer Terry Anderson, and others -- return to speak about the film's development, sending the script to King, continuing Danny Torrance's story, bringing literary characters to life, casting Abra, finding Rose's hat, The True Knot, and more.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReturn to The Overlook (14:59) - Mike Flanagan -- with more of the usual suspects, as well as a few new ones -- speaks more about his first exposure to Kubrick's film on VHS, rebuilding and tearing down the iconic Overlook Hotel, production design highlights, hunting down a few vintage props, a quick set tour, casting familiar characters with different actors, makeup effects, frivolous nudity, and imitation vs. homage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46301004857649,"sku":"HNEJST3238365","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/DoctorSleep4K-Director_sCutXLFullSlipSteelBook_Czech.jpg?v=1690539141"},{"product_id":"doctor-sleep-xl-lenticular-steelbook-bb-28czech","title":"Doctor Sleep: 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data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEwan McGregor,Rebecca Ferguson,Zahn McClarnon,Bruce Greenwood,Emily Alyn Lind,Bethany Anne Lind\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMike Flanagan\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD MA 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCzech, English SDH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2019\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e8\/23\/2021\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e180 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eFrom Shining to Sleep (4:56) - Director Mike Flanagan and author Stephen King talk about the challenges of continuing a modern classic, differences between the two novels, Stanley Kubrick's movie, ending with fire and ice, resurrecting some of the original book's themes, and merging two (or three?) worlds.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Making of Doctor Sleep: A New Vision (13:57) - Flanagan and King -- along with actor Ewan McGregor, producer Trevor Macy, actresses Kyliegh Curran and Rachel Ferguson, costume designer Terry Anderson, and others -- return to speak about the film's development, sending the script to King, continuing Danny Torrance's story, bringing literary characters to life, casting Abra, finding Rose's hat, The True Knot, and more.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReturn to The Overlook (14:59) - Mike Flanagan -- with more of the usual suspects, as well as a few new ones -- speaks more about his first exposure to Kubrick's film on VHS, rebuilding and tearing down the iconic Overlook Hotel, production design highlights, hunting down a few vintage props, a quick set tour, casting familiar characters with different actors, makeup effects, frivolous nudity, and imitation vs. homage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46301068198193,"sku":"HNEJST3240035","price":199.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/DoctorSleep-Director_sCutXLLenticularSteelBook_Czech.jpg?v=1690539350"},{"product_id":"doctor-sleep-4k-directors-cut-xl-1-click-steelbook-bb-28czech","title":"Doctor Sleep 4K: Director's Cut XL 1-Click SteelBook (BB#28)(Czech)","description":"\u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/doctor-sleep-xl-lenticular-steelbook-bb-28czech\"\u003eLenticular\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/doctor-sleep-4k-xl-full-slip-steelbook-bb-28czech\"\u003e4K Full Slip\u003c\/a\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46301101064497,"sku":"HNEJST3232112","price":399.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/DoctorSleep-Director_sCutXL1-ClickSteelBook_Czech.jpg?v=1690539625"},{"product_id":"unforgiven-4k-xl-lenticular-steelbook-czech","title":"Unforgiven 4K XL Lenticular SteelBook (FAC #168)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eClint Eastwood, Gene Hackman, Morgan Freeman, Richard Harris, Saul Rubinek, Lochlyn Munro, Frances Fisher, Jaimz Woolvett, Anna Thomson, Ron White\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eClint Eastwood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master Audio 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eSPANISH – CASTILIAN: Dolby Digital 2.0\u003cbr\u003eSPANISH – LATIN: Dolby Digital 2.0\u003cbr\u003eGERMAN: Dolby Digital 2.0\u003cbr\u003eHUNGARIAN: Dolby Digital 2.0\u003cbr\u003eITALIAN: Dolby Digital 2.0\u003cbr\u003eJAPAN: Dolby Digital 2.0\u003cbr\u003eFRENCH - PARISIAN: Dolby Digital 2.0\u003cbr\u003ePOLISH (VO): Dolby Digital 2.0\u003cbr\u003eRUSSIAN (VO): Dolby Digital 2.0\u003cbr\u003eTHAI: Dolby Digital 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eArabic, English SDH, Cantonese, Chinese - Complex, Czech, Danish, Finnish, Greek, German SDH, German forced, Hungarian, Hebrew, Italian SDH, Spanish - Castilian, Spanish - Castilian forced, Spanish - Latin, Portuguese-European, Italian forced, Japanese, Japanese forced, Korean, Norwegian, French - Parisian, French - Parisian forced, Polish, Romanian, Russian, Swedish, Thai forced, Turkish, Dutch\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.36:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1992\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e5\/24\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e131 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCommentary with Richard Schickel\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEastwood on Eastwood\u003c\/strong\u003e (480i; 1.33:1; 1:08:34): A 1997 documentary written and directed by Schickel and narrated by John Cusack.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll on Accounta Pullin' a Trigger\u003c\/strong\u003e (480i; 1.33:1; 22:35): Narrated by Morgan Freeman.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEastwood \u0026amp; Co.: Making \u003cem\u003eUnforgiven\u003c\/em\u003e\u003c\/strong\u003e (480i; 1.33:1; 23:52): Narrated by Hal Holbrook.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEastwood . . . a Star\u003c\/strong\u003e (480i; 1.33:1; 16:07).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\"Duel at Sundown\" \u003cem\u003eMaverick\u003c\/em\u003e TV Episode\u003c\/strong\u003e (480i; 1.33:1; 49:07): This 1959 episode from the second season of TV's \u003cem\u003eMaverick\u003c\/em\u003e features a young Eastwood as a gunslinger and fortune hunter named \"Red Hardigan\", who makes a point of mispronouncing Maverick's name as \"Maver-\u003cem\u003eack\u003c\/em\u003e\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheatrical Trailer\u003c\/strong\u003e (480i; 2.40:1, enhanced; 1:57).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":46743495508273,"sku":"HNEJST3232119","price":144.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #87\/600","offer_id":49507078209841,"sku":"","price":154.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #77\/600","offer_id":49781101658417,"sku":"","price":155.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #67\/600","offer_id":49781101691185,"sku":"","price":156.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #42\/600","offer_id":49781101723953,"sku":"","price":158.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Unforgiven4KXLLenticularSteelBook_Czech.jpg?v=1690771161"},{"product_id":"gremlins-4k-xl-full-slip-steelbook-bb-24czech","title":"Gremlins 4K XL Full Slip SteelBook + Lenticular Magnet (BB#27)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: No\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eZach Galligan, Phoebe Cates, Frances Lee McCain, Polly Holliday, Hoyt Axton\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJoe Dante\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master Audio 5.1\u003cbr\u003eFRENCH - Parisian: Dolby Digital 5.1\u003cbr\u003eGERMAN: Dolby Digital 5.1\u003cbr\u003eRUSSIAN: Dolby Digital 5.1\u003cbr\u003eSPANISH – CASTILIAN: Dolby Digital 5.1\u003cbr\u003eITALIAN: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 2.0\u003cbr\u003eSPANISH - LATIN: Dolby Digital 2.0\u003cbr\u003eJAPANESE: Dolby Digital 2.0\u003cbr\u003eCZECH: Voice Over Dolby Digital 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Chinese - Complex, Czech, Danish, Dutch, Finnish, French - Parisian, German for hearing impaired, Hungarian, Italian for hearing impaired, Norwegian, Russian, Spanish - Castilian, Spanish - Latin, Swedish, Thai, Japanese\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.78:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1984\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e10\/1\/2019\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e106 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo audio commentaries.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe first features director Joe Dante, producer Michael Finnell and special effects artist Chris Walas (focusing mainly on elements in the story, the incorporation of special effects, and what could be done differently if the film was made with present-day technology).\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eSecond commentary track features director Joe Dante, and actors Phoebe Cates, Zach Galligan, Dick Miller and Howie Mandel (this track is far more sentimental, with a focus on bits of information or stories from the set of Gremlins)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli data-mce-fragment=\"1\"\u003eGremlins: behind-the-scenes (480p, Dolby Digital 2.0, 6:21 min): This vintage featurette was produced back in 1983 and includes footage of the crew working on the set, as well as interviews with Joe Dante, Steven Spielberg and Hoyt Axton.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdditional Scenes (480p, Dolby Digital 2.0, 10:26 min)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePhoto gallery\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTwo standard definition trailers for Gremlins, and a standard definition trailer for Gremlins 2: The New Batch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":50189966082353,"sku":"HNEJST3233364","price":249.99,"currency_code":"USD","in_stock":false},{"title":"New - No Damage Before Opening - #128\/500","offer_id":50189966115121,"sku":"HNEJST3233365","price":249.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Gremlins4KXLFullSlipSteelBook_Czech_b80d5a92-32a6-4be7-bc1f-5f176b2f462e.jpg?v=1744345566"},{"product_id":"the-thing-4k-xl-lenticular-steelbook-fac-164czech","title":"The Thing 4K XL Lenticular SteelBook + Lenticular Magnet (1982)(FAC #164)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" height=\"652\" width=\"498\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eKurt Russell, Wilford Brimley, T.K. Carter, David Clennon, Keith David, Richard Dysart\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJohn Carpenter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS:X\u003cbr\u003eFRENCH: 5.1 DTS DIGITAL SURROUND\u003cbr\u003eITALIAN: 5.1 DTS DIGITAL SURROUND\u003cbr\u003eCZECH: DTS DIGITAL SURROUND 2.0\u003cbr\u003eCASTILIAN SPANISH: DTS DIGITAL SURROUND 2.0\u003cbr\u003eJAPANESE: DTS DIGITAL SURROUND 2.0\u003cbr\u003ePOLISH (VO): DTS DIGITAL SURROUND 2.0\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Czech, Castilian Spanish, Dutch, French, Greek, Hungarian, Italian, Japanese, Polish, Portuguese, Romanian\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUntested\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1982\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUniversal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e10\/21\/2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e109 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCommentary with Richard Schickel\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEastwood on Eastwood\u003c\/strong\u003e (480i; 1.33:1; 1:08:34): A 1997 documentary written and directed by Schickel and narrated by John Cusack.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll on Accounta Pullin' a Trigger\u003c\/strong\u003e (480i; 1.33:1; 22:35): Narrated by Morgan Freeman.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEastwood \u0026amp; Co.: Making \u003cem\u003eUnforgiven\u003c\/em\u003e\u003c\/strong\u003e (480i; 1.33:1; 23:52): Narrated by Hal Holbrook.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEastwood . . . a Star\u003c\/strong\u003e (480i; 1.33:1; 16:07).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e\"Duel at Sundown\" \u003cem\u003eMaverick\u003c\/em\u003e TV Episode\u003c\/strong\u003e (480i; 1.33:1; 49:07): This 1959 episode from the second season of TV's \u003cem\u003eMaverick\u003c\/em\u003e features a young Eastwood as a gunslinger and fortune hunter named \"Red Hardigan\", who makes a point of mispronouncing Maverick's name as \"Maver-\u003cem\u003eack\u003c\/em\u003e\".\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTheatrical Trailer\u003c\/strong\u003e (480i; 2.40:1, enhanced; 1:57).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":46683555168561,"sku":"HNEJST3232254","price":254.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #36\/1000","offer_id":46683555266865,"sku":"HNEJST3232255","price":274.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheThing4KXLLenticularSteelBook_1982_Czech.jpg?v=1691869534"},{"product_id":"alien-4k-xl-embossed-full-slip-steelbook-1979fac-120czech","title":"Alien 4K XL Embossed Full Slip SteelBook (1979)(FAC#120)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" style=\"height: 863.344px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 74.7812px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 74.7812px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 74.7812px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 110.93px;\"\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px;\"\u003e\u003cstrong\u003e***Includes Theatrical and Director's Cuts***\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 39.1875px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 39.1875px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eIan Holm, Tom Skerritt, Yaphet Kotto, Sigourney Weaver, Veronica Cartwright, John Hurt, Harry Dean Stanton\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 110.93px;\"\u003eTheatrical Language:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eENGLISH: Dolby Digital 5.1\u003cbr\u003eCZECH\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eSPANISH (Latin)\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003e\u003c\/span\u003eTHAI\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003e: Dolby Digital 5.1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJAPANESE (original): Mono 1.0\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eENGLISH: DTS HD Master Audio 5.1\u003cbr\u003eFRENCH (Paris)\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eCASTILIAN\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eGERMAN\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eITALIAN\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eENGLISH: DTS HD Master Audio 4.1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eENGLISH: DTS HD Master Audio 2.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 211.938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 211.938px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 211.938px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eSPANISH (Latin)\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003cbr\u003eTHAI\u003cmeta charset=\"utf-8\"\u003e: Dolby Digital 5.1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eENGLISH: DTS HD Master Audio 5.1\u003cbr\u003eFRENCH (Paris)\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eCASTILIAN\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eGERMAN\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eITALIAN\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003cbr\u003eJAPANESE\u003cmeta charset=\"utf-8\"\u003e: DTS HD Master Audio 5.1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eENGLISH: DTS HD Master Audio 2.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 58.7812px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 58.7812px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 58.7812px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCzech, English (for the deaf), Spanish (Latin America), French (Paris), Castilian, Danish, Finnish, German, Italian, Japanese, Norwegian, Swedish, Cantonese, Korean, Mandarin, Polish, Thai\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003eRegion Free (BD Untested)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003e2.35:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 39.1875px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 39.1875px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 39.1875px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 39.1875px;\"\u003e1979\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003e10\/2\/2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 19.5938px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 19.5938px;\"\u003e117 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 263.125px;\"\u003e\n\u003ctd style=\"width: 110.93px; height: 263.125px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 434.57px; height: 263.125px;\"\u003e\n\u003cul\u003e\n\u003cli\u003e2003 Audio Commentary by Ridley Scott and the Cast and Crew\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e1999 Audio Commentary by Ridley Scott (Theatrical Version only)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFinal Theatrical Isolated Score is presented in Dolby Digital 5.1 and available on the Theatrical Version only.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eComposer's Original Isolated Score is presented in Dolby Digital 5.1 and is available on the Theatrical Version only. This attempts to \"reconstruct\" Jerry Goldsmith's original intentions, which were radically edited and reworked for the final film.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes Index (HD; 6:39)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Used (V-M) - Includes All Items and Discs - Slip Box (V-M)","offer_id":46695478493489,"sku":"HNEJST3232274","price":249.99,"currency_code":"USD","in_stock":false},{"title":"New - #52\/1000","offer_id":46695478559025,"sku":"HNEJST3232275","price":319.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Alien4KXLEmbossedFullSlipSteelBook_Czech.png?v=1691888224"},{"product_id":"alien-xl-double-lenticular-steelbook-1979fac-120czech","title":"Alien XL Double Lenticular SteelBook (1979)(FAC#120)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eIan Holm, Tom Skerritt, Yaphet Kotto, Sigourney Weaver, Veronica Cartwright, John Hurt, Harry Dean Stanton\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRidley Scott\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003eENGLISH: DTS HD Master Audio 5.1\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCzech, English, Greek, Hungarian, Icelandic, Hindi, Telugu, Malay, Polish, Portuguese, Serbian, Mandarin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.35:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1979\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e20th Century Fox\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e10\/2\/2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e117 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e2003 Audio Commentary by Ridley Scott and the Cast and Crew\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e1999 Audio Commentary by Ridley Scott (Theatrical Version only)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFinal Theatrical Isolated Score is presented in Dolby Digital 5.1 and available on the Theatrical Version only.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eComposer's Original Isolated Score is presented in Dolby Digital 5.1 and is available on the Theatrical Version only. This attempts to \"reconstruct\" Jerry Goldsmith's original intentions, which were radically edited and reworked for the final film.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes Index (HD; 6:39)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage","offer_id":48065508376881,"sku":"HNEJST3232276","price":214.99,"currency_code":"USD","in_stock":false},{"title":"New - #24\/500","offer_id":48065508442417,"sku":"HNEJST3235959","price":237.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/AlienXLDoubleLenticularSteelBook_Czech.png?v=1691888981"},{"product_id":"zack-snyders-justice-league-xl-lenticular-steelbook-fac-1632017czech","title":"Zack Snyder's Justice League XL Lenticular SteelBook (FAC#163)(2017)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" width=\"498\" height=\"652\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: No\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eGal Gadot, Henry Cavill, Ben Affleck, Amber Heard, Amy Adams, Jason Momoa\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eZack Snyder\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DOLBY ATMOS-TRUEHD\u003cbr\u003eENGLISH: DOLBY DIGITAL 5.1\u003cbr\u003eFRENCH: DOLBY DIGITAL 5.1\u003cbr\u003eCZECH: DOLBY DIGITAL 5.1\u003cbr\u003eITALIAN: DOLBY DIGITAL 5.1\u003cbr\u003eJAPANESE: DOLBY DIGITAL 5.1\u003cbr\u003ePOLISH (VO): DOLBY DIGITAL 5.1\u003cbr\u003ePOLISH: DOLBY DIGITAL 5.1\u003cbr\u003ePORTUGUESE - BRAZILIAN: DOLBY DIGITAL 5.1\u003cbr\u003eSPANISH - CASTILIAN: DOLBY DIGITAL 5.1\u003cbr\u003eSPANISH - LATIN: DOLBY DIGITAL 5.1\u003cbr\u003eSLOVAK: DOLBY DIGITAL 5.1\u003cbr\u003eENGLISH: 5.1 AUDIO DESCRIPTIVE SERVICE\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Chinese - Complex, Chinese - Simplified, Czech, Czech forced, Danish, Dutch, Finnish, Italian SDH, Italian forced, Japanese, Japanese forced, French - Parisian, French - Parisian forced, Japanese, Japanese forced, Spanish - Latin, Spanish - Latin forced, Swedish, Spanish - Castilian, Spanish - Castilian forced, Slovak forced, Portuguese - Brazilian forced, Polish, Polish forced, Korean, Norwegian\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2017\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eWarner Bros\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e3\/13\/2023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e242 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Road to Justice League (24:20) - Doubling as a short retrospective of his DC trilogy and an extended introduction for this new cut, director Zack Snder -- flanked by a few prominent cast members including Henry Cavill, Ben Affleck, Gal Gadot, Jason Momoa, and Ray Fisher, along with producers Charles Roven and Deborah Snyder.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 2:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe Return of Superman\u003c\/strong\u003e (1080p; 1.78:1; 2:04): Two short scenes reveal the film's original approach to Superman's reemergence to join the fight against Steppenwolf. This is the version that includes his encounter with Alfred and was featured in one of \u003cem\u003eJL\u003c\/em\u003e's trailers (\"He said you'd come. Now let's hope you're not too late.\")\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoad to Justice\u003c\/strong\u003e (1080p; 1.78:1; 14:10): A fifty-year history of the Justice League in multiple media.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeart of Justice\u003c\/strong\u003e (1080p; 1.78:1; 11:52): This featurette focuses on Superman, Batman and Wonder Woman.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnology of the Justice League\u003c\/strong\u003e (1080p; 1.78:1; 8:14): Tools of the superhero trade, with insights from production designer Patrick Tatopoulus and set decorator Dominic Capon.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eJustice League: The New Heroes\u003c\/strong\u003e (1080p; 1.78:1; 12:24): Hosted by Ray Fisher, this featurette focuses on the League's latest members.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSteppenwolf the Conqueror\u003c\/strong\u003e (1080p; 1.78:1; 3:03): With actor Ciarán Hinds.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eScene Studies\u003c\/strong\u003e (1080p; 1.78:1; 15:16): A \"play all\" function is included.\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eRevisiting the Amazons\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eWonder Woman's Rescue\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eHeroes Park\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eThe Tunnel Battle\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuit Up: The Look of the League\u003c\/strong\u003e (10:21): With costume designer Michael Wilkinson.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntroductory Trailers\u003c\/strong\u003e: At startup, the disc plays an ad for \u003cem\u003eJustice League VR: The Complete Experience\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":52341004370225,"sku":"HNEJST3232310","price":109.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ZackSnyder_sJusticeLeagueXLLenticularSteelBook_2017_Czech.jpg?v=1691937943"},{"product_id":"zack-snyders-justice-league-4k-xl-lenticular-steelbook-fac-1632017czech","title":"Zack Snyder's Justice League 4K XL Lenticular SteelBook (FAC#163)(2017)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: No\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eGal Gadot, Henry Cavill, Ben Affleck, Amber Heard, Amy Adams, Jason Momoa\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eZack Snyder\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DOLBY ATMOS-TRUEHD\u003cbr\u003eFRENCH: DOLBY ATMOS-TRUEHD\u003cbr\u003eGERMAN: DOLBY ATMOS-TRUEHD\u003cbr\u003eITALIAN: DTS-HD MASTER AUDIO 5.1\u003cbr\u003eCZECH: DOLBY DIGITAL 5.1\u003cbr\u003eGERMAN: DOLBY DIGITAL 5.1\u003cbr\u003eJAPANESE: DOLBY DIGITAL 5.1\u003cbr\u003ePOLISH: DOLBY DIGITAL 5.1\u003cbr\u003eSPANISH - CASTILIAN: DOLBY DIGITAL 5.1\u003cbr\u003eSPANISH - LATIN: DOLBY DIGITAL 5.1\u003cbr\u003eENGLISH: DOLBY DIGITAL 5.1\u003cbr\u003eFRENCH: DOLBY DIGITAL 5.1\u003cbr\u003eENGLISH: 5.1 AUDIO DESCRIPTIVE SERVICE\u003cbr\u003eGERMAN: 2.0 AUDIO DESCRIPTIVE SERVICE\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Chinese - Complex, Chinese - Simplified, Czech, Czech forced, Danish, Dutch, Finnish, French - Parisian, French - Parisian forced, Greek, German SDH, German forced, Hungarian, Italian SDH, Italian forced, Japanese, Japanese forced, Korean, Norwegian, Polish, Polish force, Romanian, Spanish - Castilian, Spanish - Castilian force, Spanish - Latin, Spanish - Latin forced, Swedish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2017\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e3\/13\/2023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e242 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e\u003ci\u003eThe Road to Justice League\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e(24:20)\u003c\/b\u003e\u003cspan\u003e - E\u003c\/span\u003e\u003cspan\u003extended introduction for this new cut, director Zack Snder -- flanked by a few prominent cast members including Henry Cavill, Ben Affleck, Gal Gadot, Jason Momoa, and Ray Fisher, along with producers Charles Roven and Deborah Snyder -- sheds some light on his involvement with all three films. Snippets of candid on-set footage from each can be seen.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Slip Box G-VG","offer_id":52341025997105,"sku":"HNEJST3232311","price":109.99,"currency_code":"USD","in_stock":true},{"title":"New - Slip Box V-M","offer_id":52341026029873,"sku":"HNEJST3232312","price":129.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ZackSnyder_sJusticeLeague4KXLLenticularSteelBook_2017_Czech.jpg?v=1691938365"},{"product_id":"zack-snyders-justice-league-4k-xl-1-click-steelbook-fac-1632017czech","title":"Zack Snyder's Justice League 4K XL 1-Click SteelBook (FAC#163)(2017)(Czech)","description":"\u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/zack-snyders-justice-league-xl-lenticular-steelbook-fac-1632017czech?_pos=3\u0026amp;_sid=cb0669648\u0026amp;_ss=r\"\u003eLenticular\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/zack-snyders-justice-league-4k-xl-lenticular-steelbook-fac-1632017czech?_pos=4\u0026amp;_sid=cb0669648\u0026amp;_ss=r\"\u003e4K Lenticular\u003c\/a\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening - #71\/750","offer_id":49210191479089,"sku":"HNEJST3232312","price":299.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening","offer_id":49349421924657,"sku":"","price":299.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ZackSnyder_sJusticeLeague4KXL1-ClickSteelBook_2017_Czech.jpg?v=1691938825"},{"product_id":"life-full-slip-steelbook-2017fac-80czech","title":"Life Full Slip SteelBook + Lenticular Magnet (2017)(FAC#80)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRyan Reynolds, Jake Gyllenhaal, Rebecca Ferguson, Hiroyuki Sanada, Ariyon Bakare, Olga Dihovichnaya\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eDaniel Espinosa\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003eENGLISH: DTS-HD Master Audio 7.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, Czech\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2017\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSony\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e8\/30\/2017\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e104 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eDeleted Scenes (1080p, 5:49 total runtime): Caution of spoilers in one of the following titles: Jordan Examines His Stamp Collection, Adams Mending His Helmet, The Tang Breakfast Scene, Derry in the Gym, Adams' Body Is Placed Inside His Pod, and Sho and Jordan Talk.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLife: In Zero G (1080p, 6:54): Cast and crew discuss the technical and performance arts challenges of shooting in what has been created to be sets similar to a no-gravity environment.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCreating Life: The Art and Reality of Calvin (1080p, 7:07): Discussing the creature's biological design and implementation in the film as well as the possibility of life on Mars and elsewhere.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eClaustrophobic Terror: Creating a Thriller in Space (1080p, 7:28): Cast and crew discuss how outer space enhances the story and the film's structure. The piece also includes discussions on themes and concepts in the film, Espinosa's direction, the film's strive to achieve reality, visual structure, sets, and more. It's a solid catch-all piece.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAstronaut Diaries (1080p, 3:00): The characters share a few brief (visually pixelated and compressed) thoughts.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePreviews (1080p): Additional Sony titles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46728502935857,"sku":"HNEJST3232396","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/s-l1600_d3a16c98-d089-4f0e-909b-d884ae742f22.jpg?v=1692114888"},{"product_id":"inglourious-basterds-4k-xl-full-slip-steelbook-fac-165czech","title":"Inglourious Basterds 4K XL Full Slip SteelBook + Lenticular Magnet (FAC#165)(Czech)","description":"\u003ctable width=\"498\" height=\"652\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eBrad Pitt, Diane Kruger, Eli Roth, Mélanie Laurent, Christoph Waltz, Michael Fassbender, Samm Levine, Daniel Brühl, Til Schweiger, Gedeon Burkhard\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eQuentin Tarantino\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eENGLISH: DTS-HD MASTER AUDIO 5.1\u003cbr\u003eCZECH:DTS DIGITAL SURROUND 5.1\u003cbr\u003eFRENCH:DTS DIGITAL SURROUND 5.1\u003cbr\u003eHUNGARIAN:DTS DIGITAL SURROUND 5.1\u003cbr\u003ePOLISH (VO):DTS DIGITAL SURROUND 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan face=\"HelveticaNeue-Light, Helvetica Neue Light, HelveticaNeue, Helvetica Neue, Helvetica, Arial, sans-serif\" style=\"font-family: HelveticaNeue-Light, 'Helvetica Neue Light', HelveticaNeue, 'Helvetica Neue', Helvetica, Arial, sans-serif;\"\u003eEnglish SDH, Czech, Danish, Dutch, Finnish, French European, Greek, Hungarian, Norwegian, Polish, Romanian, Swedish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2.40:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2009\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e11\/19\/2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e153 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eExtended \u0026amp; Alternate Scenes (1080p. 11:31).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRoundtable Discussion with Quentin Tarantino, Brad Pitt and Elvis Mitchell (1080p, 30:45).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNEW! The New York Times Talks (1080p, 1:08:07): chat with Tarantino from August 14, 2009. With Moderator Lynn Hirschberg.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNation's Pride - Full Feature (1080p, 6:10).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Making of Nation's Pride (1080p, 4:00).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Original Inglorious Bastards (1080p, 7:38).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eA Conversation with Rod Taylor (1080p, 6:43).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRod Taylor on Victoria Bitter (1080p, 3:19).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eQuentin Tarantino's Camera Angel (1080p, 2:41).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHi Sallys (1080p, 2:09).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilm Poster Gallery Tour with Elvis Mitchell (1080p, 10:59).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eInglourious Basterds Poster Gallery (1080p): Promotional material images.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailers (1080p): Included are Teaser (1:45), Domestic Trailer (2:23), International Trailer (2:08), and Japanese Trailers (1:17).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":46743605575985,"sku":"HNEJST3232426","price":144.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #52\/750","offer_id":46743605641521,"sku":"HNEJST3232427","price":154.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/InglouriousBasterds4KXLFullSlipSteelBook_Czech.jpg?v=1692210912"},{"product_id":"i-am-legend-4k-xl-lenticular-steelbook-fac-179czech","title":"I Am Legend 4K XL Lenticular SteelBook + Lenticular Magnet (FAC#179)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" height=\"652\" width=\"498\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eWill Smith, Alice Braga, Charlie Tahan, Salli Richardson-Whitfield, Willow Smith, Darrell Foster\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eFrancis Lawrence\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master Audio 5.1\u003cbr\u003eFRENCH - CANADIAN: Dolby Digital 5.1\u003cbr\u003eFRENCH - PARASIAN: Dolby Digital 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eGERMAN: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003eITALIAN: Dolby Digital 5.1\u003cbr\u003eJAPAN: Dolby Digital 5.1\u003cbr\u003ePOLISH (VO): Dolby Digital 5.1\u003cbr\u003ePORTUGUESE - BRAZILIAN: Dolby Digital 5.1\u003cbr\u003eRUSSIAN: Dolby Digital 5.1\u003cbr\u003eSPANISH – CASTILIAN: Dolby Digital 5.1\u003cbr\u003eSPANISH – LATIN: Dolby Digital 5.1\u003cbr\u003eENGLISH: Audio Descriptive Service 2.0\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eArabic, English SDH, Cantonese, Chinese - Complex, Czech, Czech forced, Danish, Dutch, Finnish, German SDH, German forced, Hungarian, Italian SDH, Italian forced, Portuguese-Brazilian, Portuguese-Brazilian forced, Portuguese-European, Spanish - Castilian, Spanish - Castilian forced, Japanese, Japanese forced, Korean, Spanish - Latin, Spanish - Latin forced, Norwegian, French - Parisian, French - Parisian forced, Polish, Russian, Russian forced, Swedish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.41:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2007\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e101 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e4K Disc:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary track featuring director Francis Lawrence and producer-screenwriter Akiva Goldsman. The pair shares their thoughts on the look and feel of the film, the locations, the emotional themes of the film, Will Smith's performance, and more.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBD Disc:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAlternate cut of the film that offers viewers a different ending to the film. The alternate ending wasn't just tacked on as a standard extra, but integrated into a cut of the film you can watch from beginning to end. \u003c\/li\u003e\n\u003cli\u003eCautionary Tale: The Science of 'I Am Legend' (1080p, 20:41) looks at the real-life science behind some of the ideas presented in the film. Not only do cast and crew discuss the science, but medical doctors, professors, and virologists examine what a virus is and what it can do to a population. \u003c\/li\u003e\n\u003cli\u003eShort features that delve into many aspects of the film, including the work of Abby, the German Shepherd seen in the film, to a look at the weapons used by Dr. Neville in the film, and to Smith's physical training for the role.\u003c\/li\u003e\n\u003cli\u003eFour short animated comics, relating to the film and presented in 1080p\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46746521927985,"sku":"HNEJST3232456","price":119.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/IAmLegend4KXLLenticularSteelBook_Czech_-Inside.jpg?v=1692247477"},{"product_id":"scott-pilgrim-vs-the-world-4k-xl-lenticular-steelbook-fac-177czech","title":"Scott Pilgrim Vs the World 4K XL Lenticular SteelBook (FAC#177)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eMary Elizabeth Winstead, Mae Whitman, Alison Pill, Anna Kendrick, Aubrey Plaza, Brie Larson, Ellen Wong, Chris Evans, Jason Schwartzman, Michael Cera, Mark Webber, Brandon Routh, Kieran Culkin, Johnny Simmons, Satya Bhabha\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eEdgar Wright\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos\u003cbr\u003eCZECH: DTS Digital Surround 5.1\u003cbr\u003eFRENCH: DTS Digital Surround 5.1\u003cbr\u003eTHAI: DTS Digital Surround 5.1\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Czech, Cantonese, Complex Mandarin, French European, Korean, Thai\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2010\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUniversal\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e112 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDeleted Scenes (1080p, 27:23 total runtime): Included are Knives Meets Scott, Knives Says Goodbye, Alternate Stacey Phone Call, Scott Asks Ramona Out Extended, Scott and Ramona in the Park 1st Version, Scott and Ramona in the Park 2nd Version, The Morning After the Night Before, Crash and the Boys Extra Song, My Name Is Matthew Patel, Scott and Ramona Extra Bedroom Scene, Ramona's Hair Extended, Negascott the 1st, Bass Battle Original Ending, Pizza Pizza Extended, Negascott the 2nd, Roxy Fight Original Cut, Second Bus Montage, This Fight Is Over, First Hipster Fight Extended, Dream Desert and Extra Life Footage, and The Alternate Ending. With optional commentary by Director\/Co-Writer Edgar Wright.\u003c\/li\u003e\n\u003cli\u003eScott Pilgrim vs. the Bloopers (1080p, 9:39).\u003c\/li\u003e\n\u003cli\u003eDocumentaries (1080p):\n\u003cul\u003e\n\u003cli\u003eMaking of Scott Pilgrim vs. The World: Includes Chapter 01 (21:17) and Chapter 02 (28:15).\u003c\/li\u003e\n\u003cli\u003eMusic Featurette (1080p, 16:26).\u003c\/li\u003e\n\u003cli\u003eYou Too Can Be a Sex Bob-omb (1080p, 2:40).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlternative Footage (1080p):\n\u003cul\u003e\n\u003cli\u003eAlternative Edits (12:20).\u003c\/li\u003e\n\u003cli\u003eBits and Pieces (6:51).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePre-Production (1080p):\n\u003cul\u003e\n\u003cli\u003ePre-Production Footage (14:33 total runtime).\u003c\/li\u003e\n\u003cli\u003eAnimatics (35:30 total runtime).\u003c\/li\u003e\n\u003cli\u003eRehearsal Footage (8:48 total runtime).\u003c\/li\u003e\n\u003cli\u003eProps, Rigs and Sets Montage (2:43 total runtime).\u003c\/li\u003e\n\u003cli\u003eCasting Tapes (13:33 total runtime).\u003c\/li\u003e\n\u003cli\u003eHair and Make-Up Footage (10:46 Total Runtime).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMusic Promos (1080p):\n\u003cul\u003e\n\u003cli\u003eMusic Videos (9:38 total runtime).\u003c\/li\u003e\n\u003cli\u003eAudio Visual Remixes by Osymyso (9:28 total runtime).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eVisual Effects (1080p).\n\u003cul\u003e\n\u003cli\u003eVFX Before \u0026amp; After (14:36 total runtime).\u003c\/li\u003e\n\u003cli\u003eRoxy Fight\/Ribbon Version (1:09).\u003c\/li\u003e\n\u003cli\u003ePhantom Montage: Hi Speed Footage (3:47).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSoundworks Collection: Sound for Film Profile (1080p, 5:40).\u003c\/li\u003e\n\u003cli\u003eTrailers (1080p):\n\u003cul\u003e\n\u003cli\u003eTheatrical Trailers (5:30 total runtime).\u003c\/li\u003e\n\u003cli\u003eTV Spots (7:42 total runtime).\u003c\/li\u003e\n\u003cli\u003eVideo Game Trailers (4:44 total runtime).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAdult Swim: Scott Pilgrim vs. The Animation (1080p, 3:45).\u003c\/li\u003e\n\u003cli\u003eScott Pilgrim vs. the Censors (1080p, 4:10).\u003c\/li\u003e\n\u003cli\u003eBlogs (1080p):\n\u003cul\u003e\n\u003cli\u003eBlog One - Introduction (3:35).\u003c\/li\u003e\n\u003cli\u003eBlog Two - First Day of Principal Photography (4:29).\u003c\/li\u003e\n\u003cli\u003eBlog Three - On Location (1:33).\u003c\/li\u003e\n\u003cli\u003eBlog Four - Casa Loma, Fishing and Fatigue (2:23).\u003c\/li\u003e\n\u003cli\u003eBlog Five - From Comic Book Panel to Screen (3:27).\u003c\/li\u003e\n\u003cli\u003eBlog Six - Fight! (3:43).\u003c\/li\u003e\n\u003cli\u003eBlog Seven - Party! (3:12).\u003c\/li\u003e\n\u003cli\u003eBlog Eight - Music! (3:27).\u003c\/li\u003e\n\u003cli\u003eBonus Blog - Watching the Blogs (2:15).\u003c\/li\u003e\n\u003cli\u003eBlog Nine - Home Sweet Home(s) (3:44).\u003c\/li\u003e\n\u003cli\u003eBlog Ten - Clash at Demonhead (3:04).\u003c\/li\u003e\n\u003cli\u003eBonus Blog - Frisbee (1:56).\u003c\/li\u003e\n\u003cli\u003eBlog Eleven - Battle Scars (2:52).\u003c\/li\u003e\n\u003cli\u003eBonus Blog - Hula (2:36).\u003c\/li\u003e\n\u003cli\u003eBlog Twelve - Battle of the Bands (2:52).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eGalleries (1080p):\n\u003cul\u003e\n\u003cli\u003eProduction Photos\u003c\/li\u003e\n\u003cli\u003eEdgar's Photo A Day Blog\u003c\/li\u003e\n\u003cli\u003eJohnny Simmons' Photos\u003c\/li\u003e\n\u003cli\u003eEllen Wong's Photos\u003c\/li\u003e\n\u003cli\u003eMark Webber's Photos\u003c\/li\u003e\n\u003cli\u003eTheatrical Posters\u003c\/li\u003e\n\u003cli\u003eFictional Posters\u003c\/li\u003e\n\u003cli\u003eBryan's Flip Charts\u003c\/li\u003e\n\u003cli\u003eStoryboards\u003c\/li\u003e\n\u003cli\u003eConceptual Art Gallery\u003c\/li\u003e\n\u003cli\u003eGraphic Novel Comparison Gallery\u003c\/li\u003e\n\u003cli\u003eMecha-Gideon -- The Original Boss Battle\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrivia Track\u003c\/li\u003e\n\u003cli\u003eCredits\u003c\/li\u003e\n\u003cli\u003eFeature Commentary: Director\/Co-Writer Edgar Wright \u0026amp; Co-Writer Michael Bacall and Author Bryan Lee O'Malley.\u003c\/li\u003e\n\u003cli\u003eTechnical Commentary: Director\/Co-Writer Edgar Wright and Director of Photography Bill Pope.\u003c\/li\u003e\n\u003cli\u003eCast Commentary: Michael Cera, Jason Schwartzman, Mary Elizabeth Winstead, Ellen Wong \u0026amp; Brandon Routh.\u003c\/li\u003e\n\u003cli\u003eCast Commentary: Anna Kendrick, Aubrey Plaza, Kieran Culkin \u0026amp; Mark Webber\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46746535919921,"sku":"HNEJST3232457","price":119.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScottPilgrimVstheWorld4KXLLenticularSteelBook_Czech_-Inside.jpg?v=1692247569"},{"product_id":"cry-macho-4k-xl-lenticular-steelbook-fac-172czech","title":"Cry Macho 4K XL Lenticular SteelBook + Lenticular Magnet (FAC#172)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eClint Eastwood, Eduardo Minett, Natalia Traven, Dwight Yoakam, Fernanda Urrejola, Horacio Garcia Rojas\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eClint Eastwood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eENGLISH: DTS-HD Master Audio 5.1\u003cbr\u003eFRENCH (Paris): Dolby Digital 5.1\u003cbr\u003eITALIAN: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003eGERMAN Dolby Digital 2.0\u003cbr\u003eGERMAN: Dolby Digital 5.1\u003cbr\u003ePOLISH: commentary Dolby Digital 5.1\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eCzech, English for the deaf, Danish, Finnish, French (Paris), Dutch, Italian for the deaf, Hungarian, German for the deaf, Norwegian, Polish, Romanian, Swedish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e104 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial 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Ruddy, and all key members of the cast including Dwight Yoakam, Eduardo Minett, Natalia Traven, Fernanda Urrejola, and Horacio Garcia Rojas (as \"Aurelio\", one of the henchmen pursuing Mike and Rafo).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMacho and the Mustangs (7:13) - Eastwood and a few returning participants go into detail about Clint's long-time love of animals and the horse-riding scenes in the movie, from learning to ride again to tight camerawork in close, dangerous quarters and even a bit of on-set horseplay.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46746552500529,"sku":"HNEJST3232458","price":109.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/CryMacho4KXLLenticularSteelBook_Czech_-Inside.jpg?v=1692248098"},{"product_id":"reminiscence-4k-xl-lenticular-steelbook-fac-178czech","title":"Reminiscence 4K XL Lenticular SteelBook (2021)(FAC#178)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\" style=\"height: 843.75px;\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 74.7812px;\"\u003e\n\u003ctd style=\"width: 111px; height: 74.7812px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 74.7812px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px; height: 39.1875px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 39.1875px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eHugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Marina de Tavira, Daniel Wu\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eLisa Joy\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 113.969px;\"\u003e\n\u003ctd style=\"width: 111px; height: 113.969px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 113.969px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos-TrueHD, CZECH: Dolby Digital 5.1, ITALIAN: Dolby Digital 5.1, POLISH (VO): Dolby Digital 5.1, SPANISH - CASTILIAN: Dolby Digital 5.1, ENGLISH: Dolby Digital 5.1, FRENCH - PARASIAN: Dolby Digital 5.1, GERMAN: Dolby Digital 5.1, GERMAN: Audio Descriptive Service 2.0\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 58.7812px;\"\u003e\n\u003ctd style=\"width: 111px; height: 58.7812px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 58.7812px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Cantonese, Chinese - Complex, Czech, Danish, Dutch, Finnish, French - Parisian, German SDH, Italian SDH, Korean, Norwegian, Polish, Spanish - Castilian, Swedish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px; height: 39.1875px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 39.1875px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px; height: 39.1875px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 39.1875px;\" data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 19.5938px;\" data-mce-fragment=\"1\"\u003e116 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 341.5px;\"\u003e\n\u003ctd style=\"width: 111px; height: 341.5px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 341.5px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eBehind the Scenes Featurettes - This series of four short promotional pieces includes a basic story\/character overview, notes about the production design, location shooting, the future tech, working with old friends, and other topics. Several key cast and crew members are interviewed including Hugh Jackman, Thandiwe Newton, Daniel Wu, actor Maina De Tavira (\"Tamara\"), writer\/director Lisa Joy, producer Jonathan Nolan, production designer Howard Cummings, producer Aaron Ryder, composer Ramin Djawadi, and a few others.\n\u003cul\u003e\n\u003cli\u003eThe Sunken Coast (7:05)\u003c\/li\u003e\n\u003cli\u003eCrafting a Memory (8:24)\u003c\/li\u003e\n\u003cli\u003eYou're Going on a Journey (4:07)\u003c\/li\u003e\n\u003cli\u003eReminiscence: A Family Reunion (8:14)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\"Save My Love\" Music Video (4:41) - Performed by Lonr and Amber Mark\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46746587889969,"sku":"HNEJST3232459","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Reminiscence4KXLLenticularSteelBook_Czech_-Inside.jpg?v=1692248479"},{"product_id":"the-conjuring-3-the-devil-made-me-do-it-4k-xl-lenticular-steelbook-bb-31czech","title":"The Conjuring 3: The Devil Made Me Do It 4K XL Lenticular SteelBook (BB#31)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003ePatrick Wilson,Vera Farmiga,Ruairi O'Connor,Sarah Catherine Hook,Julian Hilliard,John Noble\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMichael Chaves\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eTBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eTBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e112 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Occultist (4:03) - This piece examines the main antagonist with comments by director Michael Chaves; producers James Wan and Peter Safran; and actors Patrick Wilson, Vera Farmiga, and Eugenie Bondurant.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBy Reason of Demonic Possession (5:24) - Account of the true story that inspired the film, featuring interviews with many of the participants above as well as the real-life convicted murderer Arne Johnson and his dutiful wife, Debbie.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eExorcism of Fear (5:47) - The earlier participants -- along with production designer Jennifer Spence, stunt coordinator Glenn Foster, VFX supervisor Robert Nederhorst, and teenage contortionist Emerald Wulf, who doubled for eight year-old David Glatzel -- return for a breakdown of the set construction and opening scene. We also get a recording of the actual David Glatzel exorcism, which plays in full during the end credits.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Conjuring: The Lover #1 (12:50) - This video comic extends the Conjuring Universe further with an original story credited to multiple writers and artists which was released in print form back in June. There's some banding going on in the background, but it's capably done with voice work, music, and transitional effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46751363727665,"sku":"HNEJST3232461","price":89.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheConjuring3-TheDevilMadeMeDoIt4KXLLenticularSteelBook_Czech_-Inside.jpg?v=1692276905"},{"product_id":"godzilla-vs-kong-4k-xl-double-lenticular-steelbook-fac-171czech","title":"Godzilla Vs. Kong 4K XL Double Lenticular SteelBook (2021)(EMPTY)(FAC#171)(Czech)","description":"\u003ctable style=\"height: 182.938px;\" width=\"498\" data-mce-fragment=\"1\" height=\"300\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr style=\"height: 90.9375px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px; height: 90.9375px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px; height: 90.9375px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 54px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px; height: 54px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px; height: 54px;\"\u003eEMPTY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 38px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px; height: 38px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px; height: 38px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e5\/1\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46751377752369,"sku":"HNEJST29272","price":151.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/GodzillaVs.Kong4KXLDoubleLenticularSteelBook_Czech.jpg?v=1714928629"},{"product_id":"the-little-things-xl-lenticular-steelbook-2021fac-173czech","title":"The Little Things XL Lenticular SteelBook (2021)(FAC#173)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" width=\"498\" height=\"652\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDenzel Washington, Rami Malek, Jared Leto, Chris Bauer, Michael Hyatt, Terry Kinney\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eJohn Lee Hancock\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"s1\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: DTS-HD Master Audio 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003ePOLISH (VO): Dolby Digital 5.1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eArabic, English SDH, Czech, Czech forced, Hungarian, Hungarian forced, Polish, Romanian, Slovak, Korean, Cantonese, Chinese - Complex, Chinese - Simplified\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e128 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eFour Shade of Blue (9:22) - This short retrospective piece traces the similarities and differences between four Warner Bros. films in which Denzel Washington played a police officer: Ricochet, Fallen, Training Day, and The Little Things, with comments by film critics Wade Major, Tim Cogshell, and a third unidentified woman.\u003c\/li\u003e\n\u003cli\u003eA Contrast In Styles (7:54) - A much more film-specific behind-the-scenes featurette that includes separate comments from writer\/director John Lee Hancock, producer Mark Johnson, and actors Denzel Washington, Rami Malek, and Jared Leto, who each discuss their characters and what it was like working together.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46751409537329,"sku":"HNEJST30566","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheLittleThingsXLLenticularSteelBook_Czech_-Inside.jpg?v=1692278214"},{"product_id":"nobody-4k-xl-lenticular-steelbook-fac-175czech","title":"Nobody 4K XL Lenticular SteelBook (2021)(FAC#175)(Czech)","description":"\u003ctable width=\"550\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eBob Odenkirk, Aleksey Serebryakov, Connie Nielsen, Christopher Lloyd, Michael Ironside, Colin Salmon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eIlya Naishuller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003ePOLISH (VO): Dolby Digital 5.1\u003cbr\u003eBRAZILIAN PORTUGUESE: Dolby Digital Plus 7.1\u003cbr\u003eFRENCH: Dolby Digital Plus 7.1\u003cbr\u003eHUNGARIAN: Dolby Digital Plus 7.1\u003cbr\u003eLATIN AMERICA SPANISH: Dolby Digital Plus 7.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Czech, Brazilian Portuguese, Danish, Dutch, Finnish, French European, Greek, Hungarian, Latin American Spanish, Norwegian, Polish, Swedish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e92 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eDeleted Scenes (1080p, 4:58 total runtime): Scenes given no identifying markers.\u003c\/li\u003e\n\u003cli\u003eHutch Hits Hard (1080p, 3:52): Looking more closely, albeit still briefly, at Bob Odenkirk's turn in his first Action film role with emphasis on his physical training.\u003c\/li\u003e\n\u003cli\u003eBreaking Down the Action (1080p): Exploring several key scenes form the film: their place in the story, fight choreography, and more. Included are Bus Fight (5:31), Home Invasion (4:19), Car Chase (3:13), and Tool and Die (6:02).\u003c\/li\u003e\n\u003cli\u003eJust a Nobody (1080p, 12:53): The film's place as \"wish fulfillment\" and \"urban fantasy,\" Ilya Naishuller's direction, Odenkriks' contributions beyond the screen, casting the support roles, and more.\u003c\/li\u003e\n\u003cli\u003eAudio Commentary: Actor\/Producer Bob Odenkirk and Director Ilya Naishuller.\u003c\/li\u003e\n\u003cli\u003eAudio Commentary: Director Ilya Naishuller.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46751432376625,"sku":"HNEJST3232462","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Nobody4KXLFullSlipSteelBook_Czech_-Overview.jpg?v=1692278716"},{"product_id":"f9-the-fast-saga-4k-xl-full-slip-steelbook-2021fac-169czech","title":"F9: The Fast Saga 4K Full Slip SteelBook + Lenticular Magnet (2021)(FAC#169)(Czech)","description":"\u003ctable data-mce-fragment=\"1\" width=\"550\" height=\"652\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003e\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e***Theatrical (2:22:52) and Director's (2:29:55)***\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eVin Diesel, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris Bridges, Nathalie Emmanuel\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJustin Lin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos\u003cbr\u003eCZECH: Dolby Digital Plus 7.1\u003cbr\u003eBRAZILIAN PORTUGUESE: Dolby Digital Plus 7.1\u003cbr\u003eHUNGARIAN: Dolby Digital Plus 7.1\u003cbr\u003eLATIN AMERICA SPANISH: Dolby Digital Plus 7.1\u003cbr\u003eTHAI: Dolby Digital Plus 7.1\u003cbr\u003ePOLISH (VO): Dolby Digital 5.1\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eCzech, English SDH, Brazilian Portuguese, Hungarian, Latin American Spanish, Polish, Romanian, Thai\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUntested\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e6\/24\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e143 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003eTheatrical (2:22:52) and Director's (2:29:55)\u003c\/li\u003e\n\u003cli\u003eGag Reel (1080p, 3:34): Humorous moments from the shoot.\u003c\/li\u003e\n\u003cli\u003eF9: All In (2160p\/SDR): A nine-part supplement.\n\u003cul\u003e\n\u003cli\u003eThe Family Returns (3:19): Pleasing fans, building the stories, expanding the scope, Lin's direction, and more.\u003c\/li\u003e\n\u003cli\u003eNew Breed of Bad Guy (6:12): A look at how the franchise has expanded from a street racing movie to the tale of a broken family. It also looks at bringing on a new Toretto played by John Cena.\u003c\/li\u003e\n\u003cli\u003eBuilding the Land Mine Chase (5:42): Making one of the most intense stunts and scenes from Fast franchise history, focusing on the cars and the explosions within the scene.\u003c\/li\u003e\n\u003cli\u003eA Woman's Touch (5:10): A closer look at the female characters in the film and throughout the franchise.\u003c\/li\u003e\n\u003cli\u003eVin, Helen, and the Queen (6:07): Exploring Helen Mirren's role in the film and the particularly interesting relationship she and Vin Diesel share on screen and off.\u003c\/li\u003e\n\u003cli\u003eGrowing the Family (4:27): Briefly exploring some of the actors and characters who are new to the franchise.\u003c\/li\u003e\n\u003cli\u003eControlled Chaos (9:10): Shooting in Edinburgh and Tbilisi, crafting various fight and action scenes, new cars for the film, the film's \"magnet gag,\" and more.\u003c\/li\u003e\n\u003cli\u003eTokyo Drift Reunited (2:48): Returning key characters from Tokyo Drift for F9.\u003c\/li\u003e\n\u003cli\u003eRaising the Bar (3:22): A look at how the franchise has evolved yet stayed the same with particular emphasis on cast camaraderie.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePractically Fast (2160p\/SDR, 7:52): Exploring the practical stunt work that is seen throughout the film.\u003c\/li\u003e\n\u003cli\u003eShifting Priorities (1080p, 3:59): Looking at the very deepest family ties that define the movie with emphasis on Vin Diesel's real-life parenting.\u003c\/li\u003e\n\u003cli\u003eJustice for Han (2160p\/SDR, 3:37): Secretly returning a fan favorite character to the franchise.\u003c\/li\u003e\n\u003cli\u003eA Day on the Set with Justin Lin (1080p, 10:00): A look at the highlights of Lin's typical day on the set.\u003c\/li\u003e\n\u003cli\u003eJohn Cena: Supercar Superfan (1080p, 4:36): Cena looks at some of his favorite exotic vehicles.\u003c\/li\u003e\n\u003cli\u003eAudio Commentary: Producer\/Co-Writer\/Director Justin Lin explores the film in detail. The track is available with both the theatrical and director's cuts of the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46751456428337,"sku":"HNEJST3232463","price":99.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/F9-TheFastSaga4KFullSlipSteelBook_2021_FAC_169_Czech.jpg?v=1693188465"},{"product_id":"copy-of-the-shawshank-redemption-4k-xl-lenticular-steelbook-fac-174czech","title":"Predator XL Lenticular SteelBook (1987)(EMPTY)(FAC#158)(Czech)","description":"\u003ctable height=\"300\" data-mce-fragment=\"1\" width=\"498\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEMPTY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Slip Box 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Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEMPTY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":47475552125233,"sku":"HNEJST3232465","price":169.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/PredatorXLDoubleLenticularSteelBook_1987_EMPTY_Czech.jpg?v=1698715282"},{"product_id":"predator-4k-xl-full-slip-steelbook-1987fac-158czech","title":"Predator XL Full Slip SteelBook + Lenticular Magnet (1987)(EMPTY)(FAC#158)(Czech)","description":"\u003ctable height=\"300\" data-mce-fragment=\"1\" width=\"498\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEMPTY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":47475571327281,"sku":"HNEJST3232466","price":157.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/Predator3D_4KXLFullSlipSteelBook_1987_EMPTY_Czech.jpg?v=1697856902"},{"product_id":"predator-4k-xl-1-4-slip-steelbook-1987fac-158czech","title":"Predator 1\/4 Slip SteelBook (1987)(EMPTY)(FAC#158)(Czech)","description":"\u003ctable height=\"300\" data-mce-fragment=\"1\" width=\"498\" style=\"height: 182.938px;\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 90.9375px;\"\u003e\n\u003ctd style=\"width: 111px; height: 90.9375px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 90.9375px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: Yes\u003cbr\u003eFinish Type: Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 54px;\"\u003e\n\u003ctd style=\"width: 111px; height: 54px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 54px;\" data-mce-fragment=\"1\"\u003eEMPTY\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 38px;\"\u003e\n\u003ctd style=\"width: 111px; height: 38px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px; height: 38px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":47475578569009,"sku":"HNEJST3232467","price":109.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/2024-01-11_195403.jpg?v=1705024653"},{"product_id":"predator-4k-xl-1-click-steelbook-maniacs-box-set-1987fac-158czech","title":"Predator XL 1-Click SteelBook Maniacs Box Set (1987)(EMPTY)(FAC#158)(Czech)","description":"\u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/predator-4k-xl-1-4-slip-steelbook-1987fac-158czech?_pos=2\u0026amp;_sid=13e7e4484\u0026amp;_ss=r\"\u003e1\/4 Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/predator-4k-xl-full-slip-steelbook-1987fac-158czech?_pos=3\u0026amp;_sid=13e7e4484\u0026amp;_ss=r\"\u003eFull Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/copy-of-the-shawshank-redemption-4k-xl-lenticular-steelbook-fac-174czech?_pos=1\u0026amp;_sid=13e7e4484\u0026amp;_ss=r\"\u003eLenticular\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/predator-4k-xl-double-lenticular-steelbook-1987fac-158czech?_pos=4\u0026amp;_sid=13e7e4484\u0026amp;_ss=r\"\u003eDouble Lenticular\u003c\/a\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46751584420145,"sku":"HNEJST3232468","price":1099.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/2024-01-11_194613.jpg?v=1705024889"},{"product_id":"forrest-gump-xl-double-lenticular-steelbook-fac-138czech","title":"Forrest Gump XL Double Lenticular SteelBook (FAC#138)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eTom Hanks, Gary Sinise, Mykelti Williamson, Sally Field, Robin Wright Penn\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRobert Zemeckis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: 5.1 DTS-HD MASTER AUDIO\u003cbr\u003eCZECH: 2.0 Stereo Dolby Digital\u003cbr\u003ePOLISH: 2.0 Stereo Dolby Digital\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, Chinese - Cantonese - Hong Kong, Chinese - Mandarin - Simplified - PRC, Chinese - Mandarin - Traditional Also For Singapore, Czech, Korean, Polish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.35:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1994\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eParamount\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/16\/2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e142 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTwo commentary tracks\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDirector Robert Zemeckis, Producer Steve Starkey, and Production Designer Rick Carter. Discussions include the purpose of the feather that begins the movie, Tom Hanks' performance and his comfort with the character, Forrest's character traits, casting additional roles, the film's visual style, molding the humor and working with archival footage, and even the film's aspect ratio.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSecond commentary track features Producer Wendy Finerman. She discusses the uniqueness of seeing the world through Forrest's eyes and the movie's ability to perfectly showcase it. She also covers shooting locations, her favorite moments in the film, what helped Forrest's character get through his various trials and why he was an extraordinary character, and more.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMusical Signposts to History\u003c\/i\u003e\u003cspan\u003e (1080p, 3:54) featuring Rock Journalist Ben Fong-Torres, Director Robert Zemeckis, and Music Supervisor Joel Sill discussing \u003c\/span\u003e\u003ci\u003eForrest Gump\u003c\/i\u003e\u003cspan\u003e's soundtrack and score and how the popular songs match up to the scenes they accompany. Also featured are Michelle Phillips from \"The Mamas and the Papas,\" Roger McGuinn and David Crosby from \"The Byrds,\" and Ray Manzarek from \"The Doors.\" Once this introductory piece concludes, viewers will be prompted to choose a mode through which to view the film with the Musical Signposts feature. Modes include \"Manual,\" \"Auto,\" and \"Selective.\" When activated, the film will stop and Ben Fong-Torres and others will discuss the music accompanying each particular scene.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46865516265777,"sku":"HNEJST3232535","price":94.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ForrestGumpXLDoubleLenticularSteelBook_Czech.png?v=1692662062"},{"product_id":"forrest-gump-xl-lenticular-steelbook-fac-138czech","title":"Forrest Gump XL Lenticular SteelBook (FAC#138)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eTom Hanks, Gary Sinise, Mykelti Williamson, Sally Field, Robin Wright Penn\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRobert Zemeckis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: 5.1 DTS-HD MASTER AUDIO\u003cbr\u003eCZECH: 2.0 Stereo Dolby Digital\u003cbr\u003ePOLISH: 2.0 Stereo Dolby Digital\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, Chinese - Cantonese - Hong Kong, Chinese - Mandarin - Simplified - PRC, Chinese - Mandarin - Traditional Also For Singapore, Czech, Korean, Polish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.35:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1994\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eParamount\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/16\/2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e142 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cstrong\u003eDisc 1:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTwo commentary tracks\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDirector Robert Zemeckis, Producer Steve Starkey, and Production Designer Rick Carter. Discussions include the purpose of the feather that begins the movie, Tom Hanks' performance and his comfort with the character, Forrest's character traits, casting additional roles, the film's visual style, molding the humor and working with archival footage, and even the film's aspect ratio.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSecond commentary track features Producer Wendy Finerman. She discusses the uniqueness of seeing the world through Forrest's eyes and the movie's ability to perfectly showcase it. She also covers shooting locations, her favorite moments in the film, what helped Forrest's character get through his various trials and why he was an extraordinary character, and more.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMusical Signposts to History\u003c\/i\u003e\u003cspan\u003e (1080p, 3:54) featuring Rock Journalist Ben Fong-Torres, Director Robert Zemeckis, and Music Supervisor Joel Sill discussing \u003c\/span\u003e\u003ci\u003eForrest Gump\u003c\/i\u003e\u003cspan\u003e's soundtrack and score and how the popular songs match up to the scenes they accompany. Also featured are Michelle Phillips from \"The Mamas and the Papas,\" Roger McGuinn and David Crosby from \"The Byrds,\" and Ray Manzarek from \"The Doors.\" Once this introductory piece concludes, viewers will be prompted to choose a mode through which to view the film with the Musical Signposts feature. Modes include \"Manual,\" \"Auto,\" and \"Selective.\" When activated, the film will stop and Ben Fong-Torres and others will discuss the music accompanying each particular scene.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46865718772017,"sku":"HNEJST324068545","price":94.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ForrestGumpXLLenticularSteelBook_Czech.png?v=1692663468"},{"product_id":"forrest-gump-4k-xl-full-slip-steelbook-fac-138czech","title":"Forrest Gump 4K XL Full Slip SteelBook + Lenticular Magnet (FAC#138)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eTom Hanks, Gary Sinise, Mykelti Williamson, Sally Field, Robin Wright Penn\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eRobert Zemeckis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos\u003cbr\u003eENGLISH: 5.1 Dolby Digital\u003cbr\u003eCZECH: Dolby Digital 2.0\u003cbr\u003eRUSSIAN: Dolby Digital 5.1\u003cbr\u003eTURKISH: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003eCHINESE - TRADITIONAL MANDARIN: Dolby Digital 5.1\u003cbr\u003ePOLISH: Dolby Digital 2.0\u003cbr\u003eTHAI: Dolby Digital 2.0\u003cbr\u003eENGLISH: Commentary Dolby Digital 2.0\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish, Czech, Chinese - Cantonese - Hong Kong, Chinese - Traditional Mandarin - Taiwan Also For Singapore, Chinese - Mandarin - Simplified - PRC, Korean, Polish, Arabic, Estonian, Greek, Hebrew, Hungarian, Icelandic, Latvian, Lithuanian, Portuguese (Europe), Romanian, Russian, Thai, Turkish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Untested)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.35:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1994\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eParamount\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e9\/16\/2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e142 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTwo commentary tracks\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDirector Robert Zemeckis, Producer Steve Starkey, and Production Designer Rick Carter. Discussions include the purpose of the feather that begins the movie, Tom Hanks' performance and his comfort with the character, Forrest's character traits, casting additional roles, the film's visual style, molding the humor and working with archival footage, and even the film's aspect ratio.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eSecond commentary track features Producer Wendy Finerman. She discusses the uniqueness of seeing the world through Forrest's eyes and the movie's ability to perfectly showcase it. She also covers shooting locations, her favorite moments in the film, what helped Forrest's character get through his various trials and why he was an extraordinary character, and more.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003ci\u003eMusical Signposts to History\u003c\/i\u003e\u003cspan\u003e (1080p, 3:54) featuring Rock Journalist Ben Fong-Torres, Director Robert Zemeckis, and Music Supervisor Joel Sill discussing \u003c\/span\u003e\u003ci\u003eForrest Gump\u003c\/i\u003e\u003cspan\u003e's soundtrack and score and how the popular songs match up to the scenes they accompany. Also featured are Michelle Phillips from \"The Mamas and the Papas,\" Roger McGuinn and David Crosby from \"The Byrds,\" and Ray Manzarek from \"The Doors.\" Once this introductory piece concludes, viewers will be prompted to choose a mode through which to view the film with the Musical Signposts feature. Modes include \"Manual,\" \"Auto,\" and \"Selective.\" When activated, the film will stop and Ben Fong-Torres and others will discuss the music accompanying each particular scene.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - No Damage Before Opening","offer_id":51966138614065,"sku":"HNEJST3232538","price":239.99,"currency_code":"USD","in_stock":true},{"title":"New - No Damage Before Opening - #78\/400","offer_id":51966138646833,"sku":"HNEJST3232539","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ForrestGump4KXLFullSlipSteelBook_Czech.jpg?v=1692663585"},{"product_id":"forrest-gump-4k-xl-1-click-steelbook-fac-138czech","title":"Forrest Gump 4K XL 1-Click SteelBook Maniacs Box Set (FAC#138)(Czech)","description":"\u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/forrest-gump-4k-xl-full-slip-steelbook-fac-138czech?_pos=4\u0026amp;_sid=83bd699f3\u0026amp;_ss=r\"\u003e4K Full Slip\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/forrest-gump-xl-lenticular-steelbook-fac-138czech?_pos=2\u0026amp;_sid=83bd699f3\u0026amp;_ss=r\"\u003eLenticular\u003c\/a\u003e \/ \u003ca href=\"https:\/\/bluraysforeveryone.com\/products\/forrest-gump-xl-double-lenticular-steelbook-fac-138czech?_pos=3\u0026amp;_sid=83bd699f3\u0026amp;_ss=r\"\u003eDouble Lenticular\u003c\/a\u003e","brand":"Blurays For Everyone","offers":[{"title":"M \/ New - No Damage Before Opening","offer_id":46865833558321,"sku":"HNEJST3232539","price":339.99,"currency_code":"USD","in_stock":true},{"title":"M \/ New - No Damage Before Opening - #78\/400","offer_id":51966132355377,"sku":null,"price":349.99,"currency_code":"USD","in_stock":false},{"title":"L \/ New - No Damage Before Opening","offer_id":46865833591089,"sku":"HNEJST3232540","price":339.99,"currency_code":"USD","in_stock":true},{"title":"L \/ New - No Damage Before Opening - #78\/400","offer_id":51966132388145,"sku":null,"price":349.99,"currency_code":"USD","in_stock":false},{"title":"XL \/ New - No Damage Before Opening","offer_id":46865833623857,"sku":"HNEJST3232541","price":339.99,"currency_code":"USD","in_stock":true},{"title":"XL \/ New - No Damage Before Opening - #78\/400","offer_id":51966132420913,"sku":null,"price":349.99,"currency_code":"USD","in_stock":false},{"title":"XXL \/ New - No Damage Before Opening","offer_id":49218869395761,"sku":"","price":339.99,"currency_code":"USD","in_stock":false},{"title":"XXL \/ New - No Damage Before Opening - #78\/400","offer_id":51966132453681,"sku":null,"price":349.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ForrestGump4K1-ClickManiacsBoxSetSteelBook_Czech.png?v=1692664252"},{"product_id":"edge-of-tomorrow-4k-xl-lenticular-steelbook-fac-181czech","title":"Edge of Tomorrow 4K XL Lenticular SteelBook + Lenticular Magnet (FAC#181)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eTom Cruise, Emily Blunt, Brendan Gleeson, Bill Paxton, Jonas Armstrong, Tony Way\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eDoug Liman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos-TrueHD\u003cbr\u003eFRENCH (PARISIAN): DTS-HD Master Audio 7.1\u003cbr\u003eGERMAN: DTS-HD Master Audio 7.1\u003cbr\u003eFRENCH (CANADIAN): Dolby Digital 5.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003eHINDI: Dolby Digital 5.1\u003cbr\u003eHUNGARIAN: Dolby Digital 5.1\u003cbr\u003eITALIAN: Dolby Digital 5.1\u003cbr\u003eJAPAN: Dolby Digital 5.1\u003cbr\u003eMANDARIN: Dolby Digital 5.1\u003cbr\u003ePOLISH (VO): Dolby Digital 5.1\u003cbr\u003eSPANISH (CASTILIAN): Dolby Digital 5.1\u003cbr\u003eSPANISH (LATIN): Dolby Digital 5.1\u003cbr\u003eENGLISH: Audio Descriptive Service 5.1\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Cantonese, Chinese - Complex, Czech, Czech forced, Danish, Dutch, Finnish, French - Parisian, French - Parisian forced, German SDH, German forced, Hungarian, Hungarian forced, Japanese, Japanese forced, Korean, Norwegian, Polish, Romanian, Spanish - Castilian, Spanish - Castilian forced, Spanish - Latin, Spanish - Latin forced, Chinese - Simplified, Chinese - Simplified forced, Hindi forced, Italian forced, Italian SDH, Swedish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.40:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2014\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWarner Bros.\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e113 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eStorming the Beach (HD, 12 minutes): Director\/producer Doug Liman helms a nine-minute introductory behind- the-scenes featurette, which is paired with a three-minute alternate Adrenaline cut of one of the \"Operation Downfall\" sequences.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eWeapons of the Future (HD, 8 minutes): The cast and crew discuss the future warriors' exo-armor and armaments, the challenge of wearing, adapting to and performing inside of the suits, the art of combing practical and visual effects, the corresponding stuntwork, and the development, construction and implementation of the full 80-120 pound equipment load.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCreatures Not of This World (HD, 6 minutes): Similar treatment is granted to the film's alien creatures, beginning with the difficulty of conceiving an original alien species, their story and motivation, and the mystery, uniqueness and frightening edge of the end result.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eOn the Edge with Doug Liman (HD, 43 minutes): Production documentary focuses on Liman, his vision and leadership as a director, but also provides candid, fly-on-the-wall insight into the development of the film, the design and construction of the costumes and sets, the tone of the movie, the hurdles Liman and company had to overcome, the crew's adherence to \"science fact\" rather than science fiction, and more. Key members of the cast and crew are on hand to offer their thoughts as well.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes (HD, 8 minutes): Seven deleted scenes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46902592504113,"sku":"HNEJST3232552","price":109.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/EdgeofTomorrow4KXLLenticularSteelBook_FAC_181_Czech_-Inside.jpg?v=1692743253"},{"product_id":"the-birds-full-slip-steelbook-bb-10czech","title":"The Birds Full Slip SteelBook (BB#10)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: Spot Gloss\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRod Taylor, Jessica Tandy, Suzanne Pleshette, Tippi Hedren, Veronica Cartwright, Ethel Griffies\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAlfred Hitchcock\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eENGLISH: DTS-HD Master 2.0\u003cbr\u003eCZECH: DTS 2.0\u003cbr\u003eHUNGARIAN: DTS 2.0\u003cbr\u003ePOLISH (VO): DTS 2.0\u003cbr\u003ePORTUGUESE: DTS 2.0\u003cbr\u003eRUSSIAN (VO): DTS 2.0\u003cbr\u003eSPANISH: DTS 2.0\u003cbr\u003eTHAI: DTS 2.0\u003cbr\u003eTURKISH: DTS 2.0 \u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish, Czech, Hungarian, Polish, Portuguese, Romanian, Russian, Greek, Spanish, Thai, Turkish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1963\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e4\/4\/2018\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e120 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Birds: Hitchcock's Monster Movie (HD, 14 minutes): Analysis of The Birds' place in horror movie history, Hitchcock's attraction to the project, the mystery behind the avian monsters' attack, the birds as a manifestation of disharmony and disruption, and the film's ambiguous ending.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAll About The Birds (SD, 80 minutes): Pulls back the curtain on the production, from its inspiration to its development, scripting, story elements, characters, performances, special effects and more.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHitchcock-Truffaut Interview Excerpts (SD, 14 minutes): Excerpts from filmmaker Francois Truffaut's 1962 interview sessions with Hitchcock (for his book, the aptly titled \"Hitchcock\") are set to a montage of clips and stills from the film.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli 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#78\/500","offer_id":49836080202033,"sku":"HNEJST3232564","price":151.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/TheBirdsFullSlipSteelBook_BB_10_Czech.jpg?v=1693188359"},{"product_id":"vertigo-full-slip-steelbook-bb-12czech","title":"Vertigo Full Slip SteelBook (BB#12)(Czech)","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJames Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones, Raymond Bailey\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAlfred Hitchcock\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eTBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eTBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1958\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e4\/4\/2018\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e129 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAudio Commentary: Only one feature commentary is available: a solo track with filmmaker William Friedkin. The second previously available commentary with associate producer Herbert Coleman and restoration team leads Robert A. Harris and James C. Katz is nowhere to be found.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eObsessed with Vertigo: New Life for Hitchcock's Masterpiece (SD, 29 minutes): From AMC comes this Harrison Engle documentary, introduced by Vertigo restorer Robert A. Harris and restoration producer James C. Katz. Among those who sit down to talk about the film are Harris and Katz (of course), filmmaker Martin Scorsese, Hitch's daughter Pat Hitchcock O'Connell, associate producer Herbert Coleman, screenwriter Samuel Taylor and actresses Kim Novak (Madeleine\/Judy) and Barbara Bel Geddes (Midge).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003ePartners in Crime: Hitchcock's Collaborations (SD, 55 minutes): Four featurettes focus on Hitch's collaborations: \"Saul Bass: Title Champ\" (opening credits), \"Edith Head: Dressing the Master's Movies\" (costumes), \"Bernard Herrmann: Hitchcock's Maestro\" (music) and \"Alma: The Master's Muse\" (Hitchcock's partnership with his wife).\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHitchcock and Truffaut Interview Excerpts (SD, 14 minutes): Excerpts from filmmaker Francois Truffaut's 1962 interview sessions with Hitchcock (for his book, the aptly titled \"Hitchcock\") are set to a montage of clips and stills from the film.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e100 Years of Universal: The Lew Wasserman Era (HD, 9 minutes): Super agent turned visionary Lew Wasserman put power (and opportunity) in his actors' pockets and changed the business, all before purchasing the Paramount library, bringing Hitchcock to television and, ultimately, acquiring a major studio. That studio? Universal.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eForeign Censorship Ending (SD, 2 minutes): An extended ending tacked on for the film's overseas release.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eThe Vertigo Archives (SD, 69 minutes): Art director Henry Bumstead's sprawling production portfolio drawings.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eTheatrical and Restoration Trailers (SD, 4 minutes)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46913172668721,"sku":"HNEJST32406744","price":139.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/VertigoFullSlipSteelBook_BB_12_Czech.jpg?v=1693156565"},{"product_id":"halloween-kills-4k-xl-full-slip-steelbook-fac-182czech","title":"Halloween Kills 4K XL Full Slip SteelBook + Lenticular Magnet (2021)(FAC#182)(Czech)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSteelBook Info\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003eInside Artwork: Yes\u003cbr\u003eEmboss\/Deboss: TBA\u003cbr\u003eFinish Type: TBA\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eJamie Lee Curtis, Judy Greer, Andi Matichak, James Jude Courtney, Will Patton, Thomas Mann\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eDavid Gordon Green\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH: Dolby Atmos\u003cbr\u003eFRENCH: Dolby Digital Plus 7.1\u003cbr\u003eHUNGARIAN: Dolby Digital Plus 7.1\u003cbr\u003eITALIAN: Dolby Digital Plus 7.1\u003cbr\u003eCZECH: Dolby Digital 5.1\u003cbr\u003ePOLISH (VO): Dolby Digital 5.1\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish SDH, Czech, Danish, Dutch, Finnish, French European, Greek, Hungarian, Italian, Norwegian, Polish, Romanian, Swedish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUntested\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2021\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUniversal\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003eTBA\/2025\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e109 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eGag Reel (1080p, 3:12)\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted and Extended Scenes (1080p, 3:21 total runtime): Included are Allyson Meets Brackett, Sondra's Drone Finds The Shape, and Protestors Rock Outside Hospital.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHaddonfield's Open Wounds (1080p, 7:15): A look at opening the Halloween story from the perspective of Haddonfield itself rather than a single character or several characters. Still, it does focus on some of the individual characters, and the actors who play them, in the film and franchise.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Kill Team (1080p, 11:02): A look at some of the unsung heroes on the filmmaking crew. It also explores some of the brutal kills and creativity involved in executing them.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eStrode Family Values (1080p, 3:37): Exploring the Strode family dynamics as they have evolved over four decades and as explored in this, and the previous, film.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e1978 Transformations (1080p, 5:50): How the film explores more of the story from 1978 in this film from 2021. It looks at set design, the return of Dr. Loomis, the Michael Myers mask, and matching the film texture to the 1978 picture.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Power of Fear (1080p, 4:28): Looking at the mob mentality depicted in the film.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eKill Count (1080p, 0:53): Flashing through all 31 of Michael's kills in the movie.\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary: Director\/Co-Writer David Gordon Green and Stars Jamie Lee Curtis and Judy Greer explore the film.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":46934946545969,"sku":"HNEJST3232575","price":109.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/HalloweenKills4KXLFullSlipSteelBook_Czech_-Inside.jpg?v=1692838859"}],"url":"https:\/\/bluraysforeveryone.com\/collections\/steelbooks-metal-film-arena.oembed?page=29","provider":"Blurays For Everyone","version":"1.0","type":"link"}