{"title":"Vinegar Syndrome OOP","description":"","products":[{"product_id":"from-beyond-4k-limited-edition-exclusive","title":"From Beyond 4K: Limited Edition (1986)(VS-419)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJeffrey Combs, Barbara Crampton, Ted Sorel, Ken Foree, Carolyn Purdy-Gordon, Bunny Summers\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eStuart Gordon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 5.1 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0 (320kbps)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUnrated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1986\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e1\/24\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e86 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cu\u003eUHD\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary #1\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures director Stuart Gordon, producer Brian Yuzna, and actors Jeffrey Combs and Barbara Crampton.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary #2\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures screenwriter Dennis Paoli.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e\u003cu\u003eBlu-ray #1\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary #1\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures director Stuart Gordon, producer Brian Yuzna, and actors Jeffrey Combs and Barbara Crampton.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary #2\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures screenwriter Dennis Paoli.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Re-Resonator\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(94:43, HD) is an extensive making-of for \"From Beyond,\" featuring interviews with producer Brian Yuzna, composer Richard Band, photographic effects supervisor Anthony Doublin, editor Lee Percy, prosthetic artist Mark Shostrum, special effects artists Robert Kurtzman and John Naulin, fabrication crew member Gabe Bartalos, makeup artist William Butler, screenwriter Dennis Paoli, foley artist Vanessa Ament, and actors Jeffrey Combs, Barbara Crampton, and Ken Foree. Many stories are shared about \"From Beyond\" on this set, but this collection of anecdotes and memories is the best of the bunch, carefully exploring the production process and the personalities involved in the making of the feature.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e\u003cu\u003eBlu-ray #2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"An Empire Production\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(6:47, HD) is an interview with executive producer Charles Band, who discusses efforts to follow- up \"Re-Animator,\" hoping to make a similar film. Production occurred in Rome, with Band overseeing multiple productions to help boost the Empire Productions brand. The interviewee also shares his secret to making low-budget features.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"A Tortured Soul\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(17:47, HD) is an interview with actor Jeffrey Combs, who highlights the thespian challenge of \"From Beyond,\" asked to play a weak, nervous character. Time in Rome is recalled, dealing with a noisy crew in a beautiful part of the world. Co-stars are celebrated, and gory, monstrous moments are remembered, with Combs detailing the technical challenges involved to pull these visual off.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Paging Dr. McMichaels\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(19:51, HD) is an interview with actress Barbara Crampton, who emerged from her time on \"Re- Animator\" with interest in reuniting with the creative team, leading to the creation of \"From Beyond.\" Crampton explores characterization and production effort, enjoying her time in Rome. Co-stars are celebrated and technical challenges are highlighted, with the interviewee trapped in a big goopy mess at times.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"The Doctor is In\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(14:29, HD) is another interview with actress Barbara Crampton.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Multiple Dimensions\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(23:38, HD) is a study of the visual effects in \"From Beyond,\" featuring interviews with special effects artists John Carl Buechler and John Naulin, prosthetic artist Mark Shostrum, and photographic effects supervisor Anthony Doublin. The technical demands of \"From Beyond\" are recalled, with the team working to best \"Re-Animator\" and create a special look for the picture. Such focus resulted in an impressive visual presence for the film, and for Naulin, multiple trips to the hospital to deal with a severe injury.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Monsters \u0026amp; Slime\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(20:47, HD) returns to the special effects of \"From Beyond,\" featuring interviews with special effects artist John Naulin, fabrication crew member Gabe Bartalos, photographic effects supervisor Anthony Doublin.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Gothic Adaptation\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(16:05, HD) is an interview with writer Dennis Paoli, who details his early love of science fiction books, finding his way to H.P. Lovecraft. High school buddies with director Stuart Gordon, the pair continued their friendship into theater, comedy performances, and eventually filmmaking. Adaptations of \"Re-Animator\" and \"From Beyond\" are analyzed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Reflections with Stuart Gordon\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(8:53, HD) is an interview with the director, who discusses the challenges of transforming a seven-page-long short story into a 90-minute feature. Casting is tracked, with Gordon trying to work with personal favorites. And the subject matter is analyzed, getting into the sexuality of the \"lurid\" material, extending to lighting and tonal choices. The picture's battle with the MPAA is also explored.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"On 'From Beyond'\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(20:37, HD) is a post-screening interview with director Stuart Gordon, joined by his wife, Carolyn Purdy-Gordon.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eStoryboard Comparison\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(9:01, SD) takes a look at several sequences from the feature via split-screen, showcasing pre- production art and the final cut. An introduction from director Stuart Gordon is included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eInterview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(4:34, SD) is a chat with composer Richard Band.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eImage Gallery\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(1:13) collects film stills.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eTrailer (:58, SD)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":46951249871153,"sku":"HNEJST3232579","price":29.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":51587489825073,"sku":null,"price":71.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/329985_slip.jpg?v=1692886131"},{"product_id":"road-house-4k-limited-edition-exclusive","title":"Road House 4K: Limited Deluxe Edition (VSU-004)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePatrick Swayze, Kelly Lynch, Sam Elliott, Ben Gazzara, Marshall R. Teague, Julie Michaels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRowdy Herrington\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 5.1 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0 (320kbps)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.40:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1989\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e11\/25\/2022\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e114 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBooklet\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(42 pages) offers essays by Sean T. Collins and Cristina Cacioppo.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e\u003cu\u003eBlu-ray Disc #1\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary #1\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures director Rowdy Herrington.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary #2\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures fans Kevin Smith and Scott Mosier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Henchman #2\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(24:40, HD) is an interview with actor Anthony De Longis, who shares his audition story, finding those in charge unimpressed with his martial arts abilities. Location shooting is recalled, dealing with stunts and Patrick Swayze's fanbase, and an identification of facades is presented, as the Double Deuce and assorted town businesses were built in California. Physical action is detailed, following director Rowdy Herrington's leadership, with fight scenes growing intense while sticking with choreographed moves, creating a special atmosphere of violence. Co-stars are fondly recalled, and the cult longevity of \"Road House\" is analyzed.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"I Did It My Way\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(30:44, HD) is a video conference interview with second unit director Charlie Picerni, who details his wayward early years, getting close to criminal activity before he was pushed to California to pursue work as a stunt performer. Making his way up the ladder, Picerni became a stunt coordinator, eventually breaking into features with his time on \"Die Hard,\" which secured the \"Road House\" gig for him. Fight choreography is celebrated, with the interviewee working to rough up moves, giving the picture a harder edge, and he praises the cast, who took direction well. Career ups and downs are tracked, with Picerni staying with producer Joel Silver for a few more endeavors. Technical challenges on \"Road House\" are shared, along with appreciation for Patrick Swayze's presence and talent.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Ain't Nothing Gonna Kill Me But Me!\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(21:22, HD) is an interview with actor Travis McKenna, who tracks his early years as a bouncer, making him a natural fit for \"Road House.\" The interviewee describes his physical condition at the time, easily handling the stunt requirements of the part, also shooting down producer Joel Silver's doubts about his abilities. McKenna offers love for Patrick Swayze and respect for director Rowdy Herrington, sharing memories from his contributions to the movie, which the helmer accepted. Stunt scenes and ice breakers are recalled, with McKenna extremely happy with his time on the film, making friends and contacts that lasted throughout his career. He closes with an amusing anecdote about meeting Bruce Springsteen.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Blonde Ambitions\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(19:12, HD) is an interview with special talent coordinator Laura Lee Kasten, who kickstarted her career working for Playboy Magazine, offering movie producers access to actresses willing to do nudity. Pulled into a small part as a nurse, Kasten recalls her time on-set and her interactions with Patrick Swayze, whom she praises most highly. The interview identifies the \"Laura Lee Girls\" who were brought in to play the women of the Double Deuce, with a few of them using this opportunity to join the industry full time. Stunt work is highlighted, and memories from the premiere are shared, with Kasten expecting the film to be a major hit. Kasten closes with praise for producer Joel Silver, who helped her career along the way, getting her into location work.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Fightin' Man\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(14:01, HD) is an interview with actor Roger Hewlett, who shares that 40 minutes of \"Road House\" was cut to get the film into fighting shape, losing much of his part. Working as an educator, Hewlett eventually found his way to the movie business, in awe of his co-stars, reporting on their generosity and personality. Hewlett is the only brave one to honestly comment on Patrick Swayze's temper, as he was periodically reprimanded for making mistakes. Stunt demands are recalled, with physical contact common during the shoot. The interviewee also identifies a few of the deleted subplots removed from the feature.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eStill Gallery\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(6:00) collects poster art, publicity shots, and film stills.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eTheatrical Trailer (1:57, HD)\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e\u003cu\u003eBlu-ray Disc #2\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"I Thought You'd Be Bigger\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(63:14, HD) is the making-of for \"Road House,\" featuring interviews with film editor Frank Urioste, cinematographer Dean Cundey, director Rowdy Herrington, stunt coordinator Charlie Picerni, widow Lisa Niemi Swayze, and actors Terry Funk, Kelly Lynch, Joe Doe, Marshall R. Teague, Red West, Kevin Tighe, and Julie Michaels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"A Conversation with Director Rowdy Herrington\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(29:38, HD) is an extended discussion of \"Road House\" with the helmer.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Pretty Good for a Blind Boy\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(9:23, HD) explores the music of \"Road House,\" offering interviews with director Rowdy Herrington, widow Lisa Niemi Swayze, and actors Red West, John Doe, Marshall R. Teague, Kevin Tighe, Kelly Lynch, and Julie Michaels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"On the Road House\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(17:23, SD) is a 2006 making-of featurette, featuring interviews with director Rowdy Herrington, musician Jeff Healey, fight coordinator Benny \"The Jet\" Urquidez, and actors Patrick Swayze, Kelly Lynch, and Marshall R. Teague.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Pain Don't Hurt\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(22:29, HD) examines the stunts of \"Road House,\" featuring interviews with director Rowdy Herrington, stunt coordinator Charlie Picerni, widow Lisa Niemi Swayze, cinematographer Dean Cundey, and actors Terry Funk, John Doe, Marshall R. Teague, Kelly Lynch, and Julie Michaels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Remembering Patrick Swayze\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(15:07, HD) is an appreciation piece featuring interviews with director Rowdy Herrington, stunt coordinator Charlie Picerni, widow Lisa Niemi Swayze, cinematographer Dean Cundey, and actors Red West, Terry Funk, Marshall R. Teague, Kelly Lynch.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"What Would Dalton Do?\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(12:27, SD) collects thoughts on \"Road House\" from real-life bar coolers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEPK Interviews\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(11:00, SD) deliver thoughts and promotion from fight trainer Benny \"The Jet\" Urquidez, director Rowdy Herrington, and actors Patrick Swayze, Ben Gazzara, Kelly Lynch, and Sam Elliot.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eEPK Profile\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(2:41, SD) celebrates star Patrick Swayze.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBTS Footage\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(3:44, SD) showcases monster truck mayhem and stunt work from the \"Road House\" shoot.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":46951937114417,"sku":"HNEJST3232580","price":32.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":51789214318897,"sku":null,"price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/324569_front.jpg?v=1692886756"},{"product_id":"cutting-class-bd-dvd","title":"Cutting Class (VS-255)","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eDonovan Leitch Jr., Jill Schoelen, Brad Pitt, Roddy McDowall, Martin Mull, Tom Ligon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eRospo Pallenberg\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e: DTS-HD Master Audio Mono\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e2 (BD\/DVD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eR\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e1989\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003eTerror Vision\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #ff2a00;\"\u003e1\/29\/2019\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e91 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\" data-mce-style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures The Hysteria Continues.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eInterview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(20:26, HD) is a talk with Jill Schoelen, who tries to be as diplomatic as possible concerning the finer points of \"Cutting Class,\" but she admits her reluctance to take the part, well aware of the script's shortcomings. The now- retired actress describes her effort to make something out of her character, while production was brightened some by the employment of her best friend in costuming. Schoelen is honest about her relationship with director Rospo Pallenberg, who wasn't respectful of the acting process, trying to force his vision on bad material, triggering resentment from the star. Again, the interviewee is articulate about her experience, sharing her feelings about professional intuition and regret, unable to derive much joy out of the shoot, despite support from co-stars. Schoelen discusses her acting career in horror, and her thoughts about the ways the industry has changed for women, recalling her own struggles with pay and manipulation during her run in the 1980s. The actress also has lots of love for the fans.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eInterview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(16:25, HD) with Donovan Leitch provides another key perspective to the \"Cutting Class\" filmmaking experience, with the actor sharing anecdotes about his first day on set, meeting a still \"country\" Brad Pitt. Leitch describes his excitement to work on the picture, in awe of Pallenberg's previous screenwriting achievements, and he talks up his co-stars, spending downtime with Roddy McDowell, who shared parts of his life with his young co-star. The interviewee details how Pallenberg used the high school setting, trying to get as much out of the space he could, and he offers a choice anecdote concerning Pitt's impish behavior on-set. Leitch has a bright attitude about \"Cutting Class,\" but he does mention career disappointments, watching as leading parts failed to stir up business at the box office.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAudio Interview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(46:15) features Rospo Pallenberg.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAudio Interview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(23:31) features cinematographer Avraham Karpick.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Kill Comparisons\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(3:53, HD) offer a side-by-side look at the R-rated version of \"Cutting Class\" and the unrated version available on this Blu-ray.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAnd a Theatrical Trailer (2:35, HD)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":47068120645937,"sku":"HNEJST32334270","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/227579_front.jpg?v=1697296287"},{"product_id":"the-texas-chainsaw-massacre-2-4k-limited-edition-exclusive","title":"The Texas Chainsaw Massacre 2 4K: Limited Edition (VS-410)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eBill Moseley, Dennis Hopper, Caroline Williams, Bill Johnson (XI), Lou Perryman, Chris Douridas\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eTobe Hooper\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0 (192kbps)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1986\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/25\/2022\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e101 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary #1 features film critic Patrick Bromley.\u003c\/li\u003e\n\u003cli\u003eCommentary #2 features director Tobe Hooper.\u003c\/li\u003e\n\u003cli\u003eCommentary #3 features special make-up effects creator Tom Savini and actors Bill Moseley and Caroline Williams.\u003c\/li\u003e\n\u003cli\u003eCommentary #4 features cinematographer Richard Kooris, production designer Cary White, script supervisor Laura Kooris, and property master Michael Sullivan.\u003c\/li\u003e\n\u003cli\u003e\"Stretch Lives\" (31:20, HD) is an interview with actress Caroline Williams. Getting her start in the business in 1983, Williams made the leap to lead work in a hurry, making her way to Austin, Texas to impress director Tobe Hooper for \"The Texas Chainsaw Massacre 2.\" The production team is assessed, with the shoot moving quickly. Co-stars are remembered, along with the extreme physical demands of the performance. Cult appreciation is highlighted, with Williams examining her rocky career after working on the controversial film, finding help from Dennis Hopper.\u003c\/li\u003e\n\u003cli\u003e\"Serving Tom\"(19:30, HD) is an interview with special makeup effects artist Gabe Bartalos, who tracks his early interest in the business, eventually claiming work on \"The Lamp,\" and offered a job on \"The Texas Chainsaw Massacre 2.\" Working mostly without a script, Bartalos recalls his amazement with the sets and speed of thought from director Tobe Hooper, and he shares a deep respect for Tom Savini. Technical challenges and deleted scenes are recalled. An assessment of the cast is shared, along with the feature's influence on genre entertainment in the 1980s.\u003c\/li\u003e\n\u003cli\u003e\"The Saw and the Savini\" (20:23, HD) is an interview with special makeup effects creator Tom Savini, who identifies some of his team on \"The Texas Chainsaw Massacre 2,\" and his experience in Austin, Texas. Casting is celebrated, with make-up effects helping to shape characterization. Director Tobe Hooper is fondly remembered, and the interview examines some of the technical challenges found during the shoot. Oddly, some elements of music and all film footage audio is missing, creating some awkward silences.\u003c\/li\u003e\n\u003cli\u003e\"Leatherface Revisited\" (36:38, HD) is an interview with actor Bill Johnson, who was an Austin, Texas actor looking for work, responding to a casting call for a \"Baby Huey\" type for \"The Texas Chainsaw Massacre 2.\" Johnson offers his memories of director Tobe Hooper, and his take on Leatherface, trying to make the character his own. Co-stars are remembered, including fun times with Dennis Hopper. The interviewee also details his experiences with sets, and his brush with death, becoming very ill during the shoot, forced to miss a week of work.\u003c\/li\u003e\n\u003cli\u003e\"Beneath the Battle Land: Remembering 'The Lair'\" (11:37, HD) highlights the highly detailed work that went into set construction, with actors Caroline Williams, Barry Kinyon, Bill Johnson, and Kirk Sisco sharing their memories of the shoot.\u003c\/li\u003e\n\u003cli\u003e\"Die Yuppie Scum\" (13:06, HD) is an interview with actor Barry Kinyon, who skipped an education to become a male model, ultimately urged into auditioning for \"The Texas Chainsaw Massacre 2\" despite having no acting experience. Co-stars are recalled, with Kinyon too intimidated to approach Dennis Hopper, and director Tobe Hooper's authority is remembered. The interviewee supplies an overview of the bridge attack sequence (which was shot twice), and the family feel of the shoot.\u003c\/li\u003e\n\u003cli\u003e\"Texas Blood Bath\" (18:16, HD) is an interview with special makeup effects artist Bart Mixon, who was already in the industry in 1986, still trying to make his mark, taking a chance to head to Austin, Texas to work on \"The Texas Chainsaw Massacre 2.\" Mixon recalls the oppressive heat of the shoot and difficulties maintaining make-up effects. The interviewee remembers the production team and his time with the actors, also sharing his initial disappointment in the picture.\u003c\/li\u003e\n\u003cli\u003e\"Remember the Alamo\" (13:56, HD) is an interview with actor Kirk Sisco, who shares his casting story and attempt to keep up with the strange tone of \"The Texas Chainsaw Massacre 2.\" Memories of co-star Dennis Hopper are provided, meeting a very professional star interested in the work, and Sisco also recalls director Tobe Hooper's hatred of his shoes, forcing him to wear ill-fitting footwear. The interviewee offers his thoughts on set design and revisits his first impression of the picture, watching it at a celebrity-packed screening. Sisco also delivers his memories of fellow actor Lou Perryman, who was murdered in 2009.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eDisc 2\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\"It Runs in the Family\" (81:41, HD) is an extended making-of for \"The Texas Chainsaw Massacre 2,\" created in 2006. Interviewees include screenwriter L.M. Kit Carson, cinematographer Richard Kooris, production designer Cary White, property master Michael Sullivan, special make-up effects artist Tom Savini, and actors Bill Johnson, Caroline Williams, Bill Moseley, and Lou Perryman.\u003c\/li\u003e\n\u003cli\u003eBehind-the-Scenes Footage (43:30, SD) presents videotape coverage of \"The Texas Chainsaw Massacre 2\" shoot, highlighting the production effort as shots are put together. Cast and crew camaraderie is also showcased.\u003c\/li\u003e\n\u003cli\u003e\"Yuppie Meat\" (18:46, HD) is an interview with actors Barry Kinyon and Chris Douridas.\u003c\/li\u003e\n\u003cli\u003e\"'Electric Boogaloo\" Interviews\" (40:03, HD) provide longer conversations with director Tobe Hooper and producer Cynthia Hargrave, taken from the 2014 documentary on Cannon Films.\u003c\/li\u003e\n\u003cli\u003e\"Behind the Mask\" (13:44, HD) is an interview with stuntman Bob Elmore.\u003c\/li\u003e\n\u003cli\u003e\"Horror's Hallowed Grounds\" (24:54, HD) is hosted by Sean Clark, who takes viewers to Austin, Texas to find the shooting locations for \"The Texas Chainsaw Massacre 2.\" Actress Caroline Williams appears briefly via a smartphone.\u003c\/li\u003e\n\u003cli\u003eOuttakes (29:37, SD) offer extended interviews with screenwriter L.M. Kit Carson and actor Lou Perryman, collected in 2006.\u003c\/li\u003e\n\u003cli\u003e\"Cutting Moments\" (17:16, HD) is an interview with editor Alain Jakubowicz.\u003c\/li\u003e\n\u003cli\u003e\"House of Pain\" (42:32, HD) is a celebration of the special make-up effects work in \"The Texas Chainsaw Massacre 2,\" featuring interviews with John Vulich, Bart Mixon, Gabe Bartalos, and Gino Grognale. Stick around for some post-credit funny business.\u003c\/li\u003e\n\u003cli\u003e\"Still Feeling the Buzz\" (28:29, HD) is an interview with film historian Stephen Thrower.\u003c\/li\u003e\n\u003cli\u003eAlternate Opening Titles (2:02, SD) are offered.\u003c\/li\u003e\n\u003cli\u003eDeleted Scenes (10:48, SD) are included.\u003c\/li\u003e\n\u003cli\u003eStill Gallery (3:06) collects film stills, publicity shots, and BTS snaps.\u003c\/li\u003e\n\u003cli\u003eT.V. Spots (4:21, SD) deliver seven commercials for \"The Texas Chainsaw Massacre 2.\"\u003c\/li\u003e\n\u003cli\u003eAn American Teaser Trailer (1:04, SD) and a Japanese Teaser Trailer (:57, SD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47257067553073,"sku":"HNEJST32334105","price":32.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52135627653425,"sku":null,"price":89.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/316272_front.jpg?v=1695044430"},{"product_id":"showgirls-4k-limited-edition-exclusive","title":"Showgirls 4K: Limited Deluxe Edition (VSU-006)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eElizabeth Berkley, Kyle MacLachlan, Gina Gershon, Glenn Plummer, Robert Davi, Alan Rachins\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePaul Verhoeven\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 5.1 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.35:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNC-17\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1995\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e6\/29\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e131 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBooklet\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(42 pages) contains essays by Adam Nayman, Abbey Bender, and Elizabeth Purchell and KJ Shepherd.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e\u003cu\u003eBlu-ray Disc #1\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary features \"Showgirls\" enthusiast David Schmader.\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer (1:59, HD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eBlu-ray Disc #2\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\"You Gotta Gamble If You're Gonna Win\" (14:25, HD) is an interview with screenwriter Joe Eszterhas, who suggests \"Showgirls\" was meant to be campy, but slipped out of control. Boosted by the success of \"Basic Instinct,\" Hollywood wanted another one from Eszterhas and director Paul Verhoeven, paving the way to \"Showgirls,\" which encountered more than a few creative disagreements during development. Research into the Las Vegas lifestyle commenced, and the interviewee recalls his objection to the NC-17 rating, preferring a \"deep R\" instead. The initial critical and financial slaughter of \"Showgirls\" is recalled, along with its resurrection with gay audiences, turning it into a cult hit Eszterhas is proud of, at least parts of it.\u003c\/li\u003e\n\u003cli\u003e\"All That Glitters\" (11:55, HD) is a dual interview with cinematographer Jost Vacano and performance lighting designer Peter Morse. Vacano has tremendous respect for director Paul Verhoeven, but admits he was less delighted with the \"Showgirls\" script, working to see the film on the same level as the helmer. Morse began his career at the Sahara Tahoe Casino, only to end up back on the stage for \"Showgirls\" 30 years later, prepared to deal with the environment. The interviewees discuss their partnership and creative challenges with the Las Vegas makeover.\u003c\/li\u003e\n\u003cli\u003e\"The Rhythm of Chaos\" (16:11, HD) is a dual interview with editors Mark Helfrich and Mark Goldblatt, who were teamed to cut \"Showgirls,\" learning more about the Paul Verhoeven Experience, with both men coming away with a great appreciation for the director's style. The helmer's decisions are another story, with Helfrich questioning the harshness of the picture, especially when it comes to Nomi. The interviewees recall the excitement of the project and their creative challenges, and they also remember the reaction to the final cut, feeling bad for actress Elizabeth Berkley, who was merely executing Verhoeven's vision.\u003c\/li\u003e\n\u003cli\u003e\"Born to Dance\" (19:00, HD) is an interview with actress Rene Riffel, who charts the development of her dance career, eventually going on auditions to attempt an acting career. During classes to develop her skills, Riffel was finally spotted, landing an agent. After near- misses with love and a music career, time with \"Showgirls\" eventually arrived, winning the part of Penny, impressing director Paul Verhoeven with her girl-next-door presence. The interviewee discusses nudity requirements and the use of her own song, which is played during the lap dance sequence, and she pushes the positivity of it all, learning a lot from the experience. Shockingly, there is no mention made of 2011's \"Showgirls 2: Penny's from Heaven,\" which Riffel wrote and directed.\u003c\/li\u003e\n\u003cli\u003e\"Free Lap Dance with Every Large Popcorn\" (13:12, HD) is an appreciation piece featuring Midnight Mass co-hosts Peaches Christ and Michael Varrati.\u003c\/li\u003e\n\u003cli\u003e\"More Vegas Than Vegas\" (23:45, HD) is a 2016 interview with director Paul Verhoeven, who discusses early work that went into \"Showgirls,\" keeping writer Joe Eszterhas busy before an opportunity arrived for the helmer to make \"Crusades\" with Arnold Schwarzenegger. When that project collapsed, Verhoeven was back to Vegas, claiming credit for the move toward an \"All About Eve\"-style story. The interviewee takes responsibility for the broadness of Elizabeth Berkley's performance, and the overall amplification of the movie, examining the Nomi character. Verhoeven goes just about everywhere in this interview, including references to Nazi Germany and the invasion of Iraq, ending up with a recollection of his time at the 1996 Razzie Awards, picking up a trophy as the worst director of the year.\u003c\/li\u003e\n\u003cli\u003eBehind-The-Scene Featurettes (SD) provide 12 EPK-style interviews and footage from the production of \"Showgirls.\"\u003c\/li\u003e\n\u003cli\u003e\"A 'Showgirls' Diary\" (10:54, SD) is as close to a genuine piece of production observation as it gets, isolating a few days of filming, monitoring the mood of the set with help from Verhoeven's personal script notes and storyboards. It's fun to see the twitchy director at work, providing further proof that he's the one ultimately responsible for the tone of the picture.\u003c\/li\u003e\n\u003cli\u003e\"Lap Dance Tutorial Featuring The World-Famous Girls of Scores\" (5:08, SD) provides a step-by-step education in the ways of DIY sensuality and grinding.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47355756216625,"sku":"HNEJST3233363","price":29.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Deluxe Edition Slip Cover","offer_id":52000000409905,"sku":null,"price":144.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/335288_overview.jpg?v=1695584665"},{"product_id":"a-blade-in-the-dark-4k-limited-edition-vs-433exclusive","title":"A Blade in the Dark 4K: Uncut Extended Edition - Limited Edition (VS-433)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e***Includes 109-minute Uncut Extended Version and the Theatrical Version***\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAndrea Occhipinti, Anny Papa, Fabiola Toledo, Michele Soavi, Valeria Cavalli, Stanko Molnar\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eLamberto Bava\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eITALIAN\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.67:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUnrated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1983\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e7\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e109 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eBooklet (42 pages) features essay by Alexandra Heller-Nicholas, Dana Reinoos, and Caroline Kopko.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eExtended Cut\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary #1 features The Hysteria Continues.\u003c\/li\u003e\n\u003cli\u003eCommentary #2 features film historian Kat Ellinger.\u003c\/li\u003e\n\u003cli\u003e\"House\" (20:54, HD) is an interview with screenwriter Dardano Sacchetti. His story begins with real estate, with producer Luciano Martino instructing the writer to create a movie that could be shot at one of his properties. This was the right order for Sacchetti, who was interested in the creative challenge, working from his own experiences. The interviewee talks about his time on \"A Blade in the Dark,\" pointing out its flaws, lightly criticizing Lamberto Bava's direction, especially with the opening scene.\u003c\/li\u003e\n\u003cli\u003e\"Lights in an Empty House\" (16:41, HD) is an interview with cinematographer Gianlorenzo Battaglia, who originally worked for director Mario Bava, leaning how to deal with the father before being hired by the son. Time at the villa is recalled, with Battaglia working to give the single location a defined look, contributing to the uneasy atmosphere of the feature. Technical achievements are highlighted, including hand-held camerawork and gore set pieces. Cast and crew are assessed.\u003c\/li\u003e\n\u003cli\u003e\"Don't Go Down the Stairs\" (16:34, HD) is an interview with director Lamberto Bava, who details the formation of the project and his task to transform a villa into a frightening space. Casting achievements are explored, with some specific types required to fill certain parts, and the endeavor's ultimate release is celebrated, as Bava is pretty quick to produce box office numbers. The interviewee goes on to praise his collaborators, happy with the look and sound of \"A Blade in the Dark.\"\u003c\/li\u003e\n\u003cli\u003e\"The Gothic Slashers of Lamberto Bava\" (17:25, HD) is a visual essay by Samm Deighan.\u003c\/li\u003e\n\u003cli\u003eAnd Trailer #1 (3:18, HD) and Trailer #2 (3:20, HD) are included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eTheatrical Cut\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\"All the Colors of Giallo\" (89:01, HD) is an in-depth look at the subgenre, featuring interviews with a film historian and many filmmakers who took part in the movement. The documentary is directed by Federico Caddeo.\u003c\/li\u003e\n\u003cli\u003e\"Behind the Blade\" (9:27, SD) is a 2001 documentary on \"A Blade in the Dark,\" featuring interviews with director Lamberto Bava and screenwriter Dardano Sacchetti.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47364789567793,"sku":"HNEJST3233371","price":32.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52132321067313,"sku":null,"price":64.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/335430_front.jpg?v=1695652904"},{"product_id":"the-defilers-a-smell-of-honey-a-swallow-of-brine-limited-edition-agfa-053exclusive","title":"The Defilers + A Smell of Honey, A Swallow of Brine: Limited Edition (AGFA-053)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eByron Mabe, Stacey Walker, Jerome Eden, Sam Melville, Bob Todd, Mai Jansson\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eLee Frost, Byron Mabe, David F. Friedman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Two roughie shockers from David F. Friedman!\\n\\nEverything they touch is stained! THE DEFILERS are Carl (future filmmaker Byron Mabe) and Jameison (Jerome Eden), a pair of sadistic beatniks who spice up their boring lives by imprisoning an innocent young woman (the “mouth-watering 20-year-old Scandinavian screen find” Mai Jansson) in the basement of an abandoned building. A quintessential \\\u0026quot;roughie,\\\u0026quot; THE DEFILERS is a stylishly squirm-inducing shocker from exploitation film legends David F. Friedman (SHE-FREAK) and R. Lee Frost (HOUSE ON BARE MOUNTAIN).\\n\\nShe turned men on, turned them off, and turned them inside out . . . she’s A SMELL OF HONEY, A SWALLOW OF BRINE! Stacey Walker (THE NOTORIOUS DAUGHTER OF FANNY HILL) stars as Sharon Winters, the ultimate tease who gets her kicks by picking guys up and then screaming for help. As she leaves a trail of broken men in her wake, will she ever meet her match? Written and produced by David F. Friedman and directed by THE DEFILERS star Byron Mabe, this is, as Friedman's original ad campaign proclaimed, \\\u0026quot;an adult experience!\\\u0026quot;\u0026quot;}\" data-sheets-userformat='{\"2\":13245,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eEnglish \u003c\/span\u003e\u003cspan\u003eDTS-HD MA 1.0\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1965-1966\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eAmerican Genre Film Archive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e9\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e138 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTHE DEFILERS: Restored from the 35mm dupe camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eA SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eShort: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDavid F. Friedman trailers\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePhoto galleries\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"• THE DEFILERS: Restored from the 35mm dupe camera negative\\n• Archival commentary with Something Weird founder Mike Vraney \u0026amp; David F. Friedman\\n• A SMELL OF HONEY, A SWALLOW OF BRINE: Preserved from one of the only known 35mm prints in existence\\n• Archival commentary with Mike Vraney, filmmaker Frank Henenlotter, \u0026amp; David F. Friedman\\n• Short: BUT CHARLIE I NEVER PLAYED VOLLEYBALL\\n• David F. Friedman trailers\\n• Photo galleries\\n• Booklet with writing by Something Weird’s Lisa Petrucci    \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet with writing by Something Weird’s Lisa Petrucci\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47402256466225,"sku":"HNEJST3233397","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover V-M","offer_id":52451228909873,"sku":null,"price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-09-27at11.10.49PM.png?v=1695874416"},{"product_id":"knight-chills-limited-edition-sc-027exclusive","title":"Knight Chills: Limited Edition (SC-027)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eDJ Perry, Tim Jeffrey, Laura Tidwell, Michael Rene Walton, Rebecca Holden\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eKatherine Hicks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0 (48kHz, 16-bit)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2001\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSaturn's Core Audio \u0026amp; Video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e9\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e82 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"-New transfer from the Betacam SP master tapes \\n\\n-Audio commentary with actor \/ writer \/ producer DJ Perry, writer \/ producer Jeff Kennedy \u0026amp; writer Juanita Kennedy\\n\\n-“Knight Chills: Of Satanic Panic and Red Roses” -a visual essay by film historian \u0026amp; author Alexandra Heller-Nicholas \\n\\n-“Running the Campaign”: An interview with actor, co-writer, \u0026amp; producer DJ Perry\\n\\n-“Finding Sir Kallio: Recollections of Knight Chills” -new featurette featuring actors Michael Rene Walton \u0026amp; Stuart MacDonald \\n\\n-Archival dungeon tour hosted by writer \/ producer Jeff Kennedy \\n\\n-Local TV news coverage \\n\\n-“Knight Chills: Special Effects” -archival behind the scenes featurette \\n\\n-“Building of a Bad Guy” -archival behind the scenes featurette \\n\\n-“Cast and Crew at Work and Play” -archival behind the scenes featurette\\n\\n-“Knight Chills 2” -archival camera test\\n\\n-Photo gallery \\n\\n-Reversible sleeve \\n\\n-English SDH subtitles \\n\"}'\u003eNew transfer from the Betacam SP master tapes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures actor\/co-writer\/producer D.J. Perry, co-writer\/co-producer Jeff Kennedy, and co-writer Juanita Kennedy.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Running the Campaign\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(11:39) is a video conference interview with actor\/co-writer\/co-producer D.J. Perry, who's celebrating the 25th anniversary of \"Knight Chills.\" The interviewee recalls his early years of acting, soon diverting into screenwriting, forming a company with Jeff Kennedy. Striking out in Hollywood, Perry and Kennedy elected to go out on their own, using their history with role-playing games to inspire their screenplay, setting out to play into \"Dungeons \u0026amp; Dragons\" hysteria they experienced during their formative years. The casting process is examined, along with the choice to shoot on video, with budgetary concerns driving the format choice. Memories from the freezing shoot are shared, and Perry is somewhat open about distribution failures, making little money on a film that was a popular rental in video stores.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Finding Sir Kallio: Recollections of 'Knight Chills'\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(4:55, HD) is a video conference interview with actors Michael Rene Walton and Stuart MacDonald. Casting stories are shared, with the men excited to be part of a movie production. Characterization is offered, along with memories from the shoot.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eArchival Dungeon Tour\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(7:20, SD) is hosted by co-writer\/co-producer Jeff Kennedy, who built a home for gamers inside his basement back in 1989, using the location for \"Knight Chills.\" The interviewee provides a tour of props, awards, and miniatures used during gaming time.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eLocal News Coverage\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(2:36, SD) is a look at the making of \"Knight Chills\" (known then as \"Winter Chills\"), with director Katherine Hicks sharing her approach to production demands.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"'Knight Chills': Special Effects\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(7:40, SD) is B-roll from the shoot, highlighting work that went into the crashing of an automobile, which was soon set ablaze for the camera.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Building of a Bad Guy\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(2:04, SD) is BTS footage, exploring the work involved with knight and horse action.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Cast \u0026amp; Crew at Work and Play\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(7:19, SD) BTS offering, this time highlighting cast and crew camaraderie during the shoot, and the creation of takes are included as well.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Knight Chills II\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(24:18, SD) is listed as a \"camera test,\" sharing lighting and costume choices for a proposed sequel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eImage Gallery\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(1:05) collects BTS snaps, film stills, and comic book panels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Of Satanic Panic and Red Roses\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(15:13, HD) is a video essay by Alexandra Heller-Nicholas.\u003c\/li\u003e\n\u003cli\u003eReversible sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47402369483057,"sku":"HNEJST3233401","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52027715387697,"sku":null,"price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-09-27at11.32.09PM.png?v=1695875603"},{"product_id":"we-kill-for-love-limited-edition-yvp-017exclusive","title":"We Kill For Love: Limited Edition (YVP-017)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAndrew Stevens, Monique Parent, Amy Lindsay, Linda Ruth Williams, Kira Reed Lorsch, Jim Wynorski, Fred Olen Ray\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAnthony Penta\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.78:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUnrated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2023\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eYellow Veil Pictures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e9\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e163 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBooklet\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(22 pages) contains essays by Justin LaLiberty and Anthony Penta.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures director Anthony Penta, and film historians Travis Woods, Samm Deighan, and Douglas Keesey.\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}'\u003e3 Parts Commentary Track:\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDanger by Travis Woods\u003c\/li\u003e\n\u003cli\u003eWomen, Gothic, Romance By Sam Deigen\u003c\/li\u003e\n\u003cli\u003eErotic, Soft Core by Douglas Keesey\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003e\n\u003cb\u003eDeleted Scenes \u0026amp; Interviews\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(HD) include \"Love Scenes\" (9:34), \"The Intimacy Coordinator\" (5:16), \"The Audience\" (5:39), \"The Sound of Sex\" (6:21), \"Return\" (7:42), and \"Film Fandom\" (2:19).\u003c\/li\u003e\n\u003cli\u003eThe History of the Phrase Erotic Thriller by Anthony Penta\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEssay by Justin LaLiberty\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"- Commentary Track Intro and Outro by Director Anthony Penta\\n- 3 Parts Commentary Track:\\n          - Danger by Travis Woods\\n          - Women, Gothic, Romance By Sam Deigen\\n         - Erotic, Soft Core by Douglas Keesey\\n- 6 Deleted Scenes and Interviews\\n- The History of the Phrase Erotic Thriller by Anthony Penta\\n- Essay by Justin LaLiberty\\n- Slip Cover by Sam Coyle\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSlip Cover by Sam Coyle\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard 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data-mce-fragment=\"1\"\u003e1.78:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" 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Everyone","offers":[{"title":"New - Standard Edition","offer_id":47402451894577,"sku":"HNEJST3233404","price":21.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":51745512980785,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-09-27at11.51.54PM.png?v=1695876858"},{"product_id":"will-your-heart-beat-faster-limited-edition-kani-014exclusive","title":"Will Your Heart Beat Faster? - Limited Edition (Kakabakaba ka ba?)(KANI-014)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eChristopher de Leon, Jay Ilagan, 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data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1980\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eKANI\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e9\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e106 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;-2K restoration by L'Immagine Ritrovata from 35mm print kept at Asian Film Archives (Singapore) with optional English Subtitles \\n-Restored and Revised audio tracks\\n\\n-8mm making-of featurette (Edward Achacoso, 1980, 14 mins)\\n-Short film Aliwan Paradise (Mike De Leon, 1982, 27 mins)\\n-Interview with screenwriter Raquel Villavicencio (2023, 31 mins)\\n\\n-Bonus Feature Miss Philippines (Gregorio Fernandez, 1947, 99mins) digitally enhanced from extant elements in 2023 with optional English and Tagalog subtitles\\n-Miss Philippines: Before and After (2023, 4 mins)\\n-Booklet featuring excerpts from Last Look Back  (Mike De Leon, 2022), new writing from Teddy O. 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Co and Jessica Zafra, and archival photographs\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with screenwriter Raquel Villavicencio (2023, 31 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eBonus Feature Miss Philippines (Gregorio Fernandez, 1947, 99mins) digitally enhanced from extant elements in 2023 with optional English and Tagalog subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;-2K restoration by L'Immagine Ritrovata from 35mm print kept at Asian Film Archives (Singapore) with optional English Subtitles \\n-Restored and Revised audio tracks\\n\\n-8mm making-of featurette (Edward Achacoso, 1980, 14 mins)\\n-Short film Aliwan Paradise (Mike De Leon, 1982, 27 mins)\\n-Interview with screenwriter Raquel Villavicencio (2023, 31 mins)\\n\\n-Bonus Feature Miss Philippines (Gregorio Fernandez, 1947, 99mins) digitally enhanced from extant elements in 2023 with optional English and Tagalog subtitles\\n-Miss Philippines: Before and After (2023, 4 mins)\\n-Booklet featuring excerpts from Last Look Back  (Mike De Leon, 2022), new writing from Teddy O. Co and Jessica Zafra, and archival photographs\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMiss Philippines: Before and After (2023, 4 mins)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;-2K restoration by L'Immagine Ritrovata from 35mm print kept at Asian Film Archives (Singapore) with optional English Subtitles \\n-Restored and Revised audio tracks\\n\\n-8mm making-of featurette (Edward Achacoso, 1980, 14 mins)\\n-Short film Aliwan Paradise (Mike De Leon, 1982, 27 mins)\\n-Interview with screenwriter Raquel Villavicencio (2023, 31 mins)\\n\\n-Bonus Feature Miss Philippines (Gregorio Fernandez, 1947, 99mins) digitally enhanced from extant elements in 2023 with optional English and Tagalog subtitles\\n-Miss Philippines: Before and After (2023, 4 mins)\\n-Booklet featuring excerpts from Last Look Back  (Mike De Leon, 2022), new writing from Teddy O. Co and Jessica Zafra, and archival photographs\u0026quot;}\" data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBooklet featuring excerpts from Last Look Back (Mike De Leon, 2022), new writing from Teddy O. Co and Jessica Zafra, and archival photographs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47402560618801,"sku":"HNEJST3233407","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover VG","offer_id":51388028027185,"sku":"","price":39.99,"currency_code":"USD","in_stock":false},{"title":"New - Limited Edition Slip Cover V-M","offer_id":52314319520049,"sku":null,"price":41.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover G-VG","offer_id":53874520686897,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-09-28at12.11.45AM.png?v=1695878027"},{"product_id":"mothers-day-4k-limited-edition-vs-447exclusive","title":"Mother's Day 4K: Limited Edition (VS-447)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eFrederick Coffin, Michael McCleery, Nancy Hendrickson, Beatrice Pons, Peter Fox, Kevin Lowe\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eCharles Kaufman\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1980\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e11\/28\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e91 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eNewly scanned and restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eCommentary features director Charles Kaufman and assistant art director Rex A. Piano.\u003c\/li\u003e\n\u003cli\u003eInterview (7:55, HD) is a discussion of \"Mother's Day\" with director Charles Kaufman and his sibling, Lloyd Kaufman, conducted \"via satellite.\"\u003c\/li\u003e\n\u003cli\u003e\"Cutting Mother\" (30:17, HD) is an interview with editor Daniel Loewenthal and assistant editor Richard W. Haines. The men discuss their early career interests and initial contact with director Charles Kaufman. The interviewees explore creative influences and their work on \"Mother's Day,\" finding the tone of the movie, learning more about horror in the process.\u003c\/li\u003e\n\u003cli\u003e\"You're a Sick Woman\" (32:37, HD) is an interview with actress Nancy Hendrickson, who was actually married to an editor on \"Mother's Day,\" helping her to get the part. Character business is explored, along with location work, with \"Friday the 13th\" shooting nearby, finding cast and crew sharing the pain of cold night shoots. Technical challenges and production memories are offered, along with thoughts on the \"Mother's Day\" theatrical release experience.\u003c\/li\u003e\n\u003cli\u003e\"The Book of Mother's Day\" (32:55, HD) is an interview with producer Michael Kravitz, who details his initial meeting with director Charles Kaufman and his planning work on \"Mother's Day.\" Memories from the shoot are presented, with the interviewee offering a producer's perspective on scheduling and contracts, and he pulls out his script and inventory book from the shoot, explaining breakdown responsibilities. Theatrical release memories are also shared.\u003c\/li\u003e\n\u003cli\u003e\"Writing to Mother\" (37:30, HD) is an interview with co-writer Warren Leight, who's also credited as a boom operator. Leight claims responsibility for the title \"Mother's Day,\" brought in to help director Charles Kaufman generate a quickie horror production in the wake of \"Halloween.\" The interviewee explores the relationship between Charles and Lloyd Kaufman, and admits his role as a boom operator was created due to the production's unwillingness to pay him as a writer. Memories from the shoot are offered, and Leight explores other career experiences.\u003c\/li\u003e\n\u003cli\u003e\"My Brother and Me\" (26:54, HD) is an interview with actor Michael McCleery, who describes his early career ambitions and his hiring for \"Mother's Day.\" Thoughts on the locations and co-stars are offered, with Deborah Luce ultimately refusing to work with McCleery during a sexual assault sequence. The interviewee details life on set and his work with stunts, and he's refreshingly hostile about the lack of a \"Mother's Day\" sequel, dismissing the 2010 remake.\u003c\/li\u003e\n\u003cli\u003e\"Celebrating 'Mother's Day'\" (21:52, HD) is an interview with assistant art director Rex A. Piano, who tracks his involvement in \"Mother's Day,\" hired due to his willingness to work for free and provide a car for the production. Piano's inexperience is highlighted, sharing his time on the set, forgoing personal hygiene while dealing with testy crew members. Promotional efforts are celebrated as well.\u003c\/li\u003e\n\u003cli\u003e\"The Last House in the Woods\" (21:31, HD) is an interview with production designer Susan Kaufman and costume designer Ellen Lutter. They recall their connection to \"Mother's Day\" and early career options, with Kaufman Charlie and Lloyd's sister, pulled into filmmaking duties. Memories from the shoot are shared.\u003c\/li\u003e\n\u003cli\u003e\"Messin' Up in the Deep Barons\" (19:10, HD) is a tour of \"Mother's Day\" locations with assistant art director Rex A. Piano and superfan Brandon Hall.\u003c\/li\u003e\n\u003cli\u003eInterview (6:53, HD) is a conversation with actress Tiana Pierce, who recalls the New Jersey locations and shares her experience on-set, dealing with freezing conditions. The cult longevity of \"Mother's Day\" is also analyzed.\u003c\/li\u003e\n\u003cli\u003eCamera Test (10:07, HD) is a look at unused ideas, makeup plans, and actor appearances.\u003c\/li\u003e\n\u003cli\u003eIntro (2:29, HD) is an official welcome to the Blu-ray experience of \"Mother's Day\" from director Charles Kaufman.\u003c\/li\u003e\n\u003cli\u003eInterview (13:07, SD) is a chat with superfan Eli Roth.\u003c\/li\u003e\n\u003cli\u003eAnd a Theatrical Trailer (2:17, HD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47773569777969,"sku":"HNEJST32335211","price":30.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821344485681,"sku":null,"price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/346854_front.jpg?v=1699940095"},{"product_id":"rabid-grannies-limited-edition-vs-449exclusive","title":"Rabid Grannies: Limited Edition (VS-449)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eCatherine Aymerie, Caroline Braeckman, Richard Cotica, Danielle Daven, Patricia Davia, Robert Du Bois\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEmmanuel Kervyn\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.66:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1988\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e11\/28\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e96 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned and restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eCommentary track with The Hysteria Continues!\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Shit Happens” - a brand new interview with producer Johan Vandewoestijne\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“What Can I Do With This?!” - a brand new interview with editor Philippe Ravoet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Pretty Violent Stuff” - a brand new interview with Troma president Lloyd Kaufman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Forgotten Scares: An In-depth Look at Flemish Horror Cinema” - a feature-length 2016 documentary on the history of Flemish horror\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Rabid Grannies: The Story Behind the Film” - an archival making-of documentary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e“RABID GRANNIES” 88-minute cut version (sourced from tape) with an optional commentary track by director Emmanuel Kervyn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchival interview with Producer Johan Vandewoestijne\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eArchival introduction with Lloyd Kaufman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOuttakes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47773588455729,"sku":"HNEJST32335213","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52314441810225,"sku":null,"price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-11-13at11.49.03PM.png?v=1699941785"},{"product_id":"magic-crystal-limited-edition-vsa-039exclusive","title":"Magic Crystal: Limited Edition (VSA-039)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAndy Lau, Cynthia Rothrock, Pak-Cheung Chan, Jing Wong, Siu Chung Mok, Phillip Ko\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJing Wong\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"shortaudio\"\u003eCANTONESE: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003cbr\u003eENGLISH: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1986\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e95 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eNewly scanned \u0026amp; restored in 2K from its 35mm original camera negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePresented in its original Cantonese language soundtrack with newly translated English subtitles, along with a English language dub track\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBooklet\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(14 pages) contains an essay by Erica Shultz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures film historians Frank Djeng and Ric Meyers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\"Just Don't Kill Me\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(18:15, HD) is an interview with actress Cynthia Rothrock, who was in Hong Kong before the \"Magic Crystal\" acting opportunity was presented to her. She was already in the middle of shooting \"Righting Wrongs,\" with production rescheduled so Rothrock could make both pictures at the same time. Greek locations are recalled, along with the general mood of the area, as war raged on in nearby Libya, with cast and crew acting cautiously. During this travel time, Rothrock blew out her knee during a fight scene, only to push through the rest of the shoot, keeping up with punishing Hong Kong production hours. Director Jing Wong is remembered, failing to explain the plot of \"Magic Crystal\" to his cast, and co-stars and stunt teams are celebrated. The interviewee explains the differences between American and Hong Kong shoots, with extreme fatigue contributing to an accident involving co-star Richard Norton. Time with weapons is recalled, along with different martial arts styles, and acting challenges are highlighted, with the actors fed lines, never knowing what they were saying.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInterview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(7:31, HD) is a video conference chat with actor Bin Bin, who shares his memories of the \"Magic Crystal\" shoot, working around busy adults as a child. The interviewee recalls his time in Greece, dealing with strange food and corrupt police, and filming in Taiwan, including time inside a cave. Co-stars are highlighted and directors are assessed, while language issues were of little concern to the production, with the young actor saying whatever he wanted, only to have the right lines dubbed in later.\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eTheatrical Trailer (4:43, HD)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eDouble-sided poster\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Used (V-M) - Booklet - Slip Box","offer_id":50796363874609,"sku":null,"price":89.99,"currency_code":"USD","in_stock":false},{"title":"New - Limited Edition Slip Cover","offer_id":52313158189361,"sku":null,"price":97.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/346853_slip.jpg?v=1699942182"},{"product_id":"pig-killer-limited-edition-ds-014exclusive","title":"Pig Killer: Limited Edition (DS-014)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJake Busey, Lew Temple, Bai Ling, Michael Pare, James Russo, Kate Patel, Ginger Lynn\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eChad Ferrin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish: DTS-HD Master Audio 5.1\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.39:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUnrated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eDark Star Pictures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e11\/28\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e122 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eBTS w\/Ginger Lynn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eBTS w\/Michael Pare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eAlternate Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eQ\u0026amp;A from Cine Excess\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003ePig Mask Progress\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eCanadian Bacon - The Making of Pig Killer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eMeet Spunky the Pig \"Star\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eKate Patel Willy Screen Test\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Based on the terrifying true story of Robert 'Willy' Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world. PIG KILLER graphically depicts Pickton's felonious farmhouse of rape, torture, slaughter and dismemberment of almost fifty women. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorized Vancouver's Downtown Eastside for almost two decades until his 2002 arrest that uncovered the most bizarre series of murders Canada has ever seen.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003ePig Killer Auditions\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47790659633457,"sku":"HNEJST32335703","price":21.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52314399965489,"sku":null,"price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-11-15at10.11.04PM.png?v=1700107891"},{"product_id":"the-runner-limited-edition-yvp-019exclusive","title":"The Runner: Limited Edition (2022)(YVP-019)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eKris Esfandiari, Cameron Findlay, Cooper B. Handy, James Duval, Mariana Saldaña, Dylan Stamey\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJae Matthews, Augustus Muller\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish: \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eDTS-HD MA 5.1\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSpanish: DTS-HD MA 5.1\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.66:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eTBA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eYellow Veil Pictures\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e11\/28\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e39 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A strange, bloodied woman travels to a secluded, rural town.\"}'\u003eIntroduction from Steven Hanley (Founder and lead curator of deeper into movies)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A strange, bloodied woman travels to a secluded, rural 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secluded, rural town.\"}'\u003eCollection of 7 VHS shorts from Jae Matthews\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A strange, bloodied woman travels to a secluded, rural town.\"}'\u003ePolaroid slideshow\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A strange, bloodied woman travels to a secluded, rural town.\"}'\u003eEssay By Alexandra Heller-Nicholas illustrated with Polaroids from set\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"A strange, bloodied woman 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data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eGian-Carlo Scandiuzzi, John Billingsley, Robert McGinley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRobert McGinley\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eENGLISH: DTS-HD MA 2.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1990\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAGFA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e11\/28\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e88 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003ePreserved from a 35mm blow-up print; created from the original 16mm, Beta SP, and 1\" tape master elements\u003c\/li\u003e\n\u003cli\u003eBooklet (18 pages) provides an essay by Amy Rose, an interview with writer\/director\/actor Robert McGinley conducted by David J. 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data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eFrank Vitale\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" 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data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1976\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eCanadian International Pictures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e91 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eBooklet\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(six pages) includes an essay by Alexandra Heller-Nicholas.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures film historians Paul Corupe and Jason Pichonsky.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"The Art Bug\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(8:28, HD) is an interview with co-writer\/director Frank Vitale, who details his early years, eager to escape Jacksonville, Florida, ending up at McGill University in Canada. Making his way to New York City, Vitale found entrance into the movie industry, returning to Canada to make short films. The interviewee explores his relationship with co-writer Allan Moyle, and his initial interests in storytelling, dealing with his own sexuality, focusing on the completion of 1974's \"Montreal Main,\" which he also acted in.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"East End Director\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(17:37, HD) returns to co-writer\/director Frank Vitale to examine the next step in his career, which involved the creation of \"East End Hustle,\" an exploitation feature made by a man who didn't understand what exploitation cinema was all about. After the release of \"Montreal Main,\" Vitale found himself with a little money from Cinepix, getting started on casting, which included the hiring of co- writer Allan Moyle in a supporting role. The interviewee shares his feelings about sex scenes in the picture, and offers some stories from production, including working with violence. The release of \"East End Hustle\" is tracked, with Vitale viewing it as a \"failed exploitation film.\" He closes with an assessment of his post-B-movie life.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"East End Troma\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(13:56, HD) is a video conference interview with Troma Entertainment honcho Lloyd Kaufman (wearing a Tupac jacket, natch), who tracks his early time with Frank Vitale on the set of \"Joe,\" developing their relationship on \"Silent Night, Bloody Night.\" Kaufman shares some terrific stories about his time in the film industry, and offers a brief anecdote about his interaction with a frozen van. Unlike Vitale, Kaufman has no problem questioning the helmer's creative choices, including the pedophile-adjacent story of \"Montreal Main.\" \"East End Hustle\" eventually ended up at Troma, with the interviewee describing the company's efforts to sell the movie as something more exciting than it really was. Vitali also worked on a few Charlie Kaufman productions, helping out Lloyd's brother.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Kaufman's Canada\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(4:39, HD) returns to Lloyd Kaufman, who offers memories of his moviemaking time in the Great White North, including \"Seizure,\" \"Feeling Up,\" and his relationship with Cinepix.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Renegade Films\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(10:32, HD) is a video conference interview with Bill Brownstein, who explores the days of Cinepix and company co-founder John Dunning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAudio Interview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(15:22) is a conversation with composer Len Blum.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eAnd a Theatrical Trailer\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47790873575729,"sku":"HNEJST32335711","price":32.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52172592709937,"sku":null,"price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/346716_front.jpg?v=1700110975"},{"product_id":"hayride-slaughter-halloween-horrors-limited-edition-sc-028exclusive","title":"Hayride Slaughter \/ Halloween Horrors: Limited Edition (SC-028)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTina Krause, Jim O'Rear, Dean Paul, Debbie D., Sal Longo, Clancy McCauley, Terri Lewandowski\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eGary Whitson\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1992-2001\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSaturn's Core\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e150 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cu\u003eHayride Slaughter\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures director Gary Whitson.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Hayride Memories\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(18:12, HD) is an interview with actress Tina Krause, who shares her discovery at a horror con, going to the big show to get a \"Friday the 13th\" prop, ending up in a movie that very day. Spending the next two decades making W.A.V.E. pictures, Krause shares her excitement with industry and fan attention. She also details the W.A.V.E. production experience, working with the thinnest of scripts and the loosest of direction, basically doing whatever she wants. A discussion of \"Hayride Slaughter\" is offered, with the interviewee describing her experience with the magic aspect of the endeavor, performing in front of a real audience. Interactions with co-stars are recalled, including a sex scene with Dean Paul, with the pair trying to work through awkwardness. Krause also analyzes her break from Gary Whitson and W.A.V.E., growing tired of the company's lack of creative interests, trying to make her own horror happen instead.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Magic, Murder, and Mayhem\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(26:35, HD) is an interview with actor Jim O'Rear, who explores his background as a magician, receiving inspiration as a child during a visit to the Haunted Mansion at Disney World, getting started with a Mickey Mouse magic set. Touring as a young magician, O'Rear was spotted by a casting agent, soon hired for commercial work, giving him a taste of acting, eventually falling into the world of stunt work. O'Rear also charts his own experiences as a writer\/director, getting a start with 2005's \"Vampyre Tales.\" The interviewee goes into his experience on \"Haunted Hayride,\" ending up with a writing credit due to his creative input. The shoot commenced in Delaware, with O'Rear sharing some BTS stories about the location and his work on the full magic act that appears in the picture. Co-stars are detailed, making friends with the cast, and he offers an assessment of Gary Whitson's directorial presence. Anecdotes from the shoot are also shared, and O'Rear provides an update on his career.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Evil Angel Photo Shoot\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(19:47, SD) offers time with actress Tina Krause as she poses in multiple outfits for Aven Warren's \"uncompleted vampire feature.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Tina Krause Fan Club\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(:32, SD) is a commercial for the actress's side business.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eTrailer (1:22, SD) is included.\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e\u003cu\u003eHalloween Horrors\u003c\/u\u003e\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003efeatures director Gary Whitson.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Pumpkin Eyes\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(22:57, SD) is a segment from an \"uncompleted W.A.V.E. holiday themed feature.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"W.A.V.E. Custom Video Commercial\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(6:10, SD) is a look at work from \"In Dire Straits,\" a production company that offers viewers a chance to send in their own ideas and payment to see such fantasies brought to life. Clips from various titles are offered, and the \"hosts\" walk through a basement of props to showcase what these professional are working with. A brief Q\u0026amp;A is provided, including a claim that the company has a \"talented pool of professional and semi-professional actors and actresses to choose from.\" No hardcore material, though, and submitted stories \"should have a beginning, middle, and end.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47790947991857,"sku":"HNEJST32335714","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52464539533617,"sku":null,"price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/346939_slip.jpg?v=1700112305"},{"product_id":"inn-of-the-damned-night-of-fear-limited-edition-umb-008exclusive","title":"Inn of the Damned \/ Night of Fear: Limited Edition (UMB-008)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eCarla Hoogeveen, James Moss, Judith Anderson, Alex Cord, Norman Yemm, Michael Craig\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTerry Bourke\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1973-1975\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUmbrella Entertainment\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e170 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value='{\"1\":2,\"2\":\" \\\"THE D.W. GRIFFITH OF OZPLOITATION\\\" – a visual essay on the career of filmmaker TERRY BOURKE by filmbuff Paul Harris\\nExtended NOT QUITE HOLLYWOOD interviews with producer\/editor Rod Hay and cast members Carla Hoogeveen, Norman Yemm and Briony Behets\\n Terry Bourke TV episode “THE RAIDERS” with introduction by Jack Thompson\\nTerry Bourke trailer reel – introduced by Terry Bourke\\nNIGHT OF FEAR 2005 audio commentary with producer\/editor Rod Hay, and actress Carla Hoogeveen moderated by filmmaker Mark Hartley\\nINN OF THE DAMNED 2005 audio commentary with producer\/editor Rod Hay and actor Tony Bonner\\nStills and poster galleries\\nBooklet with essay by Alexandra Heller-Nicholas\"}'\u003e\"THE D.W. 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Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eGuernica - a short film by Alain Resnais and Robert Hessens, 1949, 14 minutes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eCommentary by Cristina Álvarez López and Adrian Martin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eArchival writing by Jorge Semprún and Marguerite Duras (newly translated by Nicholas Elliott), Michael Caen, Andrew Sarris, and a 1966 interview with Alain Resnais by Robert Benayoun (newly translated by Craig Keller)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Three decades after the Spanish Civil War and Franco's fascist military coup, Communist operative Diego (Yves Montand) juggles multiple identities as he continues his dangerous missions, while reflecting on a life of political struggle. Though increasingly disillusioned, his determination to help a possibly captured comrade and chance encounter with impetuous student terrorist Geneviève Bujold, keep his commitment to the cause alive.\u0026quot;}\" data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}'\u003eNew trailer by Zach Clark\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47790968897841,"sku":"HNEJST32335716","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821188215089,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-11-15at11.36.13PM.png?v=1700113040"},{"product_id":"larry-clarks-marfa-girl-1-2-limited-edition-ds-013exclusive","title":"Larry Clark's Marfa Girl 1 \u0026 2: Limited Edition (DS-013)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAdam Mediano, Mercedes Maxwelll, Drake Burnette, Jeremy St. James, Mary Farley, Jeremy St. James\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eLarry Clark\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnglish 5.1 \u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eEnglish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1.66:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2012-2018\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eDark Star Pictures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e181 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":13185,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"arial,sans,sans-serif\",\"16\":10}' data-sheets-value='{\"1\":2,\"2\":\"Marfa Girl - A story centered on a directionless 16-year-old living in Marfa, Texas and his relationships with his girlfriend, his neighbor, his teacher, a newly arrived local artist, and a local Border Patrol officer.\\nMarfa Girl 2 - In the wake of a horrific tragedy, a family living in Marfa, Texas, tries to pull itself together. The trauma fuels their boredom, disaffection and desire to escape their small-town lives.\"}'\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eCommentary with Director Larry Clark\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47790973518129,"sku":"HNEJST32335717","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821183136049,"sku":null,"price":54.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/DarkStarPictures.png?v=1700113608"},{"product_id":"pretending-im-a-superman-the-tony-hawk-video-game-story-limited-edition-etrm-017exclusive","title":"Pretending I'm a Superman: The Tony Hawk Video Game Story - Limited Edition (ETRM-017)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTony Hawk, Rodney Mullen, Steve Caballero, Chad Muska, Jamie Thomas\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eLudvig Gür\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEnglish Stereo\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eEnglish\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1.78:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2020\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eETR Media\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e10\/31\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e71 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003e30+ minutes of additional interview footage of Producer Ralph D'Amato (not in the film), along with Tony Hawks MoCap session for THPS, Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003eConcept art scans\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;30+ minutes of additional interview footage of Producer Ralph D'Amato  not in the film along with Tony Hawks MoCap session for THPS,  Rodney Mullen skating in front of the Neversoft Offices for a magazine shoot, Drone footage of all the Neversoft Offices and concept art scans. Also, QA session from the premiere of the film at the Mammoth Film Festival\u0026quot;}\"\u003eQA session from the premiere of the film at the Mammoth Film Festival\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47790990098737,"sku":"HNEJST32335718","price":21.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52211613303089,"sku":null,"price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-11-15at11.50.02PM.png?v=1700113835"},{"product_id":"sworn-to-justice-limited-edition-vsa-tbaexclusive","title":"Sworn to Justice: Limited Edition (VSA-030)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCynthia Rothrock,Tony Lo Bianco,Kurt McKinney,Brad Dourif,Mako,Walter Koenig\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"s1\"\u003e\u003cspan\u003ePaul Maslak\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1996\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e11\/25\/2022\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e97 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\"Romancing the Rothrock\" (14:47, HD) is an interview with actress Cynthia Rothrock, who was offered a chance to showcase her softer side with \"Sworn to Justice,\" accepting a role with more sensuality than previously encountered. Dealing with major co-stars and tonal changes, Rothrock accepted help from an acting coach, also dealing with the pressures of being \"sexy\" for the camera. Director Paul Maslak is recalled, working with the interviewee to bring Hong Kong style to the production. Co-stars are assessed, with Walter Koenig taking personal offense to Maslak's first day jitters. Rothrock also charts her growing power at the time, offered influence over the story and characters. She remains proud of the movie, listing it as one of her best endeavors.\u003c\/li\u003e\n\u003cli\u003e\"Kung Fu Directing\" (24:08, HD) is an interview with director Paul Maslak, who details his relationship with actress Cynthia Rothrock, helping her into filmmaking gigs, making the most of her celebrated martial arts history. Building his producing career with the likes of Don \"The Dragon\" Wilson, Maslak focused on making a significant action movie with Rothrock, also trying to play her up femininity, which was often ignored in features. Screenwriting influences are explored, with Robert Easter put in charge of doing something with multiple genres, and Maslak charts his path to the director's chair, taking command of \"Sworn to Justice.\" Technical achievements are celebrated, with the interviewee explaining his approach to direction, and casting is highlighted. The distribution adventure is examined, with \"Sworn to Justice\" going on a tour of film festivals before it landed on home video and cable.\u003c\/li\u003e\n\u003cli\u003eArchival Interviews (SD) spend time with actress Cynthia Rothrock (3:57), second unit director Art Camacho (5:26), producer Neva Friedenn (7:39), and director Paul Maslak.\u003c\/li\u003e\n\u003cli\u003eArchival Behind-The-Scenes (22:52, SD) features interviews with director Paul Maslak, second unit director Art Camacho, fight choreographer Douglas Kung, cinematographer Rich Benda, composer John Coda, producer Neva Friedenn, and actors Kenn Scott and Cynthia Rothrock.\u003c\/li\u003e\n\u003cli\u003eA \"Sworn to Justice\" Video Trailer (1:19, SD) and a \"Blonde Justice\" Promotional Trailer (2:04, SD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Limited Edition Slip Cover","offer_id":47857116971313,"sku":"HNEJST3234321","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/328054_front.jpg?v=1701277311"},{"product_id":"charlie-victor-romeo-3d-limited-edition-dka-014exclusive","title":"Charlie Victor Romeo 3D: Limited Edition (DKA-014)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003e\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cstrong\u003e***\u003cmeta charset=\"utf-8\"\u003eAnaglyph 3D***\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRobert Berger (XI), Nora Woolley, Sam Zuckerman, Patrick Daniels, Irving Gregory, Noel Dinneen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRobert Berger (XI), Karlyn Michelson, Patrick Daniels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eENGLISH: Dolby Digital\u003cspan\u003e 5.1\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eEnglish\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1.78:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eDekanalog\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e80 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eAnaglyphic 3D Feature\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003e2D Feature\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDirector's Commentary by Patrick Daniels and Robert Berger\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eCaptain Al Haynes presentation @ NASA Dryden May 24, 1991\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eCVR Scene 5 - JAL123 - LIVE @ PS122 August, 2004\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eCVR Scene 5 - JAL123, LIVE @ Rinkogun Theater Company, Tokyo, Japan July 26, 2002\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003ePBS Newshour - “Cockpit Drama” June 6, 2000\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003ePBS Newshour - “Medical Mistakes” March 26, 2001\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eTeaser Trailer 2013 #1\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"\\\"One of the most terrifying movies I have ever seen.\\\"\\n- A.O. Scott, New York Times\\n\\n\\\"The scariest airplane movie ever.\\\"\\n- John Waters, Artforum\\n\\nA unique and riveting theatrical experience, CHARLIE VICTOR ROMEO (CVR) is a performance documentary derived entirely from the “Black Box” transcripts of six major real-life airline emergencies.\\n\\nWhen you board an airplane, who are those people in uniform to whom you entrust your life? What do they really do when things go horribly wrong? Derived entirely from the Cockpit Voice Recorder transcripts of six major airline incidents and accidents, CHARLIE VICTOR ROMEO puts the audience inside the tension-filled cockpits of actual flights in distress, offering a fascinating portrait of the psychology of crisis and a person’s will to live to the last second.\\n\\n“[This] chilling and groundbreaking production stretches the boundaries of film, theatre, and the traditional documentary with this stereoscopic 3-D film of a stage play that recreates transcripts word for word. CHARLIE VICTOR ROMEO transports film audiences into the best seats of the theatre and delivers the intensity and gut-wrenching emotion of these emergencies via the unique approach of live performance.” - Shari Frilot, senior programmer Sundance Film Festival \u0026amp; New Frontier\\n\\n\"}' data-sheets-root=\"1\"\u003eTeaser Trailer 2013 #2\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47971670819121,"sku":"HNEJST3234941","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover V-M","offer_id":51579357069617,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2023-12-25at11.11.55AM.png?v=1703524359"},{"product_id":"the-violent-years-limited-edition-agfa-004bexclusive","title":"The Violent Years: Limited Edition (AGFA-004b)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJean Moorhead, Barbara Weeks, Art Millan, I. Stanford Jolley, Timothy Farrell, Theresa Hancock\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWilliam Morgan\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1956\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAGFA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e65 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary Track features filmmaker Frank Henenlotter and Ed Wood biographer Rudolph Grey\u003c\/li\u003e\n\u003cli\u003eThe Violent Years Original Theatrical Trailer (1080p; 2:23)\u003c\/li\u003e\n\u003cli\u003eGutter Noir Trailers from the Something Weird Vault (1080p; 15:14)\u003c\/li\u003e\n\u003cli\u003eHellborn (1080p; 10:02) offers (silent) footage from an aborted Ed Wood feature that was shot after The Violent Years.\u003c\/li\u003e\n\u003cli\u003eBonus Movie: Anatomy of a Psycho (1080p; 1:13:48). Another film which evidently had at least some input from Wood on the screenplay. The story purportedly explores the mental breakdown of a kid whose brother is already a convicted killer.\u003c\/li\u003e\n\u003cli\u003eBooklet with vintage ephemera\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47997133226289,"sku":"HNEJST3235893","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821049442609,"sku":null,"price":79.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-01at8.37.40PM.png?v=1704163355"},{"product_id":"take-it-out-in-trade-limited-edition-agfa-010bexclusive","title":"Take It Out in Trade: Limited Edition (AGFA-010b)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEdward D. Wood Jr., Donna Stanley, Michael Donovan O'Donnell, Duke Moore, Monica Gayle, Donna Young\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEdward D. Wood Jr.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cspan data-mce-fragment=\"1\"\u003e: \u003cmeta charset=\"utf-8\"\u003eDTS-HD MA 1.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1970\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eAGFA\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e70 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary Track with Filmmaker Frank Henenlotter, Ed Wood's Biographer Rudolf Grey, and AGFA's Joseph A. 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Baiwir\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish Stereo\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr 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data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eDark Star\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e105 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"The Shining, Carrie, It, Misery, Stand by Me; More than 60 of Stephen King’s novels have been adapted into films. King On Screen pulls back the curtain and offers an intimate sit down with the filmmakers who brought King’s stories to life.\"}' data-sheets-root=\"1\"\u003eMaking of First Trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eFirst Trailer\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e77m version of the film\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDeleted shot from the Intro\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePhoto Gallery BTS\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLong Commentary of the Intro\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMaking of Shooting Maine Intro\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCutting Room Floor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47997191520561,"sku":"HNEJST3235895","price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821045870897,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-01at9.04.23PM.png?v=1704164701"},{"product_id":"mail-order-murder-the-story-of-w-a-v-e-productions-limited-edition-sc-001exclusive","title":"Mail Order Murder: The Story Of W.A.V.E. Productions - Limited Edition (SC-001)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTina Krause,Debbie D,Pamela Sutch,Michael Raso,Ron Bonk,Pete Jacelone\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eWilliam Hellfire, Ross Snyder\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eENGLISH: LPCM 2.0 (48kHz, 16-bit)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.78:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG-13\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2020\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSaturn's Core Audio \u0026amp; Video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e6\/29\/2021\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e97 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary features directors Ross Snyder and William Hellfire.\u003c\/li\u003e\n\u003cli\u003eExtended Interviews (15:37, HD) offer additional thoughts from Gary Whitson, Pam Sutch, Michael Raso, Michael Gingold, Laura Giglio, Tina Krause, and Josh Schaefer.\u003c\/li\u003e\n\u003cli\u003e\"The Video Makers\" (10:47, SD) is a vintage cable access T.V. show featuring an interview with Gary Whitson and Aven Warren.\u003c\/li\u003e\n\u003cli\u003e\"I Want You In My Life\" (7:09, SD) is a music video from Debbie D.\u003c\/li\u003e\n\u003cli\u003e\"Wave of Terror\" (49:15, SD) is a W.A.V.E. release featuring the short films \"Road Kill\" and \"Hadley's Hellhole.\"\u003c\/li\u003e\n\u003cli\u003eTrailer (3:12, HD)\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47997299654961,"sku":"HNEJST3235897","price":21.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821041611057,"sku":null,"price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-01at9.32.34PM.png?v=1704166695"},{"product_id":"scrapbook-limited-edition-sc-030exclusive","title":"Scrapbook: Limited Edition (SC-030)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEmily Haack, Tommy Biondo, Todd Tevlin, Elizabeth Hammock\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEric Stanze\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish DTS-HD MA 2.0\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1999\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSaturn's Core Audio \u0026amp; Video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e95 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eNew 2023 commentary track by director Eric Stanze\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eArchival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e“Afterword: A Look Back at Scrapbook” - a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003e“The Making of Scrapbook” - archival documentary from 2005\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scene\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eBehind the scenes stills montage\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eEric Stanze \/ Wicked Pixel Cinema trailer vault\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-New 2023 commentary track by director Eric Stanze\\n-Archival commentary track by director Eric Stanze, actress Emily Haack, \u0026amp; producer Jeremy Wallace \\n-“Afterword: A Look Back at Scrapbook” -a new 2023 retrospective documentary directed by Jason Christ (Savage Harvest 2) featuring interviews with director Eric Stanze and actress Emily Haack \\n-“The Making of Scrapbook” -archival documentary from 2005\\n-Deleted Scene\\n-Behind the scenes stills montage \\n-Eric Stanze \/ Wicked Pixel Cinema trailer vault\\n-Reversible sleeve\\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":15357,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":0,\"11\":0,\"12\":0,\"14\":{\"1\":3,\"3\":1},\"15\":\"Calibri\",\"16\":11}'\u003eReversible sleeve\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47997361127729,"sku":"HNEJST3235899","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52821038694705,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-01at9.51.39PM.png?v=1704167540"},{"product_id":"sons-of-steel-limited-edition-umb-010exclusive","title":"Sons of Steel: Limited Edition (UMB-010)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRob Hartley, Roz Wason, Jeff Duff, Dasha Blahova, Ralph Cotteril, Mark Hembrow, Elizabeth Richomd, Wayne Snell\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eGary L. Keady\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eENGLISH: DTS-HD Master Audio 2.0\u003cbr data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e1.85:1\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2 (BD\/CD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUnrated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1988\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eUmbrella Entertainment\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e96 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eCD Soundtrack is included.\u003c\/li\u003e\n\u003cli\u003eBooklet (14 pages) contains a preview for the comic book \"Sons of Steel: Future's End.\"\u003c\/li\u003e\n\u003cli\u003eIsolated Score is offered.\u003c\/li\u003e\n\u003cli\u003e\"Open Gate\" (96:35, HD) is an alternate cut of \"Sons of Steel.\"\u003c\/li\u003e\n\u003cli\u003eMaking Of (37:05, HD) video essay from director Gary L. Keady, who takes viewers through his personal history and connections to the world of music, working his way to the \"Sons of Steel\" production experience. Beginning his career in music production, Keady found his way to film, trying to score attention with the short \"Knightmare,\" which was shown before screenings of \"Dune\" in 1985. Taking \"Knightmare\" everywhere, Keady was focused on crafting a feature, spending years putting some form of \"Sons of Steel\" together. Dealing with casting issues, union problems, and technical challenges, Keady managed to achieve his dream. However, compromise was encountered, and the helmer details many problems and hardships encountered along the way. Post-production is detailed, along with release issues, and the picture's cult appreciation continues in the literary realm as Keady continues to develop the \"Sons of Steel\" world to this day.\u003c\/li\u003e\n\u003cli\u003e\"Knightmare\" (12:55, SD) is a short film directed by Gary L. Keady, with Yahoo Serious credited at the assistant director.\u003c\/li\u003e\n\u003cli\u003e\"MTV Goes to the Australian Premiere\" (15:13, SD) finds the cable channel covering the 1988 premiere of \"Sons of Steel,\" which they describe as \"nothing like 'Crocodile Dundee',\" selling the uniqueness of this production as it goes into release, with potential for world domination. Red Carpet interviews are collected, including actor Jeff Duff, who's a little bothered by the process, acting hostile toward the interviewer. Cameras head into the theater to catch post-screening reactions, finding moviegoers coming out in a daze, trying to say nice things about the feature.\u003c\/li\u003e\n\u003cli\u003e\"Access All Areas\" (29:52, SD) collects BTS footage on \"Sons of Steel,\" capturing workout sessions and the construction of scenes. Displays director Gary L. Keady in action, working with cast and crew. On-set camaraderie is also highlighted.\u003c\/li\u003e\n\u003cli\u003e\"Sons of Steel Destroys The Movie Show\" (13:45, SD) is a clip from a film review show, where the hosts try to make sense of a feature what wasn't made for \"oldies\" like the critics. Also included is an interview with director Gary L. Keady, who explores casting and music, working with MTV-inspired trends to create a flashy picture for young audiences.\u003c\/li\u003e\n\u003cli\u003eMusic Videos (SD) offer \"Fighting for You\" (4:00) and \"Parallel Worlds\" (3:53).\u003c\/li\u003e\n\u003cli\u003eTrailer (1:56, HD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":47997445833009,"sku":"HNEJST3235902","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52211599900977,"sku":null,"price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-01at10.18.18PM.png?v=1704169134"},{"product_id":"angel-limited-edition-1984vs-299aexclusive","title":"Angel: Limited Edition (1984)(VS-299A)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\" style=\"height: 1645.91px;\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDonna Wilkes, Rory Calhoun, Susan Tyrrell, Cliff Gorman, Dick Shawn\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRobert Vincent O’Neil\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e: DTS-HD Master Audio 2.0 (96kHz, 24-bit)\u003cbr data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0 (448 kbps)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1983\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e93 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\" style=\"height: 1332.41px;\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Discovering an Angel\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(30:14, HD) is an interview with co-writer\/director Robert Vincent O'Neil, who initially shares his industry history as a set dresser, impressing the likes of Richard Rush with his talents, encouraging him to move up to a helming career. Directorial challenges are presented, with O'Neil carful about planning to make the most of his limited budgets and equipment, while \"Angel\" presented the issue of working without a permit on Hollywood Boulevard, necessitating speed and some cooperation from the local cops. Character inspirations are revealed, as the image of an underage prostitute fueled the early days of writing, and casting is explored, with John Diehl sharing his special egg- sucking gift to win the role of the killer. Technical achievements are noted, and an appreciation for Craig Safan's score concludes the conversation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Playing Both Sides\"\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e(12:09, HD) sits down with Donna Wilkes, who was working on a soap opera when she won the titular role in \"Angel.\" She recalls her audition and her personal research with Hollywood Boulevard prostitutes, aiming to bring authenticity to her performance. Wilkes details her relationship with O'Neil, praising the director and his availability, and she recalls the breakneck pace of production, which was completed in a matter of weeks. Answering a major question about the making of \"Angel,\" the interviewee shares the experience of running down a crowded street with a prop gun, frightening those unaware a movie was being made. Co-stars are assessed, with cast camaraderie fondly remembered. Wilkes highlights her life after the film, turning down the sequels to eventually close her career, valuing the importance of motherhood and all the focus it requires.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"A Chance Meeting\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(16:48, HD) is a chat with co-writer Joseph Michael Cala, who details his early life and career before getting into the business, sharing an educational history with O'Neil, making for a comfortable partnership. While hatching the idea for \"Angel\" was easy, Cala shares his anxiety over the production's swift development, with the screenplay written in January and the film completed in June. The interviewee talks inspirations, including \"The Wizard of Oz,\" with Angel the Dorothy figure surrounded by her fantasy pals, and he praises O'Neil's work ethic as a director, especially during his cameo as a porn theater manager. Safan's score is commended, along with the cast. Cala recalls his initial viewing of \"Angel,\" and its unexpected box office performance, knocking rival \"Hot Dog: The Movie\" out of large theaters in Los Angeles when audience demand increased.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Angel's Theme\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(9:50, HD) is a discussion of music with composer Craig Safan, who had five days to fully rescore \"Angel,\" working furiously to complete the job. Early interest in music led to a curiosity about a potential career, getting his start with an unreleased John McTiernan horror film. Highlighting the challenges of \"Angel,\" Safan describes his plan to break down moods and deal with different instruments. The project boosted his developing career, joining \"The Last Starfighter\" as calling cards for future employment. Safan also lovingly examines ancient equipment used in the 1980s to record and master audio.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eDeleted Scenes and Outtakes\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(6:35, HD) are an assortment of lost moments from \"Angel,\" presented without sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eTheatrical Trailer (1:48, HD)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48006001525041,"sku":"HNEJST3235918","price":23.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover V-M","offer_id":52009155428657,"sku":null,"price":67.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/121015_slip.jpg?v=1704251834"},{"product_id":"avenging-angel-limited-edition-vs-299bexclusive","title":"Avenging Angel: Limited Edition (VS-299B)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003e Actors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eBetsy Russell, Rory Calhoun, Susan Tyrrell, Ossie Davis, Robert F. Lyons, Ross Hagen\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eRobert Vincent O’Neil\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0 (448 kbps)\u003c\/span\u003e\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1984\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\" data-mce-style=\"color: #ff2a00;\"\u003e12\/26\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e93 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Chasing an Angel\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(8:44, HD) is a discussion of \"Avenging Angel\" with co-writer Joseph Michael Cala and co-writer\/director Robert Vincent O'Neil. With 1984's \"Angel\" a significant hit for producer Sandy Howard, the moneyman quickly reminded O'Neil of his contractual duty to make a sequel, forcing the helmer back into action mere months after the release of the original film. O'Neil and Cala couldn't put together a respectable screenplay, while Howard rushed the movie into production, getting rid of \"Angel\" star Donna Wilkes when she asked for a pay raise. Confronted with new star Betsy Russell, O'Neil had to change his approach, dealing with an inexperienced actress who didn't have the same presence as Wilkes. The interviewees share their frustration with the picture, which ended up becoming a hit in Europe. There's also a brief discussion of the \"Angel\" franchise, with the next two sequels moving on without their participation.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003e\"Street Smarts\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(10:01, HD) spends time with actress Betsy Russell, who shares her early professional accomplishments before making her screen debut in \"Private School.\" While auditioning for \"Avenging Angel,\" Russell wasn't a seasoned performer, basically tasked with learning to act while making the feature, receiving help from co-star Robert F. Lyons. Russell shares her limited memories of the film shoot and her co- stars, as she was a bit too young at the time to appreciate the people she was working with. There's talk of the gunplay in \"Avenging Angel,\" and her career ambitions after production ended, growing tired of the B-movie routine. Transitioning to motherhood, Russell stepped away from the profession, only to be pulled back in by her boyfriend, who offered her a part in \"Saw III,\" which he was producing. The interviewee also mentions her kids and their avoidance of her features, especially ones with nudity, and she's careful to note that \"Avenging Angel\" has a fanbase, against all odds.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eTheatrical Trailer (2:36, HD)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48006092226865,"sku":"HNEJST3235919","price":23.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover V-M","offer_id":52009168666929,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/256147_slip.jpg?v=1704252114"},{"product_id":"existenz-4k-limited-edition-vs-454exclusive","title":"eXistenZ 4K: Limited Edition (VS-454)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eJude Law, Jennifer Jason Leigh, Willem Dafoe, Ian Holm, Sarah Polley, Christopher Eccleston, Don McKellar, Callum Keith Rennie\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDavid Cronenberg\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish 5.1 Surround + 2.0 Stereo\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1999\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e11\/28\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e97 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBrand new commentary track with film historian Dr. Jennifer Moorman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival commentary track with director David Cronenberg\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival commentary track with cinematographer Peter Suschitzky\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival commentary track with visual effects supervisor Jim Isaac\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Crafting (un)Reality\" (22 min) - a brand new interview with art director Tamara Deverell on building the worlds of eXistenZ\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Frankenstein Syndrome\" (9 min) - a brand new interview with make-up effects artist Stephan Dupuis on bringing eXistenZ to life\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Sticking with Genius\" (10 min) - a brand new interview with producer Robert Lantos\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"The Art of the Title\" (7 min) - a brand new interview with opening title designer Robert Pilichowski\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Frame by Frame: The Invisible Art of Production Designer Carol Spier\" (48 min) - archival featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival Promotional Featurette (7 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival Special Effects Featurette (4 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePromotional \u0026amp; behind-the-scenes still gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eArchival EPK interviews with: director David Cronenberg (4 min), actor Jude Law (15 min), actress Jennifer Jason Leigh (2 min), actor Willem Dafoe (7 min) and visual effects supervisor Jim Isaac (28 min)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e40-page perfect bound book (\u003cem\u003eexclusive to the Limited Edition Slipcase\u003c\/em\u003e) with essays by Justin LaLiberty and Jon Dieringer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48007751434545,"sku":"HNEJST3235926","price":39.99,"currency_code":"USD","in_stock":false},{"title":"New - Limited Edition Slip Cover","offer_id":52820982497585,"sku":null,"price":114.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/349919_slip.jpg?v=1704256160"},{"product_id":"southern-comfort-4k-limited-edition-vsu-008exclusive","title":"Southern Comfort 4K: Limited Deluxe Edition (VSU-008)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" style=\"height: 766px;\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr style=\"height: 39px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eKeith Carradine, Powers Booth, Fred Ward, T.K. Carter, Peter Coyote, Lewis Smith\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eWalter Hill\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1981\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e106 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 478px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e4K UHD presented in High-Dynamic-Range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm interpositive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eBooklet\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(18 pages) includes an essay by Brian Brems.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003efeature film critic Walter Chaw.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"Battle in the Bayou\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(17:26, HD) is a video conference discussion of \"Southern Comfort\" with director Walter Hill. The interviewee details his boyhood love of moviegoing, motivating him to join the film industry. And early work is detailed, including \"Hard Times,\" which served as inspiration of \"Southern Comfort,\" spending years developing the script. Admitting the writing intended to serve as a metaphor for the Vietnam War, Hill and his crew worked to match such footage, and he also celebrates technical achievements from beloved collaborators. Talk of the \"Southern Comfort\" ending is shared, and Hill recalls his feelings about the picture's disastrous marketing and release.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"Behind Enemy Lines\" \u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(26:02, HD) is a dual interview with editors Freeman Davies and Lisa Zeno Churgin. Davies began his career thanks to his father, who worked at MGM, offering his son an opportunity to join the film business. He worked his way up in the industry, proving his capabilities, eventually recruited for \"Southern Comfort.\" Churgin secured an apprenticeship to join the world of editing, eventually connected to Davies as he began work for director Walter Hill. The interviewees share memories of the shoot, finding the cast dealing with the bitter cold while the editors enjoyed the warmth of a hotel room, piecing the feature together. Technical challenges are identified, and an appreciation for Hill's professionalism is supplied, making a relatively simple movie with specific creative needs. Churgin and Davies also offer their thoughts on film vs. digital filmmaking.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"Soldiers, Not Mailmen\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(17:17, HD) is an interview with costumer Dan Moore, who initially connected with director Walter Hill on \"The Long Riders,\" following the helmer to \"Southern Comfort.\" Dealing with tough shooting conditions, Moore recalls the \"challenge\" of making the picture, enjoying the \"band of brothers\" atmosphere of the shoot. The origin of the military uniforms is recalled, with authenticity important to Moore, researching what he needed for the endeavor. With only one outfit for each actor, daily pressure to keep things warm and dry was present during the shoot. Memories of Hill are shared, identifying his collaborative nature.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"Into the Unknown\"\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(15:00, HD) is a discussion of Walter Hill and \"Southern Comfort\" with film historian Wayne Byrne.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMaking Of\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(27:12, HD) is a look at the creation of \"Southern Comfort,\" featuring interviews with director Walter Hill (appearing via video conference), producer David Giler (appearing via video conference), and actors Keith Carradine, Powers Boothe, Peter Coyote, and Lewis Smith. Topics include the influence of the Vietnam War on the material, characterization, the potency of violence (Coyote openly objects to Hill's stylized take on brutality), Hill's storytelling interests and obsessions, the punishing shooting locations, and the trouble that comes when working with dogs.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eImage Gallery\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(5:46) collects film stills, publicity shots, BTS snaps, and poster art.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTheatrical Trailer (2:09, SD)\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":51789227360561,"sku":"HNEJST3235930","price":32.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":51789227393329,"sku":"HNEJST324069350","price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/352023_slip.jpg?v=1710696600"},{"product_id":"little-darlings-4k-limited-edition-cin-001exclusive","title":"Little Darlings 4K: Limited Edition DigiBook (CIN-001)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eTatum O'Neal, Kristy McNichol, Armand Assante, Matt Dillon, Cynthia Nixon\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRon Maxwell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free (BD Region A)\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2.35:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1980\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e96 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eBooklet (40 pages) offers essays by Quatoyiah Murry and Kate Hagen, and a comic strip by Nicole Testa LaLiberty.\u003c\/li\u003e\n\u003cli\u003eCommentary #1 features director Ron Maxwell.\u003c\/li\u003e\n\u003cli\u003eCommentary #2 features podcaster Millie De Chirico.\u003c\/li\u003e\n\u003cli\u003e\"Art and Business\" (54:33, HD) is an interview with director Ron Maxwell. The interviewee shares his career opportunities in the 1970s, going from work as Charlton Heston's assistant to time with theatrical productions turned into public television specials. In 1978, Maxwell was put in charge of \"Verna: USO Girl,\" a television production starring Sissy Spacek and William Hurt. Dealing with Hollywood \"false starts\" on a number of follow-up projects, the helmer landed \"Little Darlings,\" newly tasked with maintaining a seriocomic approach to the material, with the studio wanting another \"Meatballs.\" Maxwell does a deep dive into casting, dealing with two talented but different performers in McNichol and O'Neal, who were able to communicate the delicate ideas in the screenplay. Technical goals are analyzed, including the use of widescreen cinematography, while Maxwell was very careful with his close-ups, always attentive to character. Director cut blues are shared, with executive Don Simpson demanding a more mainstream picture, but a test screening managed to change the fate of Maxwell's cut. Soundtrack and scoring highlights are noted, along with complications involved in the rights to these songs, taking \"Little Darling\" out of home video circulation for decades. The conversation closes with an overview of the television cut that was prepared without Maxwell's involvement.\u003c\/li\u003e\n\u003cli\u003eT.V. Version Intro (11:14) is an audio discussion of the network version of \"Little Darlings,\" with director Ron Maxwell providing some insight into its origin, which was assembled without him. Trying to right a wrong, Maxwell supplies fresh notes on the creation, looking back on scenes that were deleted for pacing and technical reasons. Character beats are revisited, and the general sloppiness of the T.V. cut is identified, including its pan \u0026amp; scan presentation and the crude removal of all references to virginity.\u003c\/li\u003e\n\u003cli\u003eAlternate Scenes (5:53, HD) are provided.\u003c\/li\u003e\n\u003cli\u003e\"Don't Let the Title Fool You: 'Little Darlings' Beyond the Teen Sex Comedy\" (19:47, HD) is a video essay by Samm Deighan.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48023828169009,"sku":null,"price":30.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52314222985521,"sku":null,"price":47.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/101735_front.jpg?v=1711975713"},{"product_id":"age-of-demons-limited-edition-sc-031exclusive","title":"Age of Demons: Limited Edition (SC-031)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDamon Foster, Eric Matson, Butch Portillo, Anthony Houk, Rebecca Torres\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eDamon Foster\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1993\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSaturn's Core Audio \u0026amp; Video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e77 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eCommentary features director Damon Foster.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"The Making of 'Age of Demons'\" (109:13, SD) is an extended look at the construction of the feature, with cameras capturing the creation of takes, cast and crew camaraderie, and a topless woman struggling with wrist restraints. There's a fly-on-the-wall quality here that's interesting, getting a true sense of the technical challenges facing the picture as stunts are worked out and special effects are attempted.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind The Scenes (38:59, SD) opens with a brief explanation from director Damon Wise, who tried to fill his original videotape releases with content before putting them up for sale. This collection of BTS footage, outtakes, and commentary looks to deliver some sense of the filmmaking journey for Wise and his vision for a free-for-all genre movie.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSuper 8mm Films (67:45, SD) collect early offerings of moviemaking imagination from director Damon Foster, who provides commentary for the cinematic journey.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDamon Foster Trailer Reel (48:12, SD) provides a look at the helmer's other projects, including titles such as \"Ultra Cyborg,\" \"Devils, Dragons, and Vampires,\" and \"Devils, Dragons, and Blood-Sucking Bats.\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eTrailer #1 (2:45, SD) and Trailer #2 (3:51, SD)\u003c\/span\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary with director Damon Foster moderated by film journalist William Connolly\\n-“The Making of Age of Demons” - a new feature length documentary (109 min.)\\n-Behind the scenes footage and outtakes \\n-Super 8mm works  -over an hour of Damon Foster’s early silent Super 8mm shorts with director’s commentary \\n-Damon Foster trailer vault \\n-Reversible sleeve \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eReversible sleeve\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48035388490033,"sku":"HNEJST3235933","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52820899004721,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/354645_slip.jpg?v=1710705415"},{"product_id":"blonde-death-limited-edition-bs-001exclusive","title":"Blonde Death: Limited Edition (BS-001)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eSara Lee Wade, Daniel Lench\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eJames Dillinger aka James Robert Baker\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish DTS-HD MA 2.0\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1984\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eBleeding Skull\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e98 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePreservation from the original 3\/4” tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCommentary\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003efeatures film historians Elizabeth Purchell and K.J. Shepherd.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eInterview\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(10:08, SD) is a conversation with actress Sara Lee Wade, who explores her acting career at the time of appearance in \"Blonde Death,\" happy to participate in the production. Memories of director James Robert Baker are shared, with the helmer quick to frustration when cast and crew couldn't meet his schedule. Characterization is discussed, with Wade looking to get more \"practice\" in the part, also figuring out her accent along the way. The interviewee also examines the brief shoot inside Disneyland, her hesitation with nudity, and being recognized in public.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eInterview \u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(12:13, SD) is a discussion of moviemaking with EZTV director Michael J. Masucci, who details the history of the company, with founder John Dorr committed to creating a home for video production and artful pursuits. Talk of \"Blonde Death\" is shared, including participation from director James Robert Baker, and tensions with Disney are explored, with the company eventually realizing Disneyland was used in the feature. The interviewee also provides an update on EZTV and his own career.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"Filmmakers Forum\" \u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(12:55, SD) is an episode of an old cable access program, with host Rick Pamplin welcoming EZTV founder John Dorr to the show. The interviewee discusses the origin of his company and his experience with \"video filmmaking,\" looking for a way to make movies when Hollywood wouldn't pay attention to him. Amusingly, Pamplin hammers on Dorr's inability to get something made in the industry. Dorr also details his experience with equipment and exhibition, getting a little grief about visual quality, and he explores some aspects of \"Blonde Death,\" which carried a $2,000 budget.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eJohn Dorr's 1986 Tour of EZTV\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e(9:23, SD) follows the filmmaker as he offers a look inside his West Hollywood office. Art is identified, offices are visited, and employees are encountered.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eTrailer (1:13, SD)\u003c\/b\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"• Preservation from the original 3\/4” tape master\\n• Commentary with queer film historians Elizabeth Purchell \u0026amp; KJ Shepherd\\n• Interview with star Sara Lee Wade\\n• Interview with EZTV Director Michael J. Masucci\\n• Archival interview with EZTV founder John Dorr\\n• John Dorr’s 1986 tour of EZTV\\n• Original trailer   \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48035396714801,"sku":"HNEJST3235934","price":25.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edtion Slip Cover","offer_id":52820894777649,"sku":null,"price":49.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/352025_slip.jpg?v=1710703163"},{"product_id":"dogs-dont-wear-pants-limited-edition-yvp-021exclusive","title":"Dogs Don't Wear Pants: Limited Edition (YVP-021)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePekka Strang, Krista Kosonen, Jani Volanen, Ester Geislerová, Oona Airola\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eJ.-P. Valkeapää\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eFINNISH: DTS-HD Master Audio 5.1\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e2.35:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eYellow Veil Pictures\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e105 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eIntroduction (HD, 2 minutes) - An optional introduction from writer\/director J-P Valkeapää is available when selecting the feature film.\u003c\/li\u003e\n\u003cli\u003eAudio Commentary (HD, 2 minutes) - Filmmaker J-P Valkeapää delivers a solo audio commentary.\u003c\/li\u003e\n\u003cli\u003eInterview with J-P Valkeapää (HD, 30 minutes) - From his attraction to the themes of the film to the challenges in bringing it to life on screen, Valkeapää proves himself thorough and thoughtful.\u003c\/li\u003e\n\u003cli\u003eInterview with Pekka Strang (HD, 26 minutes) - The film's leading man offers his take on the material, what drew him to the project, the difficulties faced in grappling with raw sexuality on set, and more.\u003c\/li\u003e\n\u003cli\u003eInterview with Krista Kosonen (HD, 21 minutes) - she delves more deeply into the film's thematic tug of war, sexual obsession and alt healing and grieving than her co-star or director.\u003c\/li\u003e\n\u003cli\u003eCamera Test (HD, 16 minutes) - A collection of tests that were used to determine how best to shoot some of the film's trickier scenes, particularly those with vivid colors or blazing red background lights.\u003c\/li\u003e\n\u003cli\u003eStoryboard to Scenes (HD, 25 minutes) - Three storyboard montages are available: \"Summer\" and \"Tooth\", which roll side by side with their corresponding final scenes, and a ten-minute \"Full Storyboard\" reel featuring the film's complete storyboards.\u003c\/li\u003e\n\u003cli\u003eTrailer (HD, 2 minutes)\u003c\/li\u003e\n\u003cli\u003eBooklet - Featuring an essay by writer Annie Rose Malamet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48035435184433,"sku":"HNEJST3235937","price":25.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover VG","offer_id":51821863108913,"sku":"HNEJST324069468","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-03-17at2.48.39PM.png?v=1757529273"},{"product_id":"never-surrender-a-galaxy-quest-documentary-limited-edition-etrm-018exclusive","title":"Never Surrender: A Galaxy Quest Documentary - Limited Edition (ETRM-018)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRobert Gordon, Dean Parisot, Tim Allen, Sigourney Weaver, Damon Lindelof, Greg Berlanti\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eJack Bennett\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003cbr data-mce-fragment=\"1\"\u003eENGLISH: Dolby Digital 2.0 (448 kbps)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.78:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2019\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eETR Media\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e87 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eExtended Interview (69:32, HD) with actor Tim Allen, who details his lifelong interest in sci-fi\/fantasy films, including an obsession with 1954's \"20,000 Leagues Under the Sea,\" even creating a plan for a sequel that was never made. Approached to make \"Galaxy Quest,\" Allen recalls his initial meeting with director Harold Ramis, who wasn't interested in the comedian as the lead of the picture. With a change behind the camera in Dean Parisot, Allen's interest in the material was restored, with the tone of the writing gradually changing as production commenced. Without an appreciation for \"Star Trek,\" Allen was reluctant to head in a Shatner-esque direction, dealing with physical action and stability on the moving sets. Co-stars are recalled, with Allen facing trained thespian processes, and locations are detailed, often working in the middle of nowhere. The interviewee also offers anecdotes about on-set camaraderie, misguided promotional plans for the feature, and details efforts to make a sequel to \"Galaxy Quest.\" Between answers, Allen cracks wise, trying to entertain himself with bits on a Russian army invasion (inspired by the noisy interview location) and the ridiculous reality of Marvel movies.\u003c\/li\u003e\n\u003cli\u003eExtended Interview (44:07, HD) with actress Sigourney Weaver, who recalls her casting story, forced to pursue the project, which underwent significant changes before and after filming, turned into more of a family movie to compete in the marketplace. The interviewee quickly addresses the directorial change, learning that Harold Ramis didn't want Tim Allen in the picture. Weaver is more positive about her co-star, and she goes into her own characterization, helping to create a defined screen presence, addressing Hollywood sexualization. An appreciation for director Dean Parisot is provided, and Weaver explores her relationship with visual effects over the course of her career. \"Never Surrender\" director Jack Bennett is also gifted a chance to make his dreams come true, talking Weaver into providing a clear expletive for a censored scene in \"Galaxy Quest.\"\u003c\/li\u003e\n\u003cli\u003eExtended Interview (32:33, HD) with director Dean Parisot, who has questions about the \"Never Surrender\" idea, representing the very first contact for director Jack Bennett. Talk of production camaraderie is provided, and Parisot tracks his sudden involvement in the project, picking up the material after Harold Ramis left the movie. Feeling he was being tested by DreamWorks, the interviewee explores daily pressures and challenges, also reflecting on studio management. Casting is recalled, finding Tim Allen an unusual choice for the lead role, with Kevin Kline and Alec Baldwin previously considered for the part. Different styles are also analyzed, finding Allen's comedian ways quite different from his trained co-stars.\u003c\/li\u003e\n\u003cli\u003eExtended Interview (24:21, HD) with co-writer Robert Gordon examines his ideas for \"Galaxy Quest,\" identifying various creative decisions made in the storytelling. The interviewee discusses his early connection to the script, developing the central \"Star Trek\" idea. He also delves into his time working with director Harold Ramis, catering the material to his casting ideas.\u003c\/li\u003e\n\u003cli\u003eExtended Interview (52:53, HD) is a dual chat with director Dean Parisot and co-writer Robert Gordon. The production experience on \"Galaxy Quest\" is analyzed, dealing with shifting ideas and last act issues, also encountering studio complications as an early screening failed to impress the suits. Post-production is examined, with moves made to make the feature more kid-friendly, and Parisot is candid about the dismal marketing plan for the picture. Budgetary challenges are spotlighted, with Parisot trying to get the most out of his money. Casting is celebrated, with primary focus on Allen, who was caught between his need to be funny and the material's more emotional demands.\u003c\/li\u003e\n\u003cli\u003eExtended Interview (40:07, HD) features fan Greg Berlanti.\u003c\/li\u003e\n\u003cli\u003eExtended Interview (67:53, HD) features fan Damon Lindelof.\u003c\/li\u003e\n\u003cli\u003eB-roll (1:41, HD) collects shots of interviewee office memorabilia.\u003c\/li\u003e\n\u003cli\u003eTrailer (2:09, HD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48035470770481,"sku":"HNEJST3235939","price":23.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover 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data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1977\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eCanadian International Pictures\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e88 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eScanned and restored in 2K from the 16mm interpositive by the National Film Board of Canada\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eAudio commentary featuring filmmaker and historian Stephen Broomer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOne Sister (2023, 10 min.) – New interview with Robin Spry’s sister Lib Spry\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOne Friend (2023, 13 min.) – New interview with Spry’s longtime collaborator Bob Presner\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eFive short films directed by Spry: Miner (1966, 19 min.), Change in the Maritimes (1966, 13 min.), Illegal Abortion (1967, 25 min.), Ride for Your Life (1967, 10 min.), and Downhill (1973, 36 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eThe Dowry (1969, 20 min.) – Short film written and directed by One Man co-writer Peter Pearson\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eCell 16 (1972, 14 min.) – Short film written by One Man co-writer Peter Madden\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRed Shoes (1986, 24 min.) – Short film featuring One Man co-star Carol Lazare\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBonus short: Trafficopter (1972, 10 min.)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTheatrical trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBooklet featuring a new interview with star Len Cariou\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;They called it progress.  \\nHe called it murder.    \\n\\nWhile visiting a Montreal hospital, investigative reporter Jason Brady (Lady in White’s Len Cariou) meets concerned citizen Marion Galbraith (The Fly’s Carol Lazare), who reveals that local children are being poisoned by a nearby factory. When the victims begin dying, Brady recognizes the urgency of this story, but he encounters resistance and danger at every turn. As his obsession grows, so does his relationship with Marion, causing a rift in his marriage to Alicia (Goin' Down the Road’s Jayne Eastwood), right as a series of powerful, unscrupulous forces promise violent retaliation – on Brady, his wife, and their children.    \\n\\nA year before directing the harrowing drug drama Drying Up the Streets, Robin Spry concluded his impressive run at the National Film Board of Canada with One Man, an unlikely fusion of prestige issue movie, conspiracy thriller, and Canuxploitation crime saga – that won an impressive seven Canadian Film Awards. Playing like a lost TV movie classic from the ’70s, this riff on the films of Sidney Lumet and Alan J. Pakula boasts an all-star Canadian supporting cast, including Miguel Fernandes (East End Hustle), Terry Haig (The Pyx), Jean Lapointe (Orders), Marc Legault (The Mob), Barry Morse (The Changeling), August Schellenberg (Cross Country), Sean Sullivan (The Hard Part Begins), and cult filmmaker Larry Kent (The Bitter Ash). Simultaneously witty and unsettling, this is a Canadian film like no other. \u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eReversible cover artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48035518513457,"sku":"HNEJST3235943","price":23.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52128916046129,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-03-17at2.46.10PM.png?v=1710704824"},{"product_id":"the-demon-rat-limited-edition-vsa-036exclusive","title":"The Demon Rat: Limited Edition (VSA-036)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRossana San Juan, Gerardo Albarrán, Miguel Ángel Rodríguez, Óscar Vallejo, Enrike Palma, Teresa Escobar, Victor V. Alamillo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eRubén Galindo Jr.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eSPANISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio 2.0 Mono\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.33:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1992\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e7\/25\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e96 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\"The Dangers Ahead\" (17:57, HD) is an interview with co-writer\/director Ruben Galindo Jr., who takes viewers back to the 1990s, when the local film industry was in a tough place, giving rise to \"video home\" productions, sending titles straight to the home video market. These endeavors were offered creative freedom, and Galindo Jr. attempted to address climate change in \"The Demon Rat,\" holding great fear about the planet's future at the time. Pollution inspired the story, and the interviewee discusses the state of things today, remaining anxious about waste and greed, while his personal moviemaking tastes have moved on from horror to more adult, human dramas. Some talk of \"The Demon Rat\" is shared, which was shot in three weeks on a shoestring budget, requiring the production to move fast, without stopping for luxuries. Some talk of casting achievements are offered as well.\u003c\/li\u003e\n\u003cli\u003e\"A Precautionary Tale\" (11:29, HD) is an interview with actress Rossana San Juan, who responded to the story of \"The Demon Rat,\" also sharing youthful enthusiasm for the production process with co-writer\/director Ruben Galindo Jr. Characterization is explored, with San Juan interested in the crisis of the story, repeatedly reinforcing how the fantasy of 1992 is the reality of today. Her work with props and atmosphere is recalled, including a lot of mask work around smoke. The interviewee is very passionate about drama, sharing her effort to bring her part to life, also asking viewers to value every moment they can.\u003c\/li\u003e\n\u003cli\u003e\"It's All in the Prophecy\" (12:08, HD) is an interview with actor Miguel Angel Rodriguez, who recalls a 45-year-long career in film and television, with over 400 credits to his name, working with some of the biggest stars in the industry. He praises the prescient writing of \"The Demon Rat,\" remarking on the rapidly changing world we live in today. The interviewee discusses his relationship with co-writer\/director Ruben Galindo Jr., with the pair acting brotherly during the shoot. Production demands are also noted, putting the actor through some intense moments. Costuming is recalled, using straps and boots to define his look, and co-stars are assessed. Rodriguez also explores his own COVID-19 experience, which sent him to the hospital after initially believing the pandemic was strictly politically motivated.\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Limited Edition Slip Cover","offer_id":48140125503793,"sku":"HNEJST3236053","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-17at11.14.14AM.png?v=1705511707"},{"product_id":"boggy-creek-ii-and-the-legend-continues-limited-edition-vsa-035exclusive","title":"Boggy Creek II - And the Legend Continues: Limited Edition (VSA-035)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCharles B. Pierce, Cindy Butler, Chuck Pierce Jr., Jimmy Clem, Serene Hedin\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eCharles B. Pierce\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio Mono (48kHz, 24-bit)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePG\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1983\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e5\/25\/2023\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e92 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrand new commentary track with Cryptozoology author David Coleman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Limited Edition Slip Cover","offer_id":48140141363505,"sku":"HNEJST3236054","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/ScreenShot2024-01-17at11.20.11AM.png?v=1705512044"},{"product_id":"blood-harvest-limited-edition-vs-250exclusive","title":"Blood Harvest: Limited Edition (VS-250)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003ePeter Krause, William Dexter, Tiny Tim, Itonia Salchek, Dean West, Arlene Dexter\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eBill Rebane\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e: DTS-HD Master Audio Mono (96kHz, 24-bit)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2 (BD\/DVD)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1973\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e10\/30\/2018\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e88 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eBooklet (six pages) contains an essay by Justin A. Martell.\u003c\/li\u003e\n\u003cli\u003eCommentary features producer\/co-writer Leszek Burzynski.\u003c\/li\u003e\n\u003cli\u003e\"Every Critic is Going to Butcher It\" (3:05, SD) is a meeting with Tiny Tim during a 1987 stop in Niagara Falls. The singer shares pleasantries with his fans and swigs from a 2-liter bottle of 7Up. Tiny Tim also shares information about his role in \"Blood Harvest,\" openly giving out director Bill Rebane's phone number to anyone searching for more information about the picture.\u003c\/li\u003e\n\u003cli\u003e\"Tiny Tim Performance and Interview\" (71:22, SD) is more footage from 1987, this time showcasing the singer's concert at a circus, trying to engage with the small crowd. The celebration is brought back to Tiny Tim's car, where he spends a long time discussing his career with a fan, occasionally breaking out into song and wielding a book on Vanna White. Tiny Tim soon meets up with another person, enjoying small talk about everything from music to the animal content in food.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48236180472113,"sku":"HNEJST3237653","price":23.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover V-M","offer_id":52427384815921,"sku":null,"price":69.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/215300_slip.jpg?v=1706724149"},{"product_id":"black-cat-1-2-limited-edition-vsa-041exclusive","title":"Black Cat 1 \u0026 2: Limited Edition (VSA-041)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJade Leung, Bob Wilde, Simon Yam, Robin Shou, Thomas Lam, Louis Roth\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eStephen Shin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCANTONESE: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003cbr data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio Mono (48kHz, 24-bit)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1991-1992\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e187 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cstrong\u003eBlack Cat\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCommentary features film historian Samm Deighan.\u003c\/li\u003e\n\u003cli\u003eInterview (14:12, HD) is a chat with actress Jade Leung, who lists herself as an \"actor and an action star.\" The interviewee explores her love of playing varied characters, enjoying the process of changing with different roles. Leung won the part in \"Black Cat\" after answering an ad from the production company, which was on the prowl for a fresh action star. New to acting, Leung was offered an education in action choreography and performance nuance, leaning on her co-star, Simon Yam, for help. With such inexperience, mistakes were made, and stunt challenges are recalled, including a day spent in a freezing Canadian river. Lueng also explores her time in \"Black Cat 2,\" learning to demand more out of her characters.\u003c\/li\u003e\n\u003cli\u003eInterview (13:28, HD) is a discussion of \"Black Cat\" with martial arts director Benz Kong To-Hoi. Born into a family of acrobats, the interviewee learned flexibility and daredevil instincts on the job, also making a contact in Sammo Hung. Receiving a call from director Stephen Shin for \"Black Cat,\" the choreographer was tasked with creating \"contemporary action\" for the picture, working closely with star Jade Leung, who was new to acting and weapons handling, requiring some trickery to eliminate her amateur status around powerful guns. Leung's tests of stamina are highlighted, along with the production's time in Canada, which required a greater level of safety for the actors. Technical challenges are also identified, highlighting crazier offerings of danger.\u003c\/li\u003e\n\u003cli\u003e\"Copycat? 'Black Cat' and its Influences\" (16:42, HD) is a video essay by Alexandra Heller-Nicholas.\u003c\/li\u003e\n\u003cli\u003eImage Gallery (1:54) collects poster art and film stills for \"Black Cat.\"\u003c\/li\u003e\n\u003cli\u003eAnd an English Trailer (4:34, SD) and Cantonese Trailer (3:50, HD) are included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eBlack Cat 2\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eImage Gallery (2:32) collects poster art, lobby cards, and film stills for \"Black Cat 2.\"\u003c\/li\u003e\n\u003cli\u003eAnd an English Trailer (4:34, SD) and Cantonese Trailer (3:50, HD)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48565343224113,"sku":"HNEJST3239373","price":47.99,"currency_code":"USD","in_stock":false},{"title":"New - Limited Edition Slip Cover","offer_id":52313798246705,"sku":null,"price":69.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/352439_slip.jpg?v=1711245394"},{"product_id":"red-rock-west-limited-edition-digibook-cin-002exclusive","title":"Red Rock West: Limited Edition DigiBook (CIN-002)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\" style=\"height: 1138px;\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr style=\"height: 39px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e Nicolas Cage, Dennis Hopper, Lara Flynn Boyle, Timothy Carhart, J.T. Walsh, Craig Reay\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJohn Dahl\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eENGLISH: DTS-HD Master Audio 2.0 (48kHz, 24-bit)\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion A\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1993\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e1\/30\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e98 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 850px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eBooklet (40 pages) contains essays by Jourdain Searles, Keith Phipps, and Justin LaLiberty.\u003c\/li\u003e\n\u003cli\u003eCommentary features film historian Alain Silver and filmmaker Christopher Coppola.\u003c\/li\u003e\n\u003cli\u003e\"A Thousand Miles from Nowhere\" (26:33, HD) is an interview with co-writer\/director John Dahl, who shares his introduction to noir films, using that inspiration to bring \"Red Rock West\" to life. The formation of the script is recalled, with influences coming from all places, helping to shape the mistaken identity plot and unusual characters. The interviewee walks though story points, recalling the turns of the writing, also identifying characterizations along the way. Casting is highlighted, including a mistake with Dennis Hopper, who was originally meant to play a different part, only to fall in love with Lyle, forcing a happy change on the production. Thespian quirks with Nicolas Cage are also identified. Stunt work is celebrated, helping to add some action to the production, and locations are identified, with Dahl building a few sequences from multiple places. The helmer closes with a mention of a deleted scene.\u003c\/li\u003e\n\u003cli\u003e\"Neon and Dust\" (17:17, HD) is an interview with co-writer Rick Dahl, who shares his moviegoing upbringing, getting into the world of spaghetti westerns, merging fandom with his brother, John, and his love of noir. Casting is examined, with Bridget Fonda and Matt Dillon first imagined in the lead roles. Nicolas Cage's commitment to the part and its cinematic influences is identified, and Dahl shares casting tales for Lara Flynn Boyle and Dwight Yoakam. Shooting locations are examined, with the cemetery finale shot inside an airplane hangar. The interviewee analyzes Michael's arc, struggling to find an ideal end for the character, and he shares some memories of post-production choices and forced reshoots.\u003c\/li\u003e\n\u003cli\u003eInterview (21:48, HD) is a video conference discussion of \"Red Rock West\" with editor Scott Chestnut. Topics include an initial connection with director John Dahl, the editor's work with film and video, his experience on \"Red Rock West,\" creative choices, the initial cancellation of the theatrical release, and the picture's cult longevity.\u003c\/li\u003e\n\u003cli\u003e\"Desperate Times Call for Desperate Measures\" (13:46, HD) is a video essay by Chris O'Neill.\u003c\/li\u003e\n\u003cli\u003e\"Caged In\" (9:19, HD) is a video essay by Petros Patsilivas.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48565356626225,"sku":"HNEJST3238431","price":26.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52427376427313,"sku":null,"price":84.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/56564_slip.jpg?v=1711246491"},{"product_id":"herencia-diabolica-limited-edition-dv-002exclusive","title":"Herencia Diabolica: Limited Edition (DV-004)(Exclusive)*","description":"\u003ctable data-mce-fragment=\"1\" height=\"652\" width=\"498\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e Lorena Herrera, Roberto Guinar, Holda Ramírez, Margarito Esparza, Alan Fernando, Raquel Loza\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e Alfredo Salazar\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSPANISH: DTS-HD Master Audio 2.0 Mono\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1.33:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e1993\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003eDegausser Video\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e2\/26\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e78 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd data-mce-fragment=\"1\" style=\"width: 435px;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNewly transferred and restored from the best quality archival tape master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCommentary track with film critic \u0026amp; historian Hugo Lara\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Memorias diabólicas: The Mexican Chucky\" (11 min) - an interview with actor Roberto Guinar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInside sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48565390639409,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52427325374769,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/354611_slip.jpg?v=1711247875"},{"product_id":"5-card-stud-limited-edition-vsl-007exclusive","title":"5 Card Stud: Limited Edition (VSL-008)(Exclusive)*","description":"\u003ctable height=\"652\" width=\"498\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDean Martin, Robert Mitchum, Inger Stevens, Roddy McDowall, Katherine Justice, John Anderson\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eHenry Hathaway\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eEnglish mono soundtrack\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eNot Rated\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1968\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan style=\"color: #000000;\"\u003e2\/26\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e103 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cul\u003e\n\u003cli\u003eNewly scanned \u0026amp; restored in 4K from its 35mm original camera negative\u003c\/li\u003e\n\u003cli\u003eCommentary track with author and film historian Brian Hannan\u003c\/li\u003e\n\u003cli\u003e\"Jack of All Trades\" (21 min) - film critic Walter Chaw on the films of Henry Hathaway\u003c\/li\u003e\n\u003cli\u003e\"A Woman of True Grit\" (14 min) - Lizzie Francke on screenwriter Marguerite Roberts’ legacy\u003c\/li\u003e\n\u003cli\u003e16-page booklet with an essay by Jim Healy\u003c\/li\u003e\n\u003cli\u003eReversible sleeve artwork\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48565394604337,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52427322261809,"sku":null,"price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/354609_slip.jpg?v=1711248251"},{"product_id":"the-playgirls-and-the-vampire-limited-edition-vs-459exclusive","title":"The Playgirls and the Vampire: Limited Edition (VS-459)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" style=\"height: 666.5px;\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 39.1875px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 39.1875px;\"\u003eWalter Brandi, Lyla Rocco, Maria Giovannini, Alfredo Rizzo, Marisa Quattrini, Leonardo Botta, Antoine Nicos, Corinne Fontaine\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003ePiero Regnoli\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eItalian Mono\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 50px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 50px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 50px;\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 50px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 50px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 50px;\"\u003e1960\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e2\/26\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 25px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 25px;\"\u003e81 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 302.312px;\"\u003e\n\u003ctd style=\"width: 109.516px; height: 302.312px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 424.484px; height: 302.312px;\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm fine grain master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in its original Italian language mono soundtrack with newly translated English subtitles as well as an English dub mono soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Striptease Gothic\" (26 min) - a conversation with Mark Thompson Ashworth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “The Playgirls and the Vampire” opening title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Curse of the Vampire” opening title\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Des filles pour un vampire” French title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48565400568113,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52427318231345,"sku":null,"price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/354607_slip.jpg?v=1711248589"},{"product_id":"spanish-blood-bath-night-of-the-skull-violent-blood-bath-the-fish-with-the-eyes-of-gold-limited-edition-vs-461exclusive","title":"Spanish Blood Bath: Night of the Skull \/ Violent Blood Bath \/ The Fish with the Eyes of Gold: Limited Edition (VS-461)(Exclusive)*","description":"\u003ctable width=\"498\" height=\"652\" style=\"height: 560px;\" data-mce-fragment=\"1\"\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVBB: Fernando Rey, Marisa Mell, Máximo Valverde, Espartaco Santoni. NOTS: Alberto Dalbés, Evelyne Scott, William Berger, Maribel Hidalgo. Fish: Wal Davis, Norma Kastel, Ada Tauler, Ricardo Vázquez\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eJorge Grau (VBB), Jess Franco (NOTS), Pedro L. Ramírez (Fish)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cspan\u003eSpanish: DTS-HD Master Audio 2.0 Mono\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish: DTS-HD Master Audio 2.0 Mono\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eRegion Free\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1.85:1\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 50px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eNot Rated\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 50px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e1974\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003eVinegar Syndrome\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e2\/26\/2024\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 25px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e258 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 210px;\" data-mce-fragment=\"1\"\u003e\n\u003ctd style=\"width: 111px;\" data-mce-fragment=\"1\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\" data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eNewly scanned \u0026amp; restored in 4K from its 35mm fine grain master\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePresented in its original Italian language mono soundtrack with newly translated English subtitles as well as an English dub mono soundtrack\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\"Striptease Gothic\" (26 min) - a conversation with Mark Thompson Ashworth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOriginal trailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “The Playgirls and the Vampire” opening title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Curse of the Vampire” opening title\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAlternate “Des filles pour un vampire” French title sequence\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eStill gallery\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReversible sleeve artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"New - Standard Edition","offer_id":48565406794033,"sku":"HNEJST3238433","price":32.99,"currency_code":"USD","in_stock":true},{"title":"New - Limited Edition Slip Cover","offer_id":52427313217841,"sku":null,"price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/354610_slip.jpg?v=1711248864"}],"url":"https:\/\/bluraysforeveryone.com\/collections\/vinegar-syndrome-oop.oembed?page=21","provider":"Blurays For Everyone","version":"1.0","type":"link"}