{"product_id":"cruising-4k","title":"Cruising 4K","description":"\u003ctable style=\"height: 498.188px;\" width=\"498\" height=\"652\"\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eActors:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eAl Pacino, Paul Sorvino, Karen Allen, Richard Cox, Don Scardino, Joe Spinell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eDirector:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eWilliam Friedkin\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eLanguage:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eENGLISH\u003cmeta charset=\"utf-8\"\u003e: DTS-HD Master Audio Mono\u003cbr\u003eENGLISH: DTS-HD Master Audio 2.0\u003cbr\u003eENGLISH: DTS-HD Master Audio 5.1\u003c\/span\u003e\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eSubtitles:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eEnglish\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eRegion:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eRegion Free (BD Region A)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eAspect Ratio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1.85:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eNumber of Discs:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eRating:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 39.1875px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eOrig Release Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e1993\u003cbr\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eStudio:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003eArrow\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eRelease Date:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e1\/20\/2026\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 19.5938px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eRun Time:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e102 Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 184.688px;\"\u003e\n\u003ctd style=\"width: 111px;\"\u003eSpecial Features:\u003c\/td\u003e\n\u003ctd style=\"width: 435px;\"\u003e\n\u003cp\u003e\u003cstrong\u003e4K UHD Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCommentaries and Alternative Audio\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eArchival Audio Commentary by Director William Friedkin (2007)\u003c\/li\u003e\n\u003cli\u003eArchival Audio Commentary by Director William Friedkin, moderated by critic and broadcaster Mark Kermode (2019)\u003c\/li\u003e\n\u003cli\u003eThere Were Cops, a Dark Bar, and Al Pacino. . . is a compilation of interviews discussing the soundtrack with Don Bolles, Kenny Margolis, Louis X. Erlanger, Carole Pope, Madelynn Von Ritz, Shawn Casey O'Brien and Jonathan Hertzberg. This is newly produced.\u003c\/li\u003e\n\u003cli\u003e'Heavy Leather' Alternate Score is from a Pentagram Home Video release from 2019, and is presented here for the first time as a feature length soundtrack. In DTS-HD Master Audio 2.0.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Backroom — Cut, Alternate and Deleted Scenes\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eDeleted Scenes\n\u003cul\u003e\n\u003cli\u003eWhy Take the Job? — Deleted Scene (HD; 00:56) is in black and white.\u003c\/li\u003e\n\u003cli\u003eNight Stick — Deleted Scene (HD; 3:35) is an illustrated audio only scene.\u003c\/li\u003e\n\u003cli\u003ePorno Booth Scene — Additional Footage (HD; 2:40) is in black and white.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOriginal On Set Audio\n\u003cul\u003e\n\u003cli\u003eA Piece of Work (HD; 10:38) is an interview with on set sound mixer Kim Ornitz.\u003c\/li\u003e\n\u003cli\u003eOn Set Audio — Protesters (HD; 1:48)\u003c\/li\u003e\n\u003cli\u003eOn Set Audio — Club Scenes (HD; 00:33)\u003c\/li\u003e\n\u003cli\u003eOn Set Audio — Killer's Voice (HD; 00:21)\u003c\/li\u003e\n\u003cli\u003eOn Set Audio — Apartment Audio (HD; 1:29)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAlternate Elements\n\u003cul\u003e\n\u003cli\u003eFrench Disclaimer Card (HD; 00:59)\u003c\/li\u003e\n\u003cli\u003eFrench Credit Roll (HD; 4:02)\u003c\/li\u003e\n\u003cli\u003eSpanish Disclaimer Card (HD; 00:37)\u003c\/li\u003e\n\u003cli\u003eAlternate English End Credits (HD; 1:09)\u003c\/li\u003e\n\u003cli\u003eAlternate Introduction — Comparison (HD; 1:13)\u003c\/li\u003e\n\u003cli\u003eAlternate Introduction — 2006 Restoration (HD; 1:09)\u003c\/li\u003e\n\u003cli\u003eAlternate Introduction — 2018 Restoration (HD; 1:11)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCensored Material\n\u003cul\u003e\n\u003cli\u003eCensored Scene Reel 02a — Comparison (HD; 1:38)\u003c\/li\u003e\n\u003cli\u003eCensored Scene Reel 02a — Complete (HD; 1:42)\u003c\/li\u003e\n\u003cli\u003eCensored Scene Reel 03 — Comparison (HD; 1:55)\u003c\/li\u003e\n\u003cli\u003eCensored Scene Reel 03 — Complete (HD; 2:11)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eArchival Extras\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eThe History of Cruising (HD; 21:05)\u003c\/li\u003e\n\u003cli\u003eExorcising Cruising (HD; 22:31)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTrailers and Promotional Items\n\u003cul\u003e\n\u003cli\u003eTrailers\n\u003cul\u003e\n\u003cli\u003eTeaser (HD; 1:13)\u003c\/li\u003e\n\u003cli\u003eTheatrical Trailer (HD; 3:29)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eTV Spots\n\u003cul\u003e\n\u003cli\u003eTV Spots (HD; 2:13)\u003c\/li\u003e\n\u003cli\u003eTest TV Spots (HD; 2:38)\u003c\/li\u003e\n\u003cli\u003eTV Spot Optical Test (HD; 2:35)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003ePhoto Galleries\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003ePromotional Items (HD) subcategories, including Argentina, Australia, Belgium, France, Germany, Greece, Iceland, Indonesia, Italy, Japan, Mexico, Spain, Thailand, UK, USA and Yugoslavia.\u003c\/li\u003e\n\u003cli\u003eKey Art (HD)\u003c\/li\u003e\n\u003cli\u003eMusical Releases (HD)\u003c\/li\u003e\n\u003cli\u003eJane Wechsler On Set Sketch Gallery (HD)\u003c\/li\u003e\n\u003cli\u003eSet Items Gallery (HD)\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e1080 Disc\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eI Want to Be the Curator (HD; 38:29) is an engaging new interview with Karen Allen.\u003c\/li\u003e\n\u003cli\u003eWalking the Line (HD; 11:13) is an interesting new interview with actor and police advisor Randy Jurgensen.\u003c\/li\u003e\n\u003cli\u003eCut Offs (HD; 55:00) is an archival 2017 interview with editor Bud S. Smith. This is subtitled in English, I'm assuming because Smith can be a little hard to understand.\u003c\/li\u003e\n\u003cli\u003eWho's That Guy? (HD; 13:42) is an archival 2017 interview with actor Jay Acovone.\u003c\/li\u003e\n\u003cli\u003ePounding the Beat (HD; 46:57) is an archival 2017 interview with actor Mike Starr.\u003c\/li\u003e\n\u003cli\u003eThe Boy on the Bus (HD; 37:30) is an archival 2017 interview with actor Mark Zecca.\u003c\/li\u003e\n\u003cli\u003eMineshaft Memories (HD; 33:41) is an archival interview with Wally Wallace, manager of the Mineshaft.\u003c\/li\u003e\n\u003cli\u003eBeyondFest Q \u0026amp; A (HD; 41:10) features William Friedkin in 2022.\u003c\/li\u003e\n\u003cli\u003eBreaking the Codes (HD; 13:02) is the above mentioned \"style\" supplement, with David McGillivray exploring not just handkerchiefs but a whole host of other fashion statements, some of which might hilariously suggest that the studded belt Springsteen wears on the album cover referenced above may have held a subliminal meaning for a certain demographic.\u003c\/li\u003e\n\u003cli\u003eProduction Stills (HD)\u003c\/li\u003e\n\u003cli\u003eStop the Movie (HD; 11:51) is a silent short from Jim Hubbard capturing the protests that arose around the production of the film. This has an optional commentary from Hubbard.\u003c\/li\u003e\n\u003cli\u003eO card slipcase encloses a sturdy slipbox which itself encloses the keepcase and a really outstanding perfect bound 120 page booklet.\u003c\/li\u003e\n\u003cli\u003eFold out mini poster.\u003c\/li\u003e\n\u003cli\u003eThe keepcase encloses a mini reproduction of several pages of the screenplay.\u003c\/li\u003e\n\u003cli\u003eReversible sleeve.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Blurays For Everyone","offers":[{"title":"Default Title","offer_id":52408371773745,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0795\/8852\/4337\/files\/400086_slipback.jpg?v=1768976716","url":"https:\/\/bluraysforeveryone.com\/products\/cruising-4k","provider":"Blurays For Everyone","version":"1.0","type":"link"}