| Special Features: |
- Commentary #1 features writer/director Jeff Baena and actors Dave Franco, Aubrey Plaza, Kate Micucci, and Alison Brie.
- Commentary #2 features writer/director Jeff Baena, cinematographer Quyen Tran, production designer Susie Mancini, and costume designer Natalie O'Brien.
- "The Decameron" (HD) spotlights a 2017 personal appearance at The Strand Bookstore from writer/director Jeff Baena and actors Dave Franco and Aubrey Plaza. "Live Reading" (26:27) offers selections from the book, and "Q&A" (14:58) takes questions from the audience.
- Behind-the-Scenes Footage (8:47, HD) is offered, getting a sense of the on-set mood and professional effort.
- "On-set Antics" (4:40, HD) showcase some singing, falling, and twerking.
- T.V. Spots (1:51, HD) provide three commercials for "The Little Hours.
- Theatrical Trailer (2:06, HD) and a Red Band Trailer (2:11, HD) are included.
- Interview (11:17, HD) with writer/director Jeff Baena (interviewed by Kate Micucci) explores his early interests in the subject, developing his story over the years, though the production itself came together quickly. Baena talks casting, including interest in Micucci, which solidified during a disaster-prone lunch in Los Angeles, and he shares his love for the Italian locations, with their rich history and natural beauty. The helmer also weighs in on his favorite Italian dish. Lastly, Baena discusses his fascination with improvisation and his personal experiences with local wildlife during the shoot.
- Interview (9:08, HD) with Micucci (interviewed by Baena) spotlights the actress's already established love of nuns and religious culture, making her an easy fit for the role, and she shares her personal highlights from Italy. Baena quizzes the interviewee on her fondness for the arts, asking her to rank careers in music, acting, and illustration. Micucci also shares her thoughts on the film's nudity and extensive use of improvisation, and praises her co-stars.
- Interview (11:21, HD) with production designer Susan Mancini recalls her initial hiring, with her bilingual status helping her employment chances during the Italian shoot. She offers examples of creative challenges, and shares a strange anecdote about an eye injury she had to suffer through to help deal with another crew member's slightly more severe eye injury. Finally, Mancini is asked to name her favorite set from the film.
- Gag Reel (1:31, HD)
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