| Special Features: |
- "Paranoid in Paris" (22:38, HD) is an interview with director/actor Roman Polanski, who was stuck after the success of 1974's "Chinatown," trying to get "Pirates" made. Needing a gig, he turned to Paramount for help, assuming control of "The Tenant," reaching out to co-writer Gerard Brach to complete the script. The intent was to make the movie fast, returning to Paris, where many filmmaking memories were formed for the interviewee, who recalls his creative journey throughout the 1960s. Polanski remembers the shooting experience, handling a varied cast while taking the starring role for himself. Co-stars are highlighted, making sure to cast Americans as the "monsters" in the film. Set design and studio work are detailed, finding the helmer drawn to the visual power of the Louma crane, helping to launch the brand. Technical achievements are observed, including scoring efforts from Philippe Sarde. Polanski also recalls the picture's hostile reception at Cannes, fueled by an early access mistake made with a single journalist.
- "Waiting for the Tenant" (16:29, HD) is an interview with actor Andre Penvern, who explores his early entrance into acting, picking up some momentum after securing employment on "French Connection II." Eager to work for Roman Polanski, Penvern recalls the shooting experience of "The Tenant," which included an introduction to the Louma crane. The interviewee offers praise for the helmer, referring to Polanski as a "great, great man," also sharing his feelings about Paris, a city he left a long time ago. Technical achievements are noted, and Penvern recalls his first viewing of "The Tenant," remaining happy with the movie.
- "Room to Let" (22:24, HD) is an appreciation piece from film historian Stephen Thrower.
- "The Invisible Performer" (15:26, HD) is an interview with assistant cameraman Francois Catonne, who identifies his on- set responsibilities and details his working relationship with cinematographer Sven Nykvist, actually predicting the pair would end up employed on "The Tenant." The technical journey of the feature is explored, slightly overwhelming Catonne and Nykvist, who were used to a slower production pace. The interviewee highlights interactions with the Louma crane, and he marvels over Roman Polanksi's creative precision and technical knowledge, delighted to work for the demanding man.
- "Keeping Continuity" (5:05, HD) is an interview with script supervisor Sylvette Baudrot, who notes a similarity between the on-set demands of Roman Polanski and Jacques Tati. The interviewee shares an anecdote concerning her professionalism when handling continuity, leaving Polanski frustrated and angry. She also shares praise for the helmer and her time on "The Tenant."
- Audio Interview #1 (6:10) features author Roland Topor, which was originally recorded in 1980 by journalist Frederic Levy. The interviewee shares his feelings about the film business and Roman Polanski's handling of his first novel, identifying adaptation changes and creative achievements in the film.
- Audio Interview #2 (4:34) features co-writer Gerald Brach, which was originally recorded in 1986 by journalist Frederic Levy. The conversation focuses on his working relationship with Roman Polanski, relating to the helmer "via osmosis." Some discussion of the creative process is shared, as Polanski wasn't a writer, and Branch offers a bit of info on the creation of "Repulsion."
- "A Visit to the Locations of 'The Tenant'" (11:02, HD) is a travelogue created by David Gregory, who takes in areas of Paris used in the picture. This includes a return to a wig shop, which is still owned by the woman featured in "The Tenant."
- Video Essay (20:20, HD) is created by Samm Deighan.
- Theatrical Trailer (1:11, HD)
- Reversible sleeve artwork
- 40-page book with new essays by Patrick Dahl, Veronica Fitzpatrick, and Willow Catelyn Maclay
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